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Spring Arts Preview: Five must-see in art

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Thanks to a robust and always changing visual arts scene you can easily fill a weekend with visits to any number of small, medium and large galleries.

Advice on what to see is a bit of a fool’s errand as the breadth of the offerings is as big as the empty lot where the new VAG is supposed to go.

That in mind, here are a handful of shows that may pique your interest:

Lawrence Paul Yuxweluptun: Sculptures & Paintings
Macaulay & Co. Fine Art 

On until March 25

This is a chance to see one of the most exciting local artists working today. Coast Salish contemporary artist Lawrence Paul Yuxweluptun Lets’lo:tseltun’s paintings and sculptures are wonderful combinations of explosive, vibrant colour, Coast Salish imagery and storytelling.

Yuxweluptun Lets’lo:tseltun’s work is as breathtaking as it is thoughtful as it explores issues over land ownership, residential schools — which he is a survivor of — and the destruction of the environment.

Alanis Obomsawin filming Richard Cardinal: Cry from a Diary of a Metis Child (1986).
Alanis Obomsawin filming Richard Cardinal: Cry from a Diary of a Metis Child (1986). Photo by National Film Board of Canada

Alanis Obomsawin: The Children Have to Hear Another Story

Vancouver Art Gallery

April 7 to Aug. 7

Celebrated around the globe, Abenaki filmmaker and activist Alanis Obomsawin has notched 50 films in the past 50 years. Her body of work includes the documentaries Incident at Restigouche (1984) and Kanehsatake: 270 Years of Resistance (1993). Over her half-century career Obomsawin has pushed to gain social and political agency and has used public platforms to tell Indigenous stories.

This show is a survey of Obomsawin’s work from the 1960s to the present, and demonstrates her remarkable achievements in education, music, documentary cinema and activism.

Rembrandt van Rijn, Self-Portrait in a Cap, Laughing, dated 1630, is an etching from the collection of doctors Jonathan Meakins and Jacqueline McClaran.
Rembrandt van Rijn, Self-Portrait in a Cap, Laughing, dated 1630, is an etching from the collection of doctors Jonathan Meakins and Jacqueline McClaran. Photo by Denis Farley

The Collectors’ Cosmos: The Meakins-McClaran Print Collection

Audain Art Museum (Whistler)

On until May 15

The Collectors’ Cosmos: The Meakins-McClaran Print Collection provides a look at the building of one of the foremost private collections of European prints in Canada. Amassed over four decades, the heart of the collection is a wealth of 16th and 17th century Dutch and Flemish prints.

Doctors Jonathan Meakins and Jacqueline McClaran recently donated a significant portion of these works to the National Gallery of Canada, doubling the NGC’s collection of early Dutch and Flemish prints.

Now the touring version of The Collectors’ Cosmosis is at the Audain Art Museum in Whistler and features over 170 works, including prints by European masters such as Rembrandt van Rijn, Hendrick Goltzius and Jacob van Ruisdael.

The Show, Emily Carr University’s annual show of student works, runs at the ECU campus May 11 to 21.
The Show, Emily Carr University’s annual show of student works, runs at the ECU campus May 11 to 21. Photo by Emily Carr University

The Show

Emily Carr University of Art & Design

May 11 to 21

The Show is the annual unveiling of works from across all disciplines represented at ECUAD at both the undergraduate and graduate levels. So basically, every discipline in art and design will be on display in the always popular — it’s been running for decades — show.

If you need another reason to attend this glimpse at potential greatness keep in mind that many, many successful artists count ECUAD as an alma mater with the likes of Brian Jungen, Karin Bubaš, Sonny Assu, Geoffrey Farmer, Attila Richard Lukacs and Ola Volo showing in their graduating year.

Kennedi Carter’s work will be part of the As We Rise: Photography from the Black Atlantic, on at The Polygon Gallery until May 24.
Kennedi Carter’s work will be part of the As We Rise: Photography from the Black Atlantic, on at The Polygon Gallery until May 24. Photo by Kennedi Carter

As We Rise: Photography from the Black Atlantic

The Polygon Gallery

On until May 14

The international touring exhibition As We Rise: Photography from the Black Atlantic is curated by Elliot Ramsay and features more than 100 images selected from Aperture’s recently published book by the same name, and features photographs from the Wedge Collection — Canada’s largest privately owned collection committed to championing Black artists.

Bold type works include images by iconic civil rights photographer Gordon Parks, Hasselblad Award-winner Malick Sidibé, influential portraitist Carrie Mae Weems, contemporary photographer Texas Isaiah (the first trans photographer to shoot a Vogue cover), among others.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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