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'Colonization tried to completely stamp us out': Tlingit artist celebrates traditional art in solo exhibition – CBC.ca

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For the first time in his 20 year career, Indigenous Yukon carver Calvin Morberg presented a solo exhibition at the Yukon Arts Centre on Saturday.

Morberg, part of the Dak’lawèidí (eagle clan) of the inland Tlingit Nation, said traditional art is an important aspect of his work.

“Colonization tried to completely stamp us out of existence: our culture, our language, our songs, our dance and our way of life,” Morberg said. “Because of reasons like this, I have chosen to dedicate my life to help preserving this beautiful and amazing art form. That and I just really love carving.”

He said he hopes this tradition can continue. 

“I really feel like we have a responsibility to continue carrying our traditional art form forward into the future for our young people,” said Morberg during his opening speech.

The exhibition titled Atsakú dàk nadutîn, meaning “knowledge is being brought forward.”

Calvin Morberg delivering his speech at the art exhibit opening day at the Yukon Arts Centre lobby on Saturday, March 12.

His art collection showcases a combination of wood and copper creations while immersing the spectators in the foundational Tlingit artistic traditions.

“Through the art I create, my goal is to provide insights into our Tlingit ways, our cultural resilience through time and our current artistic resurgence,” read Morberg’s description of the exhibit.

Morgberg told CBC News at the official opening it was a relief to finally have the installation open to the public.

The art on display is a multi-year combination of his artwork as it includes both older and newer pieces.

“I put a lot of my pieces in because I wanted to show people my growth as an artist,” said Morberg. 

The mentor

Among the pieces in the exhibition there is a special one called Daughter of the Creeks, showing a young woman, a salmon and carefully curated details carved into a copper shield. This was created as a collaboration between Morberg and his carving mentor, Brian Walker.

“I’m just very happy for Calvin, he is having his first big public exhibition, which is not going to be his last for sure,” said Walker.

Brian Walker and Calvin Morberg standing by the “Daughter of the Creeks.” The piece shows a young woman, daughter of the sea monster Gonakadet (Bringer of Wealth), protecting the salmon in all the small creeks and streams. (Sissi De Flaviis/CBC)

Walker explained Morberg reached out to him a couple of years ago asking him for his mentorship.

“I’ve had a number of people ask me to teach them over the years, but Calvin was the only one that came forward with a real openness and respect for the art, which made it easy to teach,” said Walker. “He was the perfect guy to come along and pass this on to.”

The duo worked together for a year with Morberg learning from Walker, but the relationship has evolved into an art work partnership since then.

The exhibit can be viewed at the Yukon Arts Centre until May 20. 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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