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5 Standout Shows at Small Galleries to Discover This June

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Installation view, Jahnne Pasco-White, “mmms,” at STATION, Mebourne. Courtesy of STATION.

In soft, color-soaked textiles, Australian artist Jahnne Pasco-White develops her own twist on abstraction that considers the relationship between people and the environment. The show’s title, “mmms,” refers to a slew of natural materials, beings, and phenomena that each begin with the letter “m”—such as mammals, the Milky Way, microbes, and mush, to name a few.

Each work is a mélange of various recycled and found materials, from natural dyes, rose petals, and earth, to reclaimed acrylics and plant-based crayons. Materially and conceptually, these airy, thoughtfully constructed works embody the artist’s environmental concerns, as well as the care she puts into process, experimentation, color, and markmaking.

Soho Revue, London

June 7–30

 

 

In the fresh paintings of “Hopscotch” at tastemaking London gallery Soho Revue, rising painter Anne Carney Raines cleverly comingles an unusual mix of references—such as North American quilting traditions, skate parks, and illuminated manuscripts—to wondrous effect. Her lush, luminous canvases offer up crisp walls of patchwork patterns that give way to swathes of landscape; and stage-like scenarios with imposing tree trunks that reflect the artist’s background in scenic painting. Central to all this worldbuilding is dizzying configurations of ramps and platforms that recall the architecture of skate parks. The title “Hopscotch” alludes to the playfulness of the work, as well as the palpable rhythm that runs through it.

 

Anne Carney Raines

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The Nashville-born, London-based artist, who graduated from the Royal College of Art in 2021, is on a promising trajectory: Last year she had a solo show at Wilder Gallery; was included in group shows at Soho Revue and Kristin Hjellegjerde Gallery; and featured in the exhibition “New Contemporaries 2021” at South London Gallery.

Luigi Solito Galleria Contemporanea, Naples, Italy

May 25–July 15

 

 

Installation view, Paul Robas, “No time to explain,” at Luigi Solito Galleria Contemporanea, Naples, Italy. Courtesy of Luigi Solito Galleria Contemporanea.

Romanian artist Paul Robas inaugurates Naples gallery Luigi Solito Galleria Contemporanea’s new single-artist program SOLITO with “No time to explain,” a show of uncanny figurative paintings. Marking Robas’s debut show in Italy, the paintings are born from his observations and memories, while reflecting on the social, political, and cultural issues of the present.

 

Paul Robas

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Taken together, these works, with their skewed portrayals of anxious faces and foreboding vignettes—depicting a glimmering scissor poised to cut; an hourglass running out of sand; a tiny waist squeezed into a belt—feel like representations of our warped reality. Painted in a muted palette of pinks, purples, beiges, and blues, with Robas’s distinctive use of acrylic on wood, the works are strange, enticing, and roiling with emotion. The artist does well to encapsulate the feeling of this moment in time.

Fine Arts Work Center, Hudson D. Walker Gallery, Provincetown, Massachusetts

June 2–Aug. 25

 

 

Everyone We Know Is Here” honors the legacy of the Provincetown-based Fine Arts Work Center’s esteemed fellowship program, which has welcomed prominent emerging artists for more than 50 years. Curated by the beloved painter Heidi Hahn (who was a visual art fellow there in 2014), the group show features works by over 20 former fellows—including Jane Corrigan, Candice Lin, Bridget Mullen, and Kambui Olujimi—and channels the creativity and talent that the program inspires. A portion of proceeds from works sold will support the fellowship program.

 

“Everyone We Know Is Here”

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“This is a curatorial effort to bring together the essence of making in a very particular environment,” Hahn wrote in a statement. “I wanted to bring all different kinds of artists together in honor of a place so devoted to its artists. A sort of love letter if you will.”

Jarmuschek + Partner, Berlin

June 23–Sep. 9

 

 

 

 

Katharina Stadler’s solo show “HAPPY-GO-LUCKY” presents the artist’s abstract, color-soaked paintings that are made from stitched-together swathes of painted cotton. These refreshing works seem to sit at the intersection of color-field painting, quiltmaking, and collage, resulting in technically impressive, aesthetically striking compositions. The artist’s fine technique and facility with color result in compelling works that elicit emotions that envelop the viewer. Depending on the work, it might be joy and excitement or peace and tranquility. The works certainly set forth a novel approach to abstract painting.

 

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Stadler is a 2021 graduate of the prestigious Kunstakademie Düsseldorf, where she was a student of Thomas Scheibitz. She and four classmates were featured in a group show, “Accurate Glitch,” at Jarmuschek + Partner last year, and “HAPPY-GO-LUCKY” marks her first solo show at the gallery.

CL

Casey Lesser

Casey Lesser is Artsy’s Director of Content.

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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