Art
A Gigantic Public Artwork About Hong Kong’s Protests Was Quietly Censored in the Middle of Art Basel Week
A large-scale artwork on show during Hong Kong Art Week was removed after the artist revealed that the work is embedded with hidden messages supporting the jailed pro-democracy activists. Pro-Beijing media accused the artwork of being “pro black rioters,” referring to those who participated in the months-long pro-democracy protests that rocked the city in 2019.
Titled No Rioters, the digital moving image work by Los Angeles-based artist Patrick Amadon was part of the video exhibition “The Sound of Pixels,” organized by the Milan-based Art Innovation Gallery. The screening featured works by more than 70 digital artists from around the world on a LED billboard that measures 230 feet by 67 feet and was on view until today, March 23. The screen, the largest of its kind in region, hangs on the facade of a department store in the shopping district of Causeway Bay.
Amadon’s moving image work depicts a CCTV surveillance camera. After the screening launched, the artist revealed on social media that he secretly embedded names of the jailed political prisoners who were accused of violating the national security law, which was imposed in 2020 after the protests; details about their sentences and crimes flash across Amadon’s glitchy, stylized video.
The work’s title is part of a popular protest slogan from the 2019 Hong Kong protests: “No rioters, only a tyrannical regime.”
The artist’s message was first reported by local media outlets, and soon after the state-owned outlet Wen Wei Po ran a story on Wednesday, March 22, accusing the work of being “pro black rioters.” The work was removed a day early from the screening schedule (which ran until today) by the owners of the department store, Sogo.
“Art week in Hong Kong pretend[s] the Chinese government didn’t crush a democracy and turn Hong Kong in a vassal surveillance state for a week because it’s a convenient location for a good market,” Amadon told Artnet News. “I think it sends the message that money can buy absolution yet again.”
A screen shot of the flashing text from Patrick Amadon’s No Rioters. Names of jailed Hong Kong pro-democracy activists, including that of Benny Tai and Joshua Wong, are listed among the other 47 who were charged for breaching Hong Kong’s new national security law. Image courtesy of the artist.
Amadon said he knew the work could be controversial, but added that its total censorship was unexpected. “I knew the protesters’s names, ages, and sentences would be out of bounds. But it is art, and a few years ago this would have been an acceptable and legal expression,” the artist said.
Amadon did not tell Art Innovation Gallery about the hidden messages in the flashing text ahead of the exhibition launch. “[I] didn’t want [to force] the responsibility or liability of knowing on them,” he said. “Did I think it would cause this firestorm? No. I wouldn’t have imagined it would agitate as much as it obviously did. Guess it touched a nerve.”
In response to Artnet News’s enquiry, Art Innovation Gallery’s founder and CEO Francesca Boffetti said that the gallery was notified by their mediator that the owners of Sogo decided to take Amadon’s work off of display, and added that the gallery respected Sogo’s decision. “Art Innovation is based in Milan and in Europe, [where] there is freedom of expression. In China, the culture is different from ours,” Boffetti told Artnet News.
Sogo and its owner Lifestyle International did not respond to Artnet News’s requests for comments.
The removal of No Rioters came after Tuesday’s cancellation of the release of a British slash horror movie Winnie the Pooh: Blood and Honey. The film, which was approved by the local censorship board, was originally scheduled for a theatrical release in Hong Kong today, March 23. But the distributor backpedaled, announcing the sudden cancellation while citing “technical reasons,” adding that they were told by cinemas that the film could not be shown. The incident sparked speculations as the image of the cartoon figure had been previously linked to the Chinese President Xi Jinping, and Winnie the Pooh has been banned in China.
Both incidents happened as Hong Kong celebrates its post-pandemic return to the international stage amid the opening of Art Basel Hong Kong alongside various art events at cultural institutions. The international art world has descended on Hong Kong, but the city is noticeably different. There were also reports of increasing self-censorship following the implementation of the sweeping national security law in 2020.
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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