Art
2 Vancouver art organizations struggling with studio spaces amid financial woes
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Two spaces designated to the Vancouver art scene are at risk of being lost due to financial struggles.
Beaumont Studios staff said their beloved art hub is in jeopardy due to real estate costs and financial impacts lingering from the pandemic.
The studio said along with pandemic-related financial woes and the increase of rent and property tax — which has increased around 20 per cent in three years — it is dealing with “crippling overhead and debt.”
“The Beaumont Studios is more than just a building; we are a modern-day inclusive community center; a living and breathing entity that once experienced cannot be easily forgotten,” said Jude Kusnierz, the studios’ founder and creative director.
“We take an incredible amount of pride in the community that we have built together. We urgently seek your support to keep our doors open. Our creative community depends on it, and time is of the essence.”
The studio has created a fundraising campaign to try and save the studio, including a GoFundMe, which has raised $38,000 so far with a goal of $42,000.
“We are extremely grateful for your donations and for any help spreading our campaign far and wide,” Kusnierz said. “Together, we can ensure that The Beaumont Studios continues to be a vital creative hub for Vancouver’s arts community.”
Vancouver’s eatART Foundation also said it is losing its lab space on Great Northern Way, which has been its home for 15 years.
“It is with saddened hearts that we, the eatART Foundation, are informing our broader community of the impending loss of our lab space,” staff said in a release. “We are now facing the daunting challenge of finding a new home.”
The non-profit organization is asking the public for help in finding a new space or possible partners that could band together to find a space.
“Despite this news, eatART will continue to assist with innovative projects that push the boundaries of art and technology and will do their best to support the projects that are currently active at our lab,” staff said.
“Two new projects to highlight include; resident artist Sandra Bérubé’s work in progress, titled “Life is a Circus”.
“This project, made possible by the Canada Council for the Arts, is a tribute to finding the strength and courage to harness the madness life can be.”
EatART said, along with the Beaumont Studios announcement, it is clear that it is difficult for artists in Vancouver to find affordable spaces in the city.
“We hope that with the help of our community, we can find a solution to the challenge that has been placed before us,” staff said.
The B.C. Ministry of Tourism, Arts, Culture and Sports was not available for an interview on Sunday but did provide a statement regarding provincial help for the art sector.
“The last three years have been incredibly challenging for people in the arts sector in B.C. Since day one, the government has been working closely with people in the industry to understand the challenges, hear their suggestions on recovery and provide support,” a spokesperson said.
“We recognize that arts and culture are critical to the well-being of societies and support healthier and more vibrant communities.
“That’s why the province provided relief support for artists and organizations to support the B.C. arts and culture sector in building back strong.”
The province is providing $42 million for arts and culture in its 2023 budget.





Art
Françoise Gilot, Whose Art Transcended Her Relationship With Picasso, Dies at 101 – Smithsonian Magazine
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Françoise Gilot in her art studio circa 1982 in La Jolla, California
PL Gould / Images Press / Getty Images
Françoise Gilot, a lauded French artist who wrote candidly about her volatile relationship with Pablo Picasso, died this week at age 101.
“She was an extremely talented artist, and we will be working on her legacy and the incredible paintings and works she is leaving us with,” says her daughter, Aurelia Engel, to Jocelyn Noveck of the Associated Press (AP).
New York’s Metropolitan Museum of Art and Museum of Modern Art, as well as the Centre Pompidou in Paris, are some of the museums that have displayed Gilot’s art. While Picasso may have influenced her work, her artistic career began before the two met, and the unique style she created was hers alone.
A self-portrait painted by Gilot on view at a Christie’s exhibition in 2021
Born in a suburb of Paris in 1921, Gilot developed an interest in painting as a child. Her mother—who had studied art history, ceramics and watercolor painting—was her first tutor, per the New York Times’ Alan Riding. Later, she took lessons with the Hungarian-French painter Endre Rozsda. Rozsda was Jewish, and he fled Paris in 1943.
The Guardian’s Charles Darwent recounts a prophetic final exchange between the student and her teacher:
“As his train steamed out of the station, the 21-year-old Gilot wailed: ‘But what am I to do?’ Her teacher, laughing, shouted: ‘Don’t worry! Who knows? Three months from now, you may meet Picasso!’”
