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Longtime tenants worry about loss of art, culture at Granville Island – Vancouver Sun

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Critics say independent fixtures on Granville Island are being replaced by business chains.

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Artists behind the studios and storefronts of Granville Island say they’re concerned by what they say is the steady erosion of arts and culture in the famous district under the management of the federal government.

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Critics say independent fixtures are being replaced by business chains. The long-standing Bridges restaurant, for instance, is to become home to Tap & Barrel this spring as one of four other Lower Mainland locations.

“The watering down of Granville Island is very upsetting for us artists and cultural renters,” said Pernilla Ahrnstedt, one of three female jewelry-makers behind the Aurum Argentum Goldsmiths store the last two decades.

“When I first moved to Canada in 1988 from Sweden the island was the coolest place ever. You saw artists, you could go in and see their creative processes up close during public workshops.”

Ahrnstedt and others reached out Thursday to share their concerns after Postmedia News published a story about the owner of The Smoke Shop, Chia-Ning Chen, who was given a verbal eviction notice from her space in the public market last week.

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Chia-Ning Chen serves Chris Haddock, a regular customer at The Smoke Shop (also known as The Tuck Shop), Chen’s business in the Granville Island Market in Vancouver on Feb. 16, 2022. Chen has been told her lease will not be renewed and she must leave the market within two months.
Chia-Ning Chen serves Chris Haddock, a regular customer at The Smoke Shop (also known as The Tuck Shop), Chen’s business in the Granville Island Market in Vancouver on Feb. 16, 2022. Chen has been told her lease will not be renewed and she must leave the market within two months. Photo by Mike Bell /PNG

Neighbours expressed anger online about CMHC’s decision to evict the long-time shop owner. Many told Postmedia in emails that they were shocked Chen was given a maximum of 60 days to remove her store’s inventory.

A spokesperson of Vancouver Centre MP Hedy Fry told Postmedia she was just learning about the situation Thursday. She had no immediate comment.

Granville Island, which was once a site for heavy industry, was redeveloped into a centre for arts, culture, food and artisans in the 1970s. CMHC has managed the district for the federal government since 1973.

The general manager of the island, Tom Lancaster, said the decision to evict Chen’s Smoke Shop was part of the efforts of CMHC to increase diversity, equity and inclusion.

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“We want to get back to being a very groundbreaking, innovative place where we’re grappling with some of the big problems of the world,” Lancaster said. “The problems right now with a pandemic are around isolation, people feeling disconnected from each other and a lack of focus on gathering, art, culture and theatre, so our two focal points going forward are food, and arts and culture.”

CMHC currently offers below-market rent to more than 50 artists and studios, ranging from $6.50 to $18 per square foot.

“Back when I was trying to get studio space here 21 years ago, it was the place to be. I applied three times before being accepted by a jury that included artists with studios on the island. They had a say in who came in,” Ahrnstedt said.

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Another artist operating out of Granville Island, who is currently on CMHC rent relief and asked Postmedia not to disclose their name due to fear of retaliation, said artists on the island are afraid of being replaced by big business.

“We’re clinging to what we currently have, especially since there is little studio space elsewhere in Vancouver,” they said.

Peter Braun, who has had a studio on the island since 1986 and operated New Leaf Editions, said he’s witnessed a loss of several artists studios during COVID-19.

“We saw CMHC give the B.C. Gallery of Ceramics space to commercial operators. Artist spaces are being lost,” he said.

“As a taxpayer-owned space, you’d think the goal of Granville Island’s new tenants wouldn’t be to get the largest rent payouts but to stay small and promote diversity of the arts,” said Kevin McCallister, an artist who rented a studio on the island.

“Granville Island has gone downhill. My concern is that it no longer reflects the cultural hub that it used to be.”

— With files from Joanne Lee-Young

sgrochowski@postmedia.com


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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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