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Vicarious vistas – Winnipeg Free Press – Winnipeg Free Press

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Multiple times a week, amateur astronomer Richard Konrad records images of galaxies, far, far away, through the lenses of telescopes stationed in southern Spain, the Utah desert or Chile’s Rio Hurtado Valley.

Is the 62-year-old grandfather a seasoned globetrotter who taps unlimited resources to pursue his hobby of astrophotography as he sees fit? Not even close, he says with a chuckle, seated inside a Portage Avenue coffee shop five minutes from his Westwood home. Rather, Konrad is among an ever-increasing number of celestial enthusiasts who rely on public internet-based services to capture out-of-this-world, high-res images of stars, nebulae and quasars, without ever having to set foot outside their kitchen or rec room.



Hobbyist astrophotographer Richard Konrad uses the online astronomy access program Itelescope to take photos from his home. (Mikaela MacKenzie / Free Press)

“Before leaving the house for this interview, I was using a telescope in the Australian outback to try and get a picture of Messier 78,” he says, referring to a comet-like specimen situated in the constellation Orion so-named for French astronomer Charles Messier. “It was right there, only the conditions weren’t very favourable — it had been cloudy in that part of the country for two weeks — and because I had to go, it became a matter of, ‘OK, maybe next time.’”

Konrad, a married father of two adult sons, split his time growing up between Winnipeg and northern Ontario. He was living in Thunder Bay when his mother gave him a telescope as a gift for his 10th birthday. He couldn’t have cared less that it was a lesser model, likely purchased from K-Mart, he recalls. He figured out how to use it fairly quickly, and began studying the solar system for hours on end, after his parents hit the hay.


Rosette Nebula (Richard Konrad photo)
Rosette Nebula (Richard Konrad photo)

Describing himself as “single-focused,” he parked his telescope at age 13, in favour of music. After receiving a doctorate degree in piano from the University of Indiana in the early 1980s, he returned to Winnipeg, where he proceeded to teach piano, around classical performances of his own.

He guesses it was 16 years ago when his youngest son, now 22, became fascinated with astronomy. Instead of reading books at bedtime, the two of them would turn out the lights, stare out the window and imagine themselves flying off to distant destinations, describing what they were encountering, along the way.

To feed his son’s inquisitiveness, he brought home a telescope that offered a lot more “bang for the buck” than the one he had as a child. Around the same time, he joined the Royal Astronomical Society of Canada’s Winnipeg chapter, to help answer his son’s litany of questions with some sense of authority. The funny thing was, as his knowledge and renewed interest in the field grew, his son eventually moved on to “whatever, you know what kids are like.”


Fighting Dragons of Ara (Richard Konrad photo)
Fighting Dragons of Ara (Richard Konrad photo)

Undaunted, Konrad bought a superior telescope to the one he gave his son, then another, then another. “The last one I got weighed over 200 pounds, and was so big I had to buy a trailer, expressly to transport it outside the city, away from all the lights and such,” he says. “It was also so tall, I needed an eight-and-a-half-foot ladder to see through it.”

Konrad continued in that vein for a number of years, driving to rural areas after sundown to stargaze for a few hours. That was, until his wife began dealing with insomnia, which caused him to feel horribly if he returned home at three or four in the morning, only to rouse her from a sound sleep by opening a door or slipping out of his coat and shoes.

Obviously, a telescope isn’t much use during the day, so his thought was “I guess that’s it.” At the end of the day, ensuring she was sleeping properly was much more important than anything he was up to, he says matter-of-factly.


Rho Ophiuchi cloud complex (Richard Konrad photo)
Rho Ophiuchi cloud complex (Richard Konrad photo)

Konrad isn’t sure how his wife twigged into Itelescope, which bills itself as one of the “leaders in internet astronomy since 2006.” All he knows is that for Christmas 2018, he received a trial membership that allowed him to access telescopes on the other side of the world when it was broad daylight here in Winnipeg. Before you could say “beam me up, Scotty,” he was using Itelescope to take photos of this object or that, which he excitedly turned around and shared with friends and family on social media.