Gilot met Picasso when she was 21; Picasso was 61 and already a famous, established artist. Their relationship began in 1944. Gilot later recalled good memories from this early period, and Picasso’s art from this time affirms this.
But Picasso, a notorious adulterer known for his abusive behavior toward women, quickly began mistreating her. Physical violence and blatant extramarital affairs were common during their relationship, even as the couple had two children together.
When Gilot finally left him in 1953, Picasso was shocked. He reportedly told her that she would be nothing without him; she was unmoved. Gilot recounted the harrowing relationship and its end in Life With Picasso, the memoir she published in 1964.
In it, she recalled Picasso claiming that “no woman leaves a man like me.” Her response: “I told him maybe that was the way it looked to him, but I was one woman who would, and was about to.”
The memoir angered the artist so much that he cut off contact with her and their children. He tried several times—always unsuccessfully—to prevent the memoir’s publication in France.
Gilot recounted the relationship with unrelenting honesty, remembering his “extraordinary gentleness” in her memoir while commenting frankly on his abuse. Picasso introduced her to Georges Braque, Marc Chagall and Gertrude Stein, but he disparaged her value as an artist and told her that nobody would care about her when she was no longer connected to him.
Yet Gilot’s legacy reaches far beyond Picasso, and in recent years, her work has garnered much more recognition. A 1965 portrait of her daughter sold for $1.3 million at auction in 2021, per the AP.
Gilot and Picasso celebrate his 70th birthday on October 31, 1951. Bettmann / Getty Images
“To see Françoise as a muse (to Picasso) is to miss the point,” says Simon Shaw, Sotheby’s vice chairman for global fine art, to the AP. “While her work naturally entered into dialogue with his, Françoise pursued a course fiercely her own—her art, like her character, was filled with color, energy and joy.”
During her life, Gilot emphasized that she never felt trapped or controlled by Picasso. In fact, in a 2022 interview for her 100th birthday with Ruth La Ferla of the Times, Gilot said that her fierce independence informed the art she created.
“As young women, we were taught to keep silent,” she said. “We were taught early that taking second place is easier than first. You tell yourself that’s all right, but it’s not all right. It is important that we learn to express ourselves, to say what it is that we like, that we want.”
A Note to our Readers
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A visitor poses for photographs at the eco-art exhibition Anima Mundi: Soul of the World in Bangkok, Thailand, by Indonesian artist Mulyana, August 2019. Specialising in fabulous seascapes, Mulyana uses discarded metal, fabrics and materials such as rubber and plastic in his work to raise awareness of the environment.
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Art
Unveiling the Wonders of the World’s Largest Road Art Auction
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Start your collection now!
Introducing the inaugural World’s Largest Road Art Auction, a live, in-person celebration of the finest Road Art pieces globally, set to be held at Mecum Auctions’ headquarters in Walworth, Wisconsin from June 20-25. This event is the latest addition to Mecum’s annual auction schedule and is anticipated to feature over 3,000 lots, ranging from vintage soda-pop signs, classic automobilia, and antique toys to pedal cars, kiddie rides, and jukeboxes.
The picturesque venue at the Wisconsin-Illinois border peaks in its natural splendor around the summer solstice, which this year conveniently falls right after the auction kickoff on June 21. For those who’ve yet to witness the midwestern United States at this time of year, the event offers a chance to experience the vibrancy of cities, suburbs, and the countryside in full bloom.
Road Art collecting offers an extensive array of genres, presenting a rich diversity of antique treasures to explore. Be it neon signs, framed ads, pedal cars, globes, or petrol-related collectibles, there’s an artifact to spark interest for every individual with a keen eye for intriguing antiquities. The joy collectors feel when discovering a long-lost porcelain sign or a 1950s gas pump from childhood memories is truly incomparable.
While nostalgia often drives the fascination for collecting such artifacts, there are countless motivations that draw collectors to engage in this pursuit. It’s not merely the pieces collected, but the sense of community fostered through shared passion, appreciation of history, and the common bonds formed among a diverse group of enthusiasts that makes Road Art a beloved hobby.
Whether your urge to collect is to honor personal history, appreciate the style and history of items, or revel in shared interests with fellow enthusiasts, Road Art offers an appeal for all. This year, everyone is invited to participate in the first-ever World’s Largest Road Art Auction, set to take place from June 20-25 at Mecum Auctions headquarters.





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