A Beginner's Guide To Photographing Comet Neowise - PetaPixel | Canada News Media
Connect with us

Science

A Beginner's Guide To Photographing Comet Neowise – PetaPixel

Published

 on


The comet C/2020 F3 (NEOWISE) has arrived in the night sky here in the northern hemisphere, delighting skywatchers and photographers alike. With planning, patience, and clear skies, you can capture an unforgettable image of this celestial event.

In the early hours of Saturday, July 11th, I captured an image of Stonehenge with the comet glowing overhead and arguably the year’s most spectacular display of noctilucent clouds dancing behind. I posted the image online later that morning and went to bed for a few hours. I woke up to hundreds of comments, direct messages, and emails from admirers of the photo wanting to know where, when, and how to photograph the comet for themselves.

I hope this article will answer those questions for anyone else who hopes to capture this rare astronomical treat.

“Stonehenge, England” above was shot with a Nikon D850 and Tamron 70-200mm f/2.8 at 102mm – f/2.8 – 2 sec – ISO 1250. 6 x frames stacked using Starry Landscape Stacker; slight crop

Where and When

NEOWISE appears in the N-NW evening sky. The ambient light in the sky after sunset can make it challenging to find at first, so here’s a tip for locating the comet with the naked eye: try defocusing your eyes and scanning the sky quickly, it helps you see the faint glow of the tail.

If it’s still too faint to see with the naked eye, you can try hunting for it using a fast lens. I took a wide-angle shot looking north using my Sigma 14mm f/1.8 and quickly located the comet’s tail 10-15 minutes before I found it easily visible using just my eyes.

Nobody knows for sure how long NEOWISE will be visible at night. In theory, the comet should be visible in the northwest evening sky later in July, but this is not guaranteed so shoot it while you can!

Equipment

As essential as the camera itself is a tripod sturdy enough to take the weight of your gear and hold it still for up to 30 seconds (depending on how wide you shoot). A lightweight or travel tripod is a good idea if you’re hiking to a spot, but it may not perform so well over long periods or if there’s a wind.

Shoot with a fast, prime lens if you can – this will work best as a wide aperture allows you to capture more light and a more detailed image.

The tail of the comet covers a larger area than it appears to the naked eye – you could be forgiven for believing you’d need a zoom lens. Actually, you can achieve pleasing results with wider angles too.

If you don’t have one already, a nifty fifty (a 50mm prime lens) tends to be an inexpensive option that provides a pleasing focal length to capture the comet with exposure times of up to 10 seconds.

Finally, consider a remote shutter, either wired or wireless cable. You can pick one of these up cheaply on eBay rather than use your camera manufacturer’s branded model. When you press your camera’s shutter release you introduce a little bit of motion which can interfere with your images. A remote shutter eliminates this. Alternatively, check if your camera has a built-in timer. For example, on my Nikon D850, I can safely shoot using the camera shutter release when I set my timer to 5 seconds.

Here’s an idea of how the comet will look at various focal lengths.

35mm

Stonehenge, England. Nikon D850, Tamron 24-70mm f/2.8, 35mm – f/2.8 – 10 sec – ISO 200. Single shot; no crop.

On a full-frame camera, you should be able to shoot for up to 14 seconds without any star trailing.

50mm

Tenby, Wales. Nikon D850, Tamron 24-70mm f/2.8, 50mm – f/2.8 – 6 sec – ISO 800. Single shot; no crop.

On a full-frame camera, you should be able to shoot for 10 seconds without any star trailing.

200mm

Dryslwyn Castle, Wales. Nikon D850, Tamron 70-200mm f/2.8, 200mm – f/2.8 – 2 sec – ISO 1600. Single shot; cropped.

On a full-frame camera, you will only be able to shoot for 2 seconds before star trailing happens. This means you’d need a wide aperture and a high ISO for a well-exposed shot

Recommended Apps and Websites

Stellarium

Stellarium is a free, open-source planetarium for your computer, there’s also a web version. You can input your location and Stellarium can show you how the sky will look at any time. Click on NEOWISE and Stellarium will show you the azimuth (direction) and altitude for any given time.

Clear Outside

Clear Outside is a weather app for astronomers which gives a detailed breakdown of cloud cover. It’s free to use online or as an iOS and Android app. Ideally, you want totally clear skies, but remember the comet can still be seen through breaks in clouds — particularly wispy, high-level clouds.

