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A Toronto couple traded their city lives for a modernist, art-filled fort in Prince Edward County

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They wanted a one-level home where they could age in place

(Photography by Nathan Cyprys)

Jim Turner and Craig Daniel first visited Prince Edward County together in the late 1990s, staying with friends who rented a farmhouse every year. In Toronto, Turner co-owned an events and communications firm, and Daniel worked in HR. Coming from their hectic lives, the couple fell in love with the County’s peaceful setting and eclectic population. In 2012, they decided to buy a place. They looked at some 90 properties in the area, finally settling on a small plot of land at the south end of the County, with a 40-foot bluff facing Lake Ontario and a bird observatory nearby. They bought it for $195,000 with the intention to build a home and retire there one day.

Craig (left) and Jim (right) in their Superkül-designed dream home

Five years later, Turner and Daniel hired the architecture firm Superkül to design their County home and planned their escape from Toronto—they even quit their jobs on the same day. “I was ready to juggle fewer balls,” Turner says. They sold the Cabbagetown Victorian they’d lived in for 18 years and started organizing, storing and donating many of their possessions. Their P.E.C. home was still being designed, so they split their time between a pied-à-terre in downtown Toronto and a rented farmhouse in the County until the place was complete. To guide the Superkül team in the right direction, Turner and Daniel gathered stacks of magazine clippings and created mood boards. They each wrote Superkül private letters where they described their dream home—luckily, they matched.


They wanted something clean-lined and contemporary, with plenty of windows to take advantage of the spectacular views. Both of them are 61, so they requested a one-level home that would allow them to age in place. “We wanted friends to be able to roll their suitcases in, and for people to be able to roll us out once we’re dead,” says Turner. They also needed plenty of wall space to showcase their art collection, which includes works by Charles Pachter and Attila Richard Lukacs, and shelving to store their collections of books, antique radios and martini shakers.

Though the couple had quit their corporate jobs, they weren’t quite ready for retirement. Daniel planned to work as a freelance HR consultant, and Turner wanted to be involved in the arts scene: he comes from a family of collectors and grew up attending art auctions with his father. He bought his first Charles Pachter piece when he was 21, sparking a lifelong passion for Canadian art. In 2019, Daniel and Turner found a place on Main Street in Picton to open 2gallery, a showcase for contemporary Canadian art. “I thought a gallery was an ideal way of calming down and working less,” says Turner. “I was wrong.”


All told, the build cost roughly $1 million. They moved in at the end of February of 2020—just before the pandemic shut everything down. “We were lucky we were in a place where we could ensconce ourselves and be very comfortable,” says Turner. The result is an airy, minimalist white-brick structure with an entrance partially hidden behind vertical wood slats—a concept inspired by Frank Lloyd Wright’s early Prairie-style homes.


Inside, the entryway opens up to a walled-in glass garden, which Turner and Daniel call the terrarium. On the right, the open-concept living, dining and kitchen areas are framed by a wall of windows that overlook the water. “The view stops people dead in their tracks,” says Turner. The windows slide back and open onto an upper terrace and lower patio, making an enormous space to entertain guests in the summer. The couple’s personal quarters—a bedroom, ensuite bathroom and walk-in closet—are at one end of the house, and their guest quarters are at the other, along with an office that doubles as a third bedroom.


Since the home is built on solid rock and there’s no room for a basement, clever storage solutions were essential. The living spaces all extend from one 50-foot hallway, and Superkül installed matching white oak millwork that covers floor-to-ceiling cupboards, where Daniel and Turner can store everything they don’t want on display.

They didn’t have to sacrifice their art collection, either. More than 200 pieces currently hang on their walls, including a dramatic life-size portrait by Lukacs, an abstract painting by Gerald Ferguson and a Pachter Canadian flag in their living room. They also saved a few design classics from their old space, including Eames and Le Corbusier lounge chairs and a chest that Turner’s grandparents brought with them from England in 1908. “It still has their names, their ship and where they were headed—Brampton, Ontario—on the top,” he says.


These days, their favourite thing about the home is the view: when Daniel sits in his office, he can look out onto the bay and occasionally spot a bald eagle. Turner spends a lot of days at the gallery, but he loves waking up to the sight of the sun glistening off the water. They’re both still amazed by the sense of exploration they get when moving around the house. Every hidden nook, stunning view and innovative design flourish sparks joy. “It’s like peeling back an onion,” says Turner.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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