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G.W. Annenberg Performing Arts Centre / Studio Seilern Architects – ArchDaily

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G.W. Annenberg Performing Arts Centre / Studio Seilern Architects

© Kanipak Photography


© Kanipak Photography


© Kanipak Photography


© Kanipak Photography


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© Kanipak Photography

© Kanipak Photography

Text description provided by the architects. Many institutes of learning now seek to educate through self-discovery, enabling students to consider what makes them who they are, so they may begin to take responsibility for their own development.


© Kanipak Photography

© Kanipak Photography

The design for Wellington College’s new Cultural Quarter, consists of a new 900 seated, 1,200 in total capacity Performance Arts Centre and a ‘cultural living room’, a space where students are inspired, and their education can flourish, both through formal and spontaneous performances.


© Hufton+Crow

© Hufton+Crow

The main auditorium’s circular shape is inspired by historic Greek amphitheatres, creating a building with no edges and angles: a form perpetually recessing into its landscape setting. The site is on the edge of Bracknell forest, and adjacent to some important listed building. The circular shape also helped to integrate the building within this context, acting as a hinge connecting the modern and historic campuses.


© Kanipak Photography

© Kanipak Photography


Proposed Ground Floor Plan

Proposed Ground Floor Plan


© Kanipak Photography

© Kanipak Photography

Attached to the auditorium SSA placed the new Cultural Living Room, a ‘public square’ between the campus and the forest which connects the Performance Arts Centre with the existing theatre. This space is not limited by its four walls, rather it is a public space that is vibrant, open, filled with natural light and boasting a large window overlooking the forest, inhabited by students of the arts.


© Hufton+Crow

© Hufton+Crow

When entering the Cultural Living Room, the heart of the Cultural Quarter, students will be met with spontaneous exhibitions, performances or social gatherings all set against an inspiring forest backdrop. By allowing music, dance and theatrical rehearsal to be integrated within this Cultural Living Room, it becomes a space for artistic happenings, as well as a social hub for the creative community of Wellington College.


© Kanipak Photography

© Kanipak Photography

Designed with high-quality acoustics and efficient circulation in mind, this Performance Arts Centre is the venue for students to showcase their creative talents in a formal setting. The circular shape created a collegiate atmosphere, where everyone sees each other and allowed a closer proximity to the performance than a shoebox auditorium typically would.


© Hufton+Crow

© Hufton+Crow

Putting the circulation at the perimeter allows the building to sit softly and comfortably within the landscape, giving the perception that it gently hovers above the ground. Beyond the project brief, the auditorium of the Performance Arts Centre was to overcome the obstacle of the ‘sunken effect’ of the existing theatre, caused by level differences in the terrain. This was tackled by providing a longer stepped ramp that softly winds around the circumference of the amphitheatre, not only creating an interactive approach but also a vibrant front to the campus.


© Hufton+Crow

© Hufton+Crow

The main auditorium is clad in stained timber, sitting softly alongside the dark bark vernacular textures of the forest. By situating the Cultural Quarter of the college between a dense forest and beautiful historic Victorian buildings, approaching students are met with a building emerging from the surrounding woods. Despite its capacity, the scale of the building and its careful setting into the landscape does not overwhelm students and visitors.


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© Hufton+Crow

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Penticton’s Arts Rising Festival included as BC Culture Days 10th anniversary celebration – Pentiction Western News

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Penticton’s Arts Rising Festival will be part of the upcoming BC Culture Days’ 10th anniversary celebration.

Organized by the Penticton and District Community Arts Council, the event will take place at various locations across the city on Sept. 27, running from 10 a.m. to 8 p.m. Other Okanagan city’s will also be hosting their own Culture Days events in honour of the beloved province-wide arts and culture celebration.

“This vibrant weekend of artistic expression will explore the intersections of creativity, the arts and well-being. Featuring painting, theatre, experimental performance art, literature, design, cinema, and beyond, BC Culture Days is a thrilling family-friendly weekend that builds community, fosters well-being, encourages exploration and discovery and celebrates creativity in all its forms,” states a release.

READ MORE: Arts Rising festival painting a more intimate feel

BC Culture Days will officially launch with a provincial kick-off event in Mission on Sept. 22, 2019 from 1 to 3 p.m. at the Heritage Park Centre. Mission: A Mosaic of Cultures will showcase a broad range of cultural activities by notable and emerging artists from the Mission community. In addition, the release states the cultural hub for the Okanagan and surrounding regions is A SIGNATURE IN TIME — Kelowna Arts and Culture Festival 2019 and is located at the Rotary Centre for the Arts.

Beginning at 10 a.m. on Sept. 27, Penticton residents can learn how to make paper slurry from natural materials with Harmony Paper at the Leir House, located at 220 Manor Park Ave. Song Catching with Yanti kicks off at the same location from 3 to 4 p.m.

The audience can have their say and help artist Lyse Desellier create a new painting at the Tumbleweed Gallery, located at 452 Main St., from 4 to 6 p.m. Then it’s back to Leir House for the Magic & Mystery opening night and reception, which will include a thank you party to Sharon Lawrence, who recently retired after 13 years with the council. This will take place from 6 to 8 p.m.

All events part of the BC Culture Days celebration in Penticton are free and ope to the public. For more information, or to see what other cities are doing to celebrate, visit www.culturedays.ca.

To report a typo, email: editor@pentictonwesternnews.com.

Jordyn Thomson | Reporter
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Disaster in store for Prince Rupert, announces Lester Centre of the Arts – Prince Rupert Northern View

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Disaster will be coming to Prince Rupert in April, but don’t worry, not in the literal sense.

