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Magic: The Gathering Formally Bans the Use of Generative AI in ‘Final’ Products

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Image: Lie Setiawan/Wizards of the Coast

An error in judgement earlier this year—when a D&D artist confirmed they had used generative AI programs to finish several pieces of art included in the sourcebook Glory of the Giants—saw Wizards of the Coast publicly ban the use of AI tools in the process of creating art for the venerable TTRPG. Now, the publisher is making that clearer for its other wildly successful game in Magic: The Gathering.

“For 30 years, Magic: The Gathering has been built on the innovation, ingenuity, and hard work of talented people who sculpt a beautiful, creative game. That isn’t changing,” a new statement shared by Wizards of the Coast on Daily MTG begins. “Our internal guidelines remain the same with regard to artificial intelligence tools: We require artists, writers, and creatives contributing to the Magic TCG to refrain from using AI generative tools to create final Magic products. We work with some of the most talented artists and creatives in the world, and we believe those people are what makes Magic great.”

The statement comes after Wizards of the Coast faced backlash this past August, when it was discovered that the D&D sourcebook Bigby Presents: Glory of the Giants contained multiple pieces of art that had utilized generative AI-created assets to “polish” elements of the final work. While in that circumstance Wizards chose to continue working with the artist involved in the pieces, the publisher also established a new set of guidelines “to make clear that artists must refrain from using AI art generation as part of their art creation process for developing D&D art,” as well as re-publishing an updated version of Glory of the Giants to replace the AI-assisted pieces with newly commissioned work.

The wording in the D&D statement is distinctly different to that in the one for Magic: The Gathering, which only says that “final Magic products” cannot use generative AI tools, rather than any point of the creative process as addressed by the publisher for D&D. io9 has reached out to Wizards of the Coast for clarification on whether or not generative AI can be used at any point in the creation of work for Magic: The Gathering, such as prompted text edited by a human writer, or early drafts of art that are then finalized by hand, and will update this piece if we hear more.

The Magic statement also comes in the wake of major layoffs at Wizard’s parent company Hasbro. Last week the Wall Street Journal reported that Hasbro plans to lay off 1,100 staff over the next six months across its divisions in a series of cost-cutting measures, with many creatives across Wizard’s D&D and Magic teams confirming they were part of the layoffs. Just this week, the company faced backlash for opening a position for a Digital Artist at Wizards of the Coast in the wake of the job cuts, which totaled roughly a fifth of the Hasbro’s current workforce across all of its divisions.

The job description specifically highlights that the role includes having to “refine and modify illustrative artwork for print and digital media through retouching, color correction, adjusting ink density, re-sizing, cropping, generating clipping paths, and hand-brushing spot plate masks,” as well as “use… digital retouching wizardry to extend cropped characters and adjust visual elements due to legal and art direction requirements,” which critics suggested carried the implication that the role would involve iterating on and polishing art created through generative AI. Whether or not this will be the case considering Wizards’ now-publicized stance remains to be seen.


Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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