Exploring galleries and museums enriches travel plans, captivating and leaving a lasting impression on those who engage with their immersive displays. This holds particularly true when journeying through Japan, where the architectural marvels themselves reflect the deep creativity of the nation’s artistic souls. A tour centered around art in Japan can guide you through stunning natural landscapes, rich traditions, and the exhilarating realm of avant-garde artistic expressions.
Here’s a quick guide to some of Japan’s most captivating art exhibits.
In Tokyo, you can find galleries showcasing celebrated Japanese artists, including Takashi Murakami with his vibrant floral portraits and the Ghibli Museum, a must-visit for fans of Hayao Miyazaki’s globally acclaimed films. Notably, Tokyo’s teamLab Planets earned the prestigious title of “Asia’s Leading Attraction” at the 2023 World Travel Awards. This immersive experience is a selfie wonderland that makes artists of us all. Colours rain down and borders melt as guests journey through surrealistic soundscapes enveloped in psychedelic landscapes. Here you can perch in a nest in space while being visually blasted by a laser light show, or wade in a pool of ethereal lily pads while refracting light with your hands.
Naoshima, known as the “Art Island” in Kagawa Prefecture, boasts numerous open-air exhibits that appear on the shore, like Yayoi Kusama’s iconic black-dotted yellow pumpkin. Galleries, sculpture gardens, contemporary art museums and architectural projects are humming with life. In Les Archives de Coeurs, stand in the Heart Room to hear Christian Boltanski’s recordings of heartbeats from around the world. The Teshima Art Museum resembles a water droplet. It is a tranquil shell harmonizing nature, art and architecture, with openings for light, wind and flowing water from rain and idle rice terraces. The Chichu Art Museum houses diverse works to admire, from Claude Monet to James Turrell. It’s a true artist’s haven.
The Adachi Museum of Art in Shimane Prefecture has been recognized by the Journal of Japanese Gardening as Japan’s number-one garden for the past twenty consecutive years. Every pebble, every leaf, every blade of grass is immaculately maintained. Along the winding path, each vantage point is more breathtaking than the one before. The long narrow windows of the garden tea house appear as poetic hanging scrolls. You could stare at this landscape all day knowing that you’re gazing upon Japan’s most captivating display of horticulture.
Aomori Prefecture’s Nebuta Museum Wa Rasse houses a gallery of illuminated floats from the Aomori Nebuta festival. Incredibly elaborate constructions depicting mythical warriors in dramatic battle scenes are made of intricately designed paper lanterns that represent a thousand years of ancient Japanese legends. The floats are massive, and exhibits introduce you to every aspect of this renowned festival. Interactive experiences include taiko drumming and a “Haneto” experience, where you can dance to Hayashi music like a high-energy Haneto dancer. There is also a hands-on Nebuta experience in which you can feel what a real Nebuta is like, or make your own digital design on a touch-screen and watch it come to life.
Nestled amidst a serene natural setting, the Sapporo Art Museum showcases the creations of local artists and actively delves into art-focused research. Adjacent to it, the Sapporo Art Park adorns the undulating green scenery with sculptures that transform their appearance depending on your perspective and the season, offering a leisurely walk through the park that’s both visually immersive and intellectually enriching. Both the garden and museum feature special and permanent exhibits of sculptures, as well as musical and theatrical productions, and educational projects in which you can experience traditional Japanese crafts such as pottery, dying, weaving, woodworking and block prints.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.