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A work of art in progress – GuelphToday

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Picasso said, “The purpose of art is washing the dust of daily life off our souls.”

The dust has been collecting in studios across the province since the lockdown started nearly three months ago and artists such as Chanel DesRoches from the Necessary Arts collective are eager to get back to work.

“It has been really difficult for artists to participate in things,” said DesRoches. “All the exhibitions and studio tours that were planned or arranged and that people were signed up to do, they were cancelled.”

Most artists have used the time alone wisely.

“If anything, people are taking the opportunity to take a break,” she said. “Some continue to just work privately and submit to online exhibitions and shows because that’s all there is to offer right now.”

DesRoches, who works in painting, drawing and printmaking, joined the Necessary Arts collective in May of 2019, shortly after graduating from the Studio Arts program at the University of Guelph. She was looking for a studio atmosphere similar to her university art classes.

“We are conditioned in a space surrounded by people that are providing feedback constantly,” said DesRoches. “It’s a huge shock to the system when you are alone,”

Necessary Arts was created in 2013 by artists Cynthia Waldow and Frances Hahn and for the first five years they operated a studio and gallery in the basement of the Gummer Building on Douglas Street. They moved across the street to their present location in The Walkway in June 2018.

The collective has been very active in the community promoting art and artists and organizing, workshops, auctions and exhibits. Managing it all demanded a lot of Waldow’s time, effort and money and after seven years, she was ready for a change.

“I had been talking to the members about the fact that the lease was up in May and I was hoping to move on to something new,” said Waldow. “I put it out to them that I couldn’t make ends meet even with the help from the landlords. I would just fall further into debt with this setup. I asked if anyone was interested in running it themselves because they would be starting from a much better position than me.”

DesRoches took her up on the offer and agreed to take over the lease.

No one could have anticipated the impact of the COVID-19 pandemic but she is determined to forge ahead.

“I think I am a little crazy for taking on a business during a pandemic and within 30 days of just learning everything about the studio,” said DesRoches. “I was fully committed from the get-go as soon as I knew it was going to be shutting down.”

The handover has been bittersweet for Waldow but she was happy to see DesRoches’ passion and commitment to the studio and its members.

“You can see that there is an end for you and an opportunity for someone else and that is really what I have been focusing on,” said Waldow.. “I live a little out of town and I have two children who are home from school. There is a little bit of stress around keeping the business safe during this period that I won’t have any more so, there is a little bit of relief from that part.”

DesRoches has used the lockdown time to renovate the studio and get it ready for the new normal.

“Artists love wall space so with the help of family I had the ability to build partition walls for people”, she said. “Not only were there plans to put up this wall space before the pandemic but, it helps post pandemic with social distancing because this could be going on for a while. These spaces are at least six feet apart.”

The focus of the collective has always been on the community aspect of art and just like Waldow, DesRoches welcomes and encourages amateur artists to join.

“You don’t need to have an educational background,” said DesRoches. “You don’t need to have an established practice. You can be just someone who likes being here and being a part of it.”

She said, that quality imbues the studio with a value that can’t be measured in dollars and unlike most business owners, she isn’t in business to get rich.

“I wouldn’t have gone to art school if money was my goal,” said DesRoches. “I think the difference is that I have everybody’s interest at heart including my own and I know it would be very difficult to make a comeback for the studio if we had lost it. It would be very difficult to reinvent something like this place.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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