Here’s the way it works, he says, holding out his phone to show off a rainbow-coloured image of the Tarantula Nebula, located 160,000 light years from Earth. After reserving a block of time, usually an hour, he punches into a booking system the co-ordinates of what he’s hoping to view on any particular day. Itelescope, which offers various membership plans, including tutorials and free trials, handles everything from there. When it’s his turn to log onto the chosen telescope through his phone or laptop, it should be aimed precisely as requested.

That’s maybe 10 per cent of the hobby, he continues. The other 90 per cent is processing.


Tarantula Nebula, one of many high-res images of stars, nebulae and quasars astrophotographer Richard Konrad has captured remotely through telescopes stationed all over the world. (Richard Konrad photo)
Tarantula Nebula, one of many high-res images of stars, nebulae and quasars astrophotographer Richard Konrad has captured remotely through telescopes stationed all over the world. (Richard Konrad photo)

“It’s not like snapping a picture of the moon in the sky. What you’re receiving is scientific data, or linear data, and your job is to then interpret and render it into a way that our brain sees things. From that point on, the hobby becomes less about science and more about art.”

One of the places Konrad regularly shows off his handiwork is Manitoba Astronomy, a Facebook group with 1,200 members. Scott Young, an administrator for the group, says he always looks forward to seeing what Konrad has been up to.

“I mean, Richard’s photos are so good, I have to double-check whether they’re his, or from the Hubble (Space Telescope),” says Young, who also serves as a Planetarium Astronomer with the Manitoba Museum.

Young has tried his hand at Itelescope and similar sites, on occasion. He is also familiar with people in the city and province who do something similar with their own equipment, albeit, on a much smaller scale.

“The technology during the last 10 years has progressed so much that it’s reached a point where you can stick a camera on your telescope in the backyard, run a cable from it to your laptop or computer, and take pictures while you’re inside, watching a movie,” he says, noting that type of scenario would have been tremendously cost-prohibitive, as little as 25 years ago. From there, he says it isn’t that big a stretch to station one’s telescope in a darker, more desirable location, say a farm property, and, by going through the internet, doing the same thing, saving yourself a two- or three-hour commute.


Richard Konrad’s photograph of the galaxy Centaurus A. (Richard Konrad photo)
Richard Konrad’s photograph of the galaxy Centaurus A. (Richard Konrad photo)

“It’s all about convenience, right? Under the old way of doing things, if it was cloudy in your backyard, there wasn’t much you could do except try again the next night,” Young says, explaining his own interest in the heavens started precisely at 11:16 a.m., Feb. 26, 1979. (If you know, you know.)

“Nowadays, however, there’s more than likely a telescope out there that will offer a perfect view of what you’re interested in, and you’ll get all the data you’re looking for from the comfort of your living room.”

Back at the coffee shop, Konrad smiles when asked how he decides what to set his sights on next, given there are an estimated two trillion galaxies in the observable universe. That can be a problem, he concedes, noting it’s mostly a case of doing his homework, then telling himself, “ooh, I really want to have a look at that, next.” (Our fave of his? One nicknamed the Statue of Liberty nebula, because of a star formation that strongly resembles the New York City landmark at its centre.)

“But you’re right, with that number I’m never going to run out of things to target, and that’s fine by me. I totally feel like a kid again when I’m doing this, and can’t imagine tiring of it any time, soon.”

david.sanderson@freepress.mb.ca

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Here’s how Helene and other storms dumped a whopping 40 trillion gallons of rain on the South

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More than 40 trillion gallons of rain drenched the Southeast United States in the last week from Hurricane Helene and a run-of-the-mill rainstorm that sloshed in ahead of it — an unheard of amount of water that has stunned experts.

That’s enough to fill the Dallas Cowboys’ stadium 51,000 times, or Lake Tahoe just once. If it was concentrated just on the state of North Carolina that much water would be 3.5 feet deep (more than 1 meter). It’s enough to fill more than 60 million Olympic-size swimming pools.

“That’s an astronomical amount of precipitation,” said Ed Clark, head of the National Oceanic and Atmospheric Administration’s National Water Center in Tuscaloosa, Alabama. “I have not seen something in my 25 years of working at the weather service that is this geographically large of an extent and the sheer volume of water that fell from the sky.”