The Photographer’s Ephemeris

The Photographer’s Ephemeris is an extraordinary planning tool available as a paid iOS and Android app, and free to use on the web – registration is required. Using this tool you can plot your viewing location, an object you want to shoot, and TPE will tell you the direction and altitude. Combine this with Stellarium to work out where NEOWISE is in the sky, and how this will work with the object you want to shoot.

PhotoHound

Finally, PhotoHound is a handy tool for finding notable photo locations around the world – and I’m not just saying this because I happen to be one of its co-founders! The web version is free to use – registration is required. Look for places of interest and see if these can be combined with NEOWISE to create a compelling image. (And when you do, you’re welcome to add it to the PhotoHound map.)

Composition Ideas

Now you’ve located NEOWISE in the sky you need to decide how to shoot it. You could isolate the comet against the night sky, or look for an interesting foreground interest. Here are some ideas for you to try out.

Capture the comet and the landscape

Llanllwni, Wales. Nikon D850, Sigma 14mm f/1.8, 14mm – f/1.8 – 20 sec – ISO 800. Single shot; no crop.

This is the easiest way to shoot it, with a wider lens and illustrating a beautiful starlit landscape.

Consider photographing from higher ground to give you a pleasing perspective of the skies above and the land below in a single frame. This also gives you the advantage of avoiding low-level fog and mist that can form on lower ground overnight.

Photograph the comet with an object or landmark

Glastonbury Tor, England. Nikon D850, Tamron 70-200mm f/2.8, 200mm – f/2.8 – 2 sec – ISO 1600. 9 x frames stacked using Starry Landscape Stacker; cropped.

Find a notable landmark, building, or other object and photograph it next to the comet! You’ll need a combination of the apps above to find a suitable angle and time, but when these work in your favor you’ll produce a crowd-pleasing image for sure!

Isolate the comet

Nikon D850, Sigma 150-600mm, 300mm – f/5 – 1 sec – ISO 2000. 9 x frames stacked using Starry Landscape Stacker; cropped.

This is the trickiest to achieve as you’ll need a good zoom, and the longer your focal length, the shorter your exposure must be to avoid star trailing.

If you want to create longer exposures than this, you’ll need to use a star tracker. This is quite an advanced technique, well beyond the realm of this beginner’s guide! An easier alternative is to capture multiple short exposures at a high ISO, and stack these frames using software like Sequator or Starry Landscape Stacker to reduce noise.

The 500 Rule

If you’re not sure how long to expose for, you need to check something called the 500 Rule which is used to calculate the longest exposure time you can achieve before the stars become blurry.

The formula is as follows:

500 ÷ (Crop factor x Focal length) = Shutter speed

That can be a bit difficult to get your head around when you’re shooting the stars at 2 in the morning, so here’s a table featuring common focal lengths.

I hope this article helps you capture this incredible display in the coming days, capturing a memento of this historic occasion for years to come. Astrophotography takes patience and technical skill, but the results are worth the effort. I love seeing photos of NEOWISE as well as capturing it for myself – you’re welcome to tag me on social media to come and see your work.


About the author: Mathew Browne is a photographer from south Wales and the co-founder of PhotoHound, an online community for photographers to share information on the world’s best photo locations. The opinions expressed in this article are solely those of the author. You can find more of Browne’s work on his website, Facebook, Instagram, Flickr, and 500px. This article was also published here.

Let’s block ads! (Why?)



Source link

Continue Reading

News

Here’s how Helene and other storms dumped a whopping 40 trillion gallons of rain on the South

Published

 on

 

More than 40 trillion gallons of rain drenched the Southeast United States in the last week from Hurricane Helene and a run-of-the-mill rainstorm that sloshed in ahead of it — an unheard of amount of water that has stunned experts.

That’s enough to fill the Dallas Cowboys’ stadium 51,000 times, or Lake Tahoe just once. If it was concentrated just on the state of North Carolina that much water would be 3.5 feet deep (more than 1 meter). It’s enough to fill more than 60 million Olympic-size swimming pools.

“That’s an astronomical amount of precipitation,” said Ed Clark, head of the National Oceanic and Atmospheric Administration’s National Water Center in Tuscaloosa, Alabama. “I have not seen something in my 25 years of working at the weather service that is this geographically large of an extent and the sheer volume of water that fell from the sky.”

