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A Virtual Tour Inside Chicago's Center for Outsider Art – WTTW News

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As part of our new series of virtual tours, we’re visiting some Chicago arts institutions braving the current storm on the cultural landscape. 

For 29 years one small but significant place has been a showcase for visionary artwork. (And that is literal – some of the artists claim to have had visions.)

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The art center called Intuit had to close a new show last month, and we got a look at what you’ll see when it one day reopens. 

TRANSCRIPT

Marc Vitali: Bill Traylor was a self-taught American artist, born into slavery, whose artwork has been compared to Picasso.

  • James Edward Deeds (American, 1908-1987). Cotton Gin (side 116 of two-sided drawing Junetta/Cotton Gin 115/116), c. 1936-66. Graphite and crayon on ledger paper, 9 ¼ x 8 3/8 in. (23.5 x 21.3 cm). Collection of Victor F. Keen 

  • Howard Finster (American, 1916-2001). Visionary Landscape #4,494, 1985. Paint on wood, 48 x 48 in. (121.9 x 121.9 cm). Collection of Victor F. Keen

  • Bill Traylor (American, c. 1853-1949). Man and Bird on Woven Form, c. 1939. Colored pencil on cardboard, 14 x 9 in. (35.6 x 22.9 cm). Collection of Victor F. Keen

  • Bill Traylor (American, ca. 1853-1949). Chicken Stealing, c. 1939-42. Poster paint on cardboard, 13 ¼ x 7 in. (33.7 x 17.8 cm). Collection of Victor F. Keen 

  • George Widener (American, b.1962). CATCH 22, 2013. Mixed media on joined paper, 83 ½ x 59 in. (212.1 x 149.9 cm). Collection of Victor F. Keen 

  • Adolf Wölfli (Swiss, 1864-1930). Untitled (Christ Figure with Serpent), c. 1915-16. Colored pencil and graphite on paper, 11 x 8 ½ in. (27.9 x 21.6 cm). Collection of Victor F. Keen 

Howard Finster was a Baptist minister who painted what he titled “visionary landscapes” – as well as album covers for REM and Talking Heads.

Lee Godie was a homeless Chicagoan who made art on the steps of the Art Institute.

Intuitive artwork like theirs has been labeled “raw” or “primitive” – but like most labels, there isn’t a one-size-fits-all definition. 

Intuit, on Milwaukee Avenue in River West, has an inclusive approach to what is most commonly called “outsider art.”

Martín Ramírez (Mexican, active in America, 1895–1963). Untitled (Trains and Tunnels) A, B, (detail), c. 1960–63. Graphite, gouache, crayon and colored pencil on pieced paper, 17 x 78 in. (43.2 x 198.1 cm). Collection of Victor F. Keen. Copyright Estate of Martín Ramírez 

Annaleigh Wetzel, Intuit — The Center for Intuitive and Outsider Art: How we define “outsider art” here at Intuit is in essence artists who operate outside of the mainstream art world, Rather than their work being informed by the art establishment, they have a personal vision that they are compelled to create from. They often don’t have access to traditional art-making materials or fancy art supplies, but rather they use what they have at hand.

Vitali: That could mean scrap metal or window-shade canvases. One artist made meticulous drawings on stationary from his home at a state hospital.

Chicago is known as one of the first places in the United States to accept and embrace outsider artists.

That interest was sparked by a 1951 visit to the Arts Club of Chicago by French artist Jean Dubuffet. A receptive audience heard Dubuffet champion what he called “art brut,” meaning “raw art.”

All of the works in this exhibition come from the authoritative collection of Victor Keen. 

Jim Bloom (American, b. 1968). The Rushed Hushed Compassion of Dr. Denang, n.d. Mixed media on canvas, 24 x 30 in. (61 x 76.2 cm). Collection of Victor F. Keen 

Intuit has several shows each year, which can include some of the 1,200 works in their permanent collection.

One installation always on view is a window into the world of Henry Darger. Darger was a reclusive Chicago janitor who wrote a 15,000-page illustrated story about an army of girls escaping slavery.

His one-bedroom apartment and studio is recreated here with original furniture and possessions.

Intuit’s doors may be currently closed to the public, but daily visits by staff ensure the care and maintenance of this uncommon collection.

They’re looking toward the future.

Lee Godie (American, 1908-1994). Three Hands on a Piano, n.d. Watercolor and ink on paper, 20 x 16 in. (50.8 x 40.6 cm). Ellyn in Profile, n.d. Watercolor and ink on paper, 20 x 16 in. (50.8 x 40.6 cm). Collection of Victor F. Keen 

Wetzel: I think Intuit, because of our small size — we’re lean but mean — we are in a way uniquely positioned to hopefully come out stronger on the other side of all this.

We’re really excited to welcome guests back into our space when that is safe for everybody, and in the meantime we’ll continue to create more and more content so that folks can engage with us online.

Follow Marc Vitali on Twitter: @MarcVitaliArts


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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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