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Paint Drippings: Everything You Missed in the Art Industry Last Week – artnet News

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Last week, Wet Paint got to the bottom of what exactly the non-gallery Gems is all about and took you behind the scenes of the art world’s high-powered lesbian and bisexual backgammon league. Here’s what else made a mark around the industry…

Art Fairs

Untitled Art Fair has been acquired by the event group South Florida Ventures, a subsidiary of Informa Markets. In 2019, Informa acquired Art Miami Fair Group, which runs Art Miami, Art Wynwood, CONTEXT, and Palm Beach Modern + Contemporary. The 2024 edition of Untitled will run from December 4 to 8. (Press release)

–The Los Angeles-based textile artist Gary Tyler has won this year’s Frieze Los Angeles Impact Prize. The award includes $25,000 and a solo presentation at Frieze Los Angeles (February 29 to March 3). Tyler’s practice largely draws on his personal experience as a wrongfully incarcerated Black man. He learned how to quilt during his 42 years behind bars (eight of them in solitary confinement); he was released from prison in 2016. (The Hollywood Reporter)

–Take a look at some of what sold at Zona Maco this year, including a $300,000 Mark Ryden piece from Kasmin, sculptures by Jose Dávila for up to $85,000 through Sean Kelly, and a piece by Julian Schnabel for$450,000 at Pace. (Artnet News)

Auction Houses

Francis Bacon’s 1963 painting Landscape near Malabata, Tangier will lead Christie’s 20th/21st Century Evening Sale in London this March with a presale estimate of £15 million to £20 million ($18.8 million to $25 million). Bacon created the work as a tribute to the love of his life, Peter Lacy. (Artnet News)

Arianna Huffington is selling Françoise Gilot’s Portrait of Geneviève with a necklace of doves (1944), estimated between £150,000 and £200,000($188,000 and $250,000), at Sotheby’s next month. Huffington says she wants Gilot to be more widely exposed as an artist in her own right, rather than remembered as Pablo Picasso’s wife. Gilot, who died last year, gifted Huffington the work in 1986; the two became friends while the latter was writing her book Picasso: Creator and Destroyer (1988). The March 6 auction will be Gilot’s first appearance in a major sale in London or New York. (Financial Times)

Francis Bacon, Landscape near Malabata, Tangier (1963). Courtesy of Christie’s Images Ltd. 2024.

Galleries

–The shuttered Simon Lee Gallery in London, which was put into court-ordered administration in the U.K. last year, owes an estimated £10 million (about $12.6 million ) to 153 creditors, including artists and other galleries, according to documents filed by its joint administrators. (Artnet News)

Massimodecarlo is expanding its footprint in Asia by opening an office space in Seoul’s Gangnam district this March. The location will offer by-appointment-only viewings. (Press release)

Ceysson & Bénétière is opening a new gallery space in Tokyo, its first location in Asia. (Artnet News)

Emmanuel Perrotin and Paris-based dealers Tom-David Bastok and Dylan Lessel announced that they have agreed to end the secondary-market collaboration they launched in Paris and Dubai in late 2020. (Artnet News)

Institutions, Biennials, and Organizations 

Front International: Cleveland Triennial for Contemporary Art, which was founded by Cleveland philanthropist Fred Bidwell in 2016, has been cancelled and the organization will be dissolved due to a lack of funding. (Artnet News)

The Hispanic Society Museum and Library in New York has appointed Mark Rosenberg as its new chairman. Rosenberg succeeds Philippe de Montebello, who significantly raised the museum’s profile over the last decade.

–The Smithsonian’s Hirshhorn Museum and Sculpture Garden has appointed Aaron Seeto its deputy director. Seeto was the founding director of Museum MACAN in Jakarta, where Venus Lau has just taken over.

–The Museum of Modern Art in New York received a $4 million fee for quietly returning a painting by Marc Chagall, once owned by a Jewish gallery in Germany during the Nazi era, to the heirs of the original owner. (Artnet News)

–After major displays at the Venice Biennale and the Carnegie International, Mire Lee has been awarded the annual commission for Tate Modern’s Turbine Hall. The installation will open October 8, during Frieze Week. (Artnet News)

Legal News

Alejandro Prevez, the man suspected of killing Brent Sikkema, has testified that the gallerist’s ex-husband paid him $200,000 to commit the murder, prompting authorities to seek the arrest of Daniel Sikkema. (Artnet News)

Tove Langridge, the owner of TW Fine Art gallery in Brisbane, Australia, has been charged with theft after he refused to return works given to him on consignment. (Artnet News)

Paint Drippings is excerpted from The Back Room, our lively recap funneling only the week’s must-know art industry intel into a nimble read you’ll actually enjoy. Artnet News Pro members get exclusive access—subscribe now to receive this in your inbox every Friday.  

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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