The flood damage from the rain is apocalyptic, meteorologists said. More than 100 people are dead, according to officials.

Private meteorologist Ryan Maue, a former NOAA chief scientist, calculated the amount of rain, using precipitation measurements made in 2.5-mile-by-2.5 mile grids as measured by satellites and ground observations. He came up with 40 trillion gallons through Sunday for the eastern United States, with 20 trillion gallons of that hitting just Georgia, Tennessee, the Carolinas and Florida from Hurricane Helene.

Clark did the calculations independently and said the 40 trillion gallon figure (151 trillion liters) is about right and, if anything, conservative. Maue said maybe 1 to 2 trillion more gallons of rain had fallen, much if it in Virginia, since his calculations.

Clark, who spends much of his work on issues of shrinking western water supplies, said to put the amount of rain in perspective, it’s more than twice the combined amount of water stored by two key Colorado River basin reservoirs: Lake Powell and Lake Mead.

Several meteorologists said this was a combination of two, maybe three storm systems. Before Helene struck, rain had fallen heavily for days because a low pressure system had “cut off” from the jet stream — which moves weather systems along west to east — and stalled over the Southeast. That funneled plenty of warm water from the Gulf of Mexico. And a storm that fell just short of named status parked along North Carolina’s Atlantic coast, dumping as much as 20 inches of rain, said North Carolina state climatologist Kathie Dello.

Then add Helene, one of the largest storms in the last couple decades and one that held plenty of rain because it was young and moved fast before it hit the Appalachians, said University of Albany hurricane expert Kristen Corbosiero.

“It was not just a perfect storm, but it was a combination of multiple storms that that led to the enormous amount of rain,” Maue said. “That collected at high elevation, we’re talking 3,000 to 6000 feet. And when you drop trillions of gallons on a mountain, that has to go down.”

The fact that these storms hit the mountains made everything worse, and not just because of runoff. The interaction between the mountains and the storm systems wrings more moisture out of the air, Clark, Maue and Corbosiero said.

North Carolina weather officials said their top measurement total was 31.33 inches in the tiny town of Busick. Mount Mitchell also got more than 2 feet of rainfall.

Before 2017’s Hurricane Harvey, “I said to our colleagues, you know, I never thought in my career that we would measure rainfall in feet,” Clark said. “And after Harvey, Florence, the more isolated events in eastern Kentucky, portions of South Dakota. We’re seeing events year in and year out where we are measuring rainfall in feet.”

Storms are getting wetter as the climate change s, said Corbosiero and Dello. A basic law of physics says the air holds nearly 4% more moisture for every degree Fahrenheit warmer (7% for every degree Celsius) and the world has warmed more than 2 degrees (1.2 degrees Celsius) since pre-industrial times.

Corbosiero said meteorologists are vigorously debating how much of Helene is due to worsening climate change and how much is random.

For Dello, the “fingerprints of climate change” were clear.

“We’ve seen tropical storm impacts in western North Carolina. But these storms are wetter and these storms are warmer. And there would have been a time when a tropical storm would have been heading toward North Carolina and would have caused some rain and some damage, but not apocalyptic destruction. ”

___

Follow AP’s climate coverage at https://apnews.com/hub/climate

___

Follow Seth Borenstein on Twitter at @borenbears

___

Associated Press climate and environmental coverage receives support from several private foundations. See more about AP’s climate initiative here. The AP is solely responsible for all content.

Source link

Continue Reading

Science

‘Big Sam’: Paleontologists unearth giant skull of Pachyrhinosaurus in Alberta

Published

 on

 

It’s a dinosaur that roamed Alberta’s badlands more than 70 million years ago, sporting a big, bumpy, bony head the size of a baby elephant.

On Wednesday, paleontologists near Grande Prairie pulled its 272-kilogram skull from the ground.

They call it “Big Sam.”

The adult Pachyrhinosaurus is the second plant-eating dinosaur to be unearthed from a dense bonebed belonging to a herd that died together on the edge of a valley that now sits 450 kilometres northwest of Edmonton.

It didn’t die alone.