The flood damage from the rain is apocalyptic, meteorologists said. More than 100 people are dead, according to officials.

Private meteorologist Ryan Maue, a former NOAA chief scientist, calculated the amount of rain, using precipitation measurements made in 2.5-mile-by-2.5 mile grids as measured by satellites and ground observations. He came up with 40 trillion gallons through Sunday for the eastern United States, with 20 trillion gallons of that hitting just Georgia, Tennessee, the Carolinas and Florida from Hurricane Helene.

Clark did the calculations independently and said the 40 trillion gallon figure (151 trillion liters) is about right and, if anything, conservative. Maue said maybe 1 to 2 trillion more gallons of rain had fallen, much if it in Virginia, since his calculations.

Clark, who spends much of his work on issues of shrinking western water supplies, said to put the amount of rain in perspective, it’s more than twice the combined amount of water stored by two key Colorado River basin reservoirs: Lake Powell and Lake Mead.

Several meteorologists said this was a combination of two, maybe three storm systems. Before Helene struck, rain had fallen heavily for days because a low pressure system had “cut off” from the jet stream — which moves weather systems along west to east — and stalled over the Southeast. That funneled plenty of warm water from the Gulf of Mexico. And a storm that fell just short of named status parked along North Carolina’s Atlantic coast, dumping as much as 20 inches of rain, said North Carolina state climatologist Kathie Dello.

Then add Helene, one of the largest storms in the last couple decades and one that held plenty of rain because it was young and moved fast before it hit the Appalachians, said University of Albany hurricane expert Kristen Corbosiero.

“It was not just a perfect storm, but it was a combination of multiple storms that that led to the enormous amount of rain,” Maue said. “That collected at high elevation, we’re talking 3,000 to 6000 feet. And when you drop trillions of gallons on a mountain, that has to go down.”

The fact that these storms hit the mountains made everything worse, and not just because of runoff. The interaction between the mountains and the storm systems wrings more moisture out of the air, Clark, Maue and Corbosiero said.

North Carolina weather officials said their top measurement total was 31.33 inches in the tiny town of Busick. Mount Mitchell also got more than 2 feet of rainfall.

Before 2017’s Hurricane Harvey, “I said to our colleagues, you know, I never thought in my career that we would measure rainfall in feet,” Clark said. “And after Harvey, Florence, the more isolated events in eastern Kentucky, portions of South Dakota. We’re seeing events year in and year out where we are measuring rainfall in feet.”

Storms are getting wetter as the climate change s, said Corbosiero and Dello. A basic law of physics says the air holds nearly 4% more moisture for every degree Fahrenheit warmer (7% for every degree Celsius) and the world has warmed more than 2 degrees (1.2 degrees Celsius) since pre-industrial times.

Corbosiero said meteorologists are vigorously debating how much of Helene is due to worsening climate change and how much is random.

For Dello, the “fingerprints of climate change” were clear.

“We’ve seen tropical storm impacts in western North Carolina. But these storms are wetter and these storms are warmer. And there would have been a time when a tropical storm would have been heading toward North Carolina and would have caused some rain and some damage, but not apocalyptic destruction. ”

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Follow AP’s climate coverage at https://apnews.com/hub/climate

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Follow Seth Borenstein on Twitter at @borenbears

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Associated Press climate and environmental coverage receives support from several private foundations. See more about AP’s climate initiative here. The AP is solely responsible for all content.

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‘Big Sam’: Paleontologists unearth giant skull of Pachyrhinosaurus in Alberta

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It’s a dinosaur that roamed Alberta’s badlands more than 70 million years ago, sporting a big, bumpy, bony head the size of a baby elephant.

On Wednesday, paleontologists near Grande Prairie pulled its 272-kilogram skull from the ground.

They call it “Big Sam.”

The adult Pachyrhinosaurus is the second plant-eating dinosaur to be unearthed from a dense bonebed belonging to a herd that died together on the edge of a valley that now sits 450 kilometres northwest of Edmonton.

It didn’t die alone.

“We have hundreds of juvenile bones in the bonebed, so we know that there are many babies and some adults among all of the big adults,” Emily Bamforth, a paleontologist with the nearby Philip J. Currie Dinosaur Museum, said in an interview on the way to the dig site.