The Lestre Centre of the Arts’ announced that Disaster! was chosen as the 2020 community musical.

Disaster!, is a musical comedy created by three-time Emmy Award nominee and SiriusXM Broadway host Seth Rudetsky.

“We chose this production to appeal not only to audiences but artists as well. We’ll be searching for performers and instrumentalists with a wide range of specialties and talents. The lighthearted script and the infectious rhythms of the score guarantee this will be fun for everyone,” stated Kristy Tillman, who will lead the musical production.

READ MORE: Council briefs: Gurney marks one year as Lester Centre’s manager, marina revenues down

The score features favourites from the 1970’s like ‘Knock on Wood’ and ‘Hooked on a Feeling’ with a “storyline set in a floating casino and discotheque”.

Tillman led the orchestra for the Lester Centre’s 2018 production of Spamalot and 9 to 5: The Musical, put on by Charles Hays Secondary School. Joining her on the Disaster! team is Hans Seidemann who will serve as the show’s artistic director. He most recently directed Neil Simon’s Rumors for the Lester Centre’s spring production.

READ AND WATCH MORE: “Spamalot” crowned a hit

“The comedic chops of Prince Rupert’s artistic community will get a thorough workout,” Seidemann stated. “The bell-bottomed A-listers who are outrageously lampooned in this story are going to infect our city with disco fever, whose side effects include dancing in the aisles.”

Dwain Harrison will oversee the show’s design and Scott Langille will serve as stage manager.

Auditions will be held at the end of October with the musical taking place in April.

READ MORE: Memorable quotes, moments, from Prince Rupert’s first TEDx


Jenna Cocullo | Journalist
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Aboriginal arts organization forced to cancel conference plans due to Ontario funding cuts – Global News

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After the Ontario government eliminated the Indigenous Culture Fund earlier in 2019, some Indigenous organizations have been left without funding.

The Aboriginal Arts Collective of Canada (AACC) previously received $25,000 from the Indigenous Culture Fund through the Ontario Arts Council (OAC). The funding was administered on behalf of the Government of Ontario through the Ministry of Tourism, Culture and Sport.

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Dawn Setford, the founder and president of the AACC, said now that the Indigenous Culture Fund has been eliminated, the organization does not have enough funding to continue some of its efforts to preserve Indigenous arts and tradition.


READ MORE:
Ontario government eliminates Indigenous Culture Fund, cuts millions for the arts

Setford said she used the money to hold a conference earlier in March to teach Indigenous women about the spirituality behind the techniques of Indigenous arts and tradition. She said they brought in elders and artists who taught the participants about drum-making, ancient basketry, porcupine quilling, and caribou tufting — important ancient Indigenous art forms lost as time passed.

Without the funding, Setford said she’s unable to hold another a similar conference in 2020.

“I won’t be holding another one next year because I don’t have that funding,” said Setford.


READ MORE:
Ford government cuts funding to Ontario Arts Council, impacting Indigenous Culture Fund

“I can’t foresee having another conference without the support of the Indigenous Culture Fund and other funds that are similar,” she said.

Additionally, Setford said there is a difference between how Indigenous individuals perceive art and how non-Indigenous people do.

“Our art is completely based on spirituality and culture. In everything we make, there’s symbolism to a story, reference to a map or a pattern,” she said.

Dawn Setford (pictured in black) at the Indigenous Art Conference in Ottawa in March at the ribbon skirt workshop.

Shrestharth Ghosh / Fuzd

The Ford government cut arts sector support to $6.5 million from $18.5 million in May. The Ontario Arts Council was set to receive $10 million less in funding in 2019, which resulted in the elimination of the Indigenous Culture Fund.

However, Setford said the Indigenous Culture Fund did more than just support the arts.

“The Indigenous Culture Fund did not just support our artistic endeavors, so when somebody sees that that programming or funding was cancelled, it’s not just that we can’t paint anymore,” she said.

“That funding was actually very sensitively directed towards reclamation of our language; mentorship that helped us to relearn and then teach our children.”

Setford said the funding was meant to help them revitalize their languages, songs, performance art and traditional art, adding the fund also helped Indigenous women to gain momentum and relearn their traditions.

“We came together, a group of a couple hundred women, and we gathered in order to make sure that the original purposes of our arts weren’t forgotten,” she said.


READ MORE:
Doug Ford to move ahead with Ontario municipal funding cuts in 2020

“That’s why this really hurts. Because generally speaking, we as Indigenous women were just getting momentum. We were just coming back to pride and not being afraid.”

A spokesperson for the Ontario Ministry of Tourism, Culture and Sport recently provided Global News with a statement regarding the cuts.

“The government believes that all artists, including Indigenous artists, play an important role in sharing cultural practices and strengthening communities’ well-being,” the statement read.

With respect to the elimination of the Indigenous Culture Fund, the spokesperson said it still supports Indigenous art in other ways.

“A $60-million investment in the Ontario Arts Council is seeing the continuation of numerous core programs that support Indigenous artists, musicians, and other individuals,” the statement continued.


READ MORE:
A list of cuts and changes Doug Ford has made this year as he tries to balance the budget

The programs cited by the government include Indigenous Arts Projects and Indigenous Presenters in the North: Music Projects.

Meanwhile, Setford said without the Indigenous Culture Fund the organization doesn’t have any other options in terms of funding.

She said the AACC is a Canada-incorporated not-for-profit organization that can’t afford to move forward and become a charity. Setford said corporations are more likely to give money to charities so they can claim it as a charity donation.

“Our funding is really limited to government sponsored councils, such as the OAC,” she said.

“Without the ICF, the Canada Council for the Arts is inundated with proposals and funding is spread thin – leaving gatherings like ours without any funding.”

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