“We have hundreds of juvenile bones in the bonebed, so we know that there are many babies and some adults among all of the big adults,” Emily Bamforth, a paleontologist with the nearby Philip J. Currie Dinosaur Museum, said in an interview on the way to the dig site.

She described the horned Pachyrhinosaurus as “the smaller, older cousin of the triceratops.”

“This species of dinosaur is endemic to the Grand Prairie area, so it’s found here and nowhere else in the world. They are … kind of about the size of an Indian elephant and a rhino,” she added.

The head alone, she said, is about the size of a baby elephant.

The discovery was a long time coming.

The bonebed was first discovered by a high school teacher out for a walk about 50 years ago. It took the teacher a decade to get anyone from southern Alberta to come to take a look.

“At the time, sort of in the ’70s and ’80s, paleontology in northern Alberta was virtually unknown,” said Bamforth.

When paleontogists eventually got to the site, Bamforth said, they learned “it’s actually one of the densest dinosaur bonebeds in North America.”

“It contains about 100 to 300 bones per square metre,” she said.

Paleontologists have been at the site sporadically ever since, combing through bones belonging to turtles, dinosaurs and lizards. Sixteen years ago, they discovered a large skull of an approximately 30-year-old Pachyrhinosaurus, which is now at the museum.

About a year ago, they found the second adult: Big Sam.

Bamforth said both dinosaurs are believed to have been the elders in the herd.

“Their distinguishing feature is that, instead of having a horn on their nose like a triceratops, they had this big, bony bump called a boss. And they have big, bony bumps over their eyes as well,” she said.

“It makes them look a little strange. It’s the one dinosaur that if you find it, it’s the only possible thing it can be.”

The genders of the two adults are unknown.

Bamforth said the extraction was difficult because Big Sam was intertwined in a cluster of about 300 other bones.

The skull was found upside down, “as if the animal was lying on its back,” but was well preserved, she said.

She said the excavation process involved putting plaster on the skull and wooden planks around if for stability. From there, it was lifted out — very carefully — with a crane, and was to be shipped on a trolley to the museum for study.

“I have extracted skulls in the past. This is probably the biggest one I’ve ever done though,” said Bamforth.

“It’s pretty exciting.”

This report by The Canadian Press was first published Sept. 25, 2024.

The Canadian Press. All rights reserved.

Source link

Continue Reading

News

The ancient jar smashed by a 4-year-old is back on display at an Israeli museum after repair

Published

 on

 

TEL AVIV, Israel (AP) — A rare Bronze-Era jar accidentally smashed by a 4-year-old visiting a museum was back on display Wednesday after restoration experts were able to carefully piece the artifact back together.

Last month, a family from northern Israel was visiting the museum when their youngest son tipped over the jar, which smashed into pieces.

Alex Geller, the boy’s father, said his son — the youngest of three — is exceptionally curious, and that the moment he heard the crash, “please let that not be my child” was the first thought that raced through his head.

The jar has been on display at the Hecht Museum in Haifa for 35 years. It was one of the only containers of its size and from that period still complete when it was discovered.

The Bronze Age jar is one of many artifacts exhibited out in the open, part of the Hecht Museum’s vision of letting visitors explore history without glass barriers, said Inbal Rivlin, the director of the museum, which is associated with Haifa University in northern Israel.

It was likely used to hold wine or oil, and dates back to between 2200 and 1500 B.C.

Rivlin and the museum decided to turn the moment, which captured international attention, into a teaching moment, inviting the Geller family back for a special visit and hands-on activity to illustrate the restoration process.

Rivlin added that the incident provided a welcome distraction from the ongoing war in Gaza. “Well, he’s just a kid. So I think that somehow it touches the heart of the people in Israel and around the world,“ said Rivlin.

Roee Shafir, a restoration expert at the museum, said the repairs would be fairly simple, as the pieces were from a single, complete jar. Archaeologists often face the more daunting task of sifting through piles of shards from multiple objects and trying to piece them together.

Experts used 3D technology, hi-resolution videos, and special glue to painstakingly reconstruct the large jar.

Less than two weeks after it broke, the jar went back on display at the museum. The gluing process left small hairline cracks, and a few pieces are missing, but the jar’s impressive size remains.

The only noticeable difference in the exhibit was a new sign reading “please don’t touch.”

The Canadian Press. All rights reserved.

Source link

Continue Reading

Trending

Exit mobile version