6 Picasso Shows to See This Year | Canada News Media
Connect with us

Art

6 Picasso Shows to See This Year

Published

 on

Fifty years after his death, the Cubist painter will be featured in art exhibitions in New York, Paris and Madrid.

Pablo Picasso died 50 years ago this month, on April 8, 1973. This year, the cultural wings of the French and Spanish governments will observe the anniversary by collaborating on “Celebration Picasso 1973-2023,” a collection of exhibitions across Europe and the United States that play off each other like the colors and textures of a Cubist painting. These are six shows to seek out.

Pablo Picasso’s newly restored “Le Moulin de la Galette,” circa November 1900, will be shown at the Guggenheim Museum exhibition focusing on his early life in Paris.Estate of Pablo Picasso/Artists Rights Society (ARS), New York; via Solomon R. Guggenheim Museum

The Guggenheim will focus on one year of Picasso’s life, exhibiting 10 paintings and works on paper that the artist created after arriving in Paris in the fall of 1900. The show puts particular emphasis on “Le Moulin de la Galette,” an oil painting that offers a good way to compare and contrast Picasso’s style with those of other artists: The famous dance hall that the work depicts was something of a blank canvas for avant-garde brushes, having also been painted by Vincent van Gogh, Pierre-Auguste Renoir, Ramon Casas and Henri de Toulouse-Lautrec. May 12 through Aug. 6; guggenheim.org.

“Apologia (Artemesia Gentileschi #4),” 2018, by Betty Tompkins, from a series that superimposes apologies from men accused of sexual misconduct over existing works from art history. It will be shown at the Brooklyn Museum in an exhibition that looks at Picasso’s work with a feminist eye.Betty Tompkins, via Brooklyn Museum

Here’s a novel way to land a gig curating a high-profile Picasso show: publicly take the man to task. At least that’s how Hannah Gadsby, the Australian stand-up comic whose 2018 special, “Nanette,” included a piercing bit about the artist’s misogyny, found herself with an invitation to work on this Brooklyn Museum exhibition. The show, put together by Gadsby and the curators Lisa Small and Catherine Morris, will look at Picasso’s work with a feminist eye and address, among other issues, the perils of mythologizing the masters. It will also include works from the museum’s collection of feminist art. June 2 through Aug. 24; brooklynmuseum.org.

Picasso created “Three Musicians” at Fontainebleau in the summer of 1921.Estate of Pablo Picasso/Artists Rights Society (ARS), New York; via The Museum of Modern Art

In the summer of 1921, long before garages became the settings of folkloric Silicon Valley origin stories, Picasso shacked up in one in Fontainebleau, southeast of Paris, to take on his own creative pursuits. Paintings he created there included the neo-Classical “Three Women at the Spring” and the Cubist “Three Musicians,” both of which will be presented at MoMA alongside other works and archival materials from the period. Oct. 1 through Feb. 10, 2024; moma.org.

“Woman Throwing a Stone,” 1931.Estate of Pablo Picasso/Artists Rights Society (ARS), New York; Succession Picasso; RMN-Grand Palais; Photo by Mathieu Rabeau

Anniversary celebrations are inherently backward-looking. Why not go all the way? That’s the attitude that the Musée de l’Homme in Paris seems to have taken for its Picasso show, which centers on the influence that prehistoric art — ceramics, engravings, early paintings and drawings — had on Picasso’s work. Roughly 40 Picasso pieces, including “Woman Throwing a Stone,” a 1931 oil painting, are compared with artworks by prehistoric humans — the Picassos of the Stone Age. Open now, runs through June 12; museedelhomme.fr.

Picasso’s early Blue Period “Self-Portrait” from 1901, on view at the Musée Picasso, Paris.Estate of Pablo Picasso/Artists Rights Society (ARS), New York; RMN-Grand Palais, Musée national Picasso, Paris; Photo by Mathieu Rabeau

The British fashion designer Paul Smith is the artistic director of this show, which emphasizes Picasso’s continued influence. Smith, with the curators Cécile Debray and Joanne Snrech, selected art from across Picasso’s career (including his early Blue Period “Self-Portrait” from 1901 and his 1942 found-object piece “Bull’s Head”) interspersed with works by the contemporary artists Guillermo Kuitca, Obi Okigbo, Mickalene Thomas and Chéri Samba. Open now, runs through Aug. 27; museepicassoparis.fr.

Picasso’s “Head of a Young Woman,” from 1906, toward the end of the artist’s Rose Period.Estate of Pablo Picasso/Artists Rights Society (ARS), New York; Museo Nacional Centro de Arte Reina Sofía

Like the Guggenheim, the Museo Reina Sofia (the permanent home of “Guernica”) in Madrid will zoom in on a single year in Picasso’s life. With a focus on drawings and sketchbooks, this show makes a case for 1906 as a transformational period in the artist’s career and, by extension, in the development of contemporary art. The year is considered the end of Picasso’s Rose Period, and included a chunk of time during which Picasso took a break from Paris and made a formative trip to the Catalan village of Gósol. Nov. 14 through March 4, 2024; museoreinasofia.es.

 

Source link

Continue Reading

Art

40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

Published

 on


[unable to retrieve full-text content]

40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



Source link

Continue Reading

Art

John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

Published

 on


[unable to retrieve full-text content]

John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



Source link

Continue Reading

Art

A misspelled memorial to the Brontë sisters gets its dots back at last

Published

 on

 

LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

Source link

Continue Reading

Trending

Exit mobile version