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Abstract artists consider themes of ecology in Nanaimo Art Gallery show

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According to an exhibiting artist at the Nanaimo Art Gallery, abstract art is a lot like literature.

The name of the group show, Sun Over Swamp, is taken from the title of a 1964 painting by Takao Tanabe – which is displayed at the gallery along with additional works by the artist. The original painting has been described as “a brushed yellow rectangle hovering over splashes of ochre and umber and hatches of turquoise and slate.”

The show features the work of five artists as they consider ecology through different forms of abstract painting.

In an e-mail, participating artist Azadeh Elmizadeh said that she’s been interested in how climate and environment, specifically in arid areas such as the Iranian plateau, have given birth to certain myths and fables that centre around the significance of water.

“Just as paint flows and shifts on a canvas, water embodies a similar fluidity that incorporates both an element of uncertainty and feels like the proper material to convey the transformation of mythological beings into becoming one with their environment,” she said.

As part of the group show, she created three oil paintings on linen using predominantly blues and greens of various tones and hues to create work that is reminiscent of creatures lurking in the depths of water.

Elmizadeh is an Iranian-Canadian visual artist born in Tehran and based in Toronto. Her work has been displayed in galleries and exhibitions in Lethbridge, Alta., Toronto, Los Angeles, New York, Milan and London.

During an artist discussion event on Saturday, April 27, Nanaimo Art Gallery curator Jesse Birch asked how the participating artists found their voice in abstraction and what their journeys were like.

Elmizadeh answered that even in her most abstracted work, there is a reference to either a narrative, a story, or a piece of poetry. Although, her older work had been based on photographs and was quite representational, she said. As she progressed, she felt there was something about photographs that were too fixed – an aspect she couldn’t overcome with her imagination. And so, she began to create collage out of the photographs, since the fragmentation helped her move into abstraction. As she again progressed in her medium, she began to explore the idea of what ignited her imagination.

“I found that in language, in poetry and literature, which I think unlike a photograph as a reference, language is quite unfixed. There’s something about it that’s constantly changing,” she said. “There’s the image that ignites in your imagination is not fixed. It’s manual and the translation into the painting could also have the qualities of the imagination.”

The Sun Over Swamp group show, on display at the Nanaimo Art Gallery until June 23, also includes the work of Rebecca Brewer, Rita Letendre and Gailan Ngan.

The gallery will also hold a workshop called Abstraction in the Landscape on May 7 that considers the themes in the show as it “explores the line between figurative and abstract painting.”

Artist Azadeh Elmizadeh’s three submissions for the Nanaimo Art Gallery’s ongoing exhibit titled Sun Over Swamp which shows until June 23. (Mandy Moraes/News Bulletin)

 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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