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A virtual art experience – Livemint

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In the first week of February, Art Basel announced the cancellation of its Hong Kong fair (19-21 March) due to the spread of Covid-19. To create an alternative viewing experience in the time of pandemic, the fair organizers have launched a digital initiative which will feature 2,000 artworks.

Spanning modern, postwar and contemporary art, including paintings, sculptures, drawings, installations, photography, video and digital art, these works by 234 galleries were originally intended for Art Basel Hong Kong. With these “Online Viewing Rooms” (OVR), collectors can view and buy art without needing to step out. In an interview with Lounge, Adeline Ooi, Director Asia, Art Basel, talks about the decision to launch this digital initiative and the format of the viewing rooms. Edited excerpts:

What prompted the decision to launch Online Viewing Rooms?

As the art market continues to evolve, Art Basel is continually investing in new technologies to support its galleries and to foster a healthy art ecosystem. The OVR initiative is designed to provide an additional platform to galleries to engage with the highest calibre of audiences worldwide, including Art Basel’s global network of patrons, as well as new collectors and buyers. We have brought forward the launch of the first edition of this digital initiative in an effort to provide our Art Basel Hong Kong 2020 exhibitors with an opportunity to showcase the works of art they were planning to bring to the fair at no cost. Future iterations will coincide with Art Basel’s three shows throughout the year.

What is the format and design of these viewing rooms?

Art Basel’s OVR will allow collectors to browse through premier artworks, searching by galleries, artists and medium. They can then directly contact the gallery with sales inquiries. Each gallery can present up to 10 works at the same time. They may include artworks of all media, which will be displayed in a room-view setting. However, sculptures, installations, video/film and performances will not be displayed in a room view, but rather as an image against a grey background, as will works of all other media larger than 5.5m in width and 3.2m in height. All works will be displayed with either an exact price or a price range, with the overall value of work presented in the OVRs being in excess of approximately $270 million (around 2,000 crore).

Could you talk about the presentations from India?

In this inaugural digital presentation, we have five Indian galleries, including Chemould Prescott Road, Gallery Espace, Experimenter, Jhaveri Contemporary and Vadehra Art Gallery. I believe presentations from these galleries are very well thought-out and reflect their programmes and identities. There are works by leading names such as Atul and Anju Dodiya, Jagannath Panda, Shilpa Gupta, Ayesha Sultana, Praneet Soi, and solo presentation of paintings by Matthew Krishnanu (Bangladesh/UK) at Jhaveri Contemporary. There is one particular work that I am particularly excited about—Zarina Hashmi’s rare papercast sculptures from the 1970-80s.

The first iteration of the new digital initiative will run till 25 March.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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