She described the horned Pachyrhinosaurus as “the smaller, older cousin of the triceratops.”

“This species of dinosaur is endemic to the Grand Prairie area, so it’s found here and nowhere else in the world. They are … kind of about the size of an Indian elephant and a rhino,” she added.

The head alone, she said, is about the size of a baby elephant.

The discovery was a long time coming.

The bonebed was first discovered by a high school teacher out for a walk about 50 years ago. It took the teacher a decade to get anyone from southern Alberta to come to take a look.

“At the time, sort of in the ’70s and ’80s, paleontology in northern Alberta was virtually unknown,” said Bamforth.

When paleontogists eventually got to the site, Bamforth said, they learned “it’s actually one of the densest dinosaur bonebeds in North America.”

“It contains about 100 to 300 bones per square metre,” she said.

Paleontologists have been at the site sporadically ever since, combing through bones belonging to turtles, dinosaurs and lizards. Sixteen years ago, they discovered a large skull of an approximately 30-year-old Pachyrhinosaurus, which is now at the museum.

About a year ago, they found the second adult: Big Sam.

Bamforth said both dinosaurs are believed to have been the elders in the herd.

“Their distinguishing feature is that, instead of having a horn on their nose like a triceratops, they had this big, bony bump called a boss. And they have big, bony bumps over their eyes as well,” she said.

“It makes them look a little strange. It’s the one dinosaur that if you find it, it’s the only possible thing it can be.”

The genders of the two adults are unknown.

Bamforth said the extraction was difficult because Big Sam was intertwined in a cluster of about 300 other bones.

The skull was found upside down, “as if the animal was lying on its back,” but was well preserved, she said.

She said the excavation process involved putting plaster on the skull and wooden planks around if for stability. From there, it was lifted out — very carefully — with a crane, and was to be shipped on a trolley to the museum for study.

“I have extracted skulls in the past. This is probably the biggest one I’ve ever done though,” said Bamforth.

“It’s pretty exciting.”

This report by The Canadian Press was first published Sept. 25, 2024.

The Canadian Press. All rights reserved.

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The ancient jar smashed by a 4-year-old is back on display at an Israeli museum after repair

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TEL AVIV, Israel (AP) — A rare Bronze-Era jar accidentally smashed by a 4-year-old visiting a museum was back on display Wednesday after restoration experts were able to carefully piece the artifact back together.

Last month, a family from northern Israel was visiting the museum when their youngest son tipped over the jar, which smashed into pieces.

Alex Geller, the boy’s father, said his son — the youngest of three — is exceptionally curious, and that the moment he heard the crash, “please let that not be my child” was the first thought that raced through his head.

The jar has been on display at the Hecht Museum in Haifa for 35 years. It was one of the only containers of its size and from that period still complete when it was discovered.

The Bronze Age jar is one of many artifacts exhibited out in the open, part of the Hecht Museum’s vision of letting visitors explore history without glass barriers, said Inbal Rivlin, the director of the museum, which is associated with Haifa University in northern Israel.

It was likely used to hold wine or oil, and dates back to between 2200 and 1500 B.C.

Rivlin and the museum decided to turn the moment, which captured international attention, into a teaching moment, inviting the Geller family back for a special visit and hands-on activity to illustrate the restoration process.

Rivlin added that the incident provided a welcome distraction from the ongoing war in Gaza. “Well, he’s just a kid. So I think that somehow it touches the heart of the people in Israel and around the world,“ said Rivlin.

Roee Shafir, a restoration expert at the museum, said the repairs would be fairly simple, as the pieces were from a single, complete jar. Archaeologists often face the more daunting task of sifting through piles of shards from multiple objects and trying to piece them together.

Experts used 3D technology, hi-resolution videos, and special glue to painstakingly reconstruct the large jar.

Less than two weeks after it broke, the jar went back on display at the museum. The gluing process left small hairline cracks, and a few pieces are missing, but the jar’s impressive size remains.

The only noticeable difference in the exhibit was a new sign reading “please don’t touch.”

The Canadian Press. All rights reserved.

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