AI Art Showdown: How Top Tools MidJourney, Stable Diffusion v1.5, and SDXL Stack Up | Canada News Media
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AI Art Showdown: How Top Tools MidJourney, Stable Diffusion v1.5, and SDXL Stack Up

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The age of AI-generated art is well underway, and three titans have emerged as favorite tools for digital creators: Stability AI’s new SDXL, its good old Stable Diffusion v1.5, and their main competitor: MidJourney.

OpenAI’s Dall-E started this revolution, but its lack of development and the fact that it’s closed source mean Dall-E 2 doesn’t stand out in any category against its competitors. However, as Decrypt reported a few days ago, this might change in the future, as openAI is testing a new version of Dall-E that is reportedly competent and produces outstanding pieces.

With unique strengths and limitations, choosing the right tool from among the leading platforms is key. Let’s dive in to how these generative art technologies stack up in terms of capabilities, requirements, style and beauty.

MidJourney: the gateway drug for AI art

Théâtre d’Opéra Spatial, a Midjourney image that won first prize in a digital art competition

As the most user-friendly of the trio, MidJourney makes AI art accessible even to non-technical users—provided they’re hip to Discord. The platform runs privately on MidJourney’s servers, with users interacting through Discord chat. This closed-off approach has both benefits and drawbacks. On the plus side, you don’t need any specialized hardware or AI skills. But the lack of open-source transparency around MidJourney’s model and training data makes it pretty limited regarding what you can do —and makes it impossible for enthusiasts to improve it.

MidJourney is the smooth-talking charmer of the bunch, beloved by beginners for its user-friendly Discord interface. Just shoot the bot a text prompt and voila, you’ve got an aesthetic masterpiece in minutes. The catch? At $96 per year, it’s pricey for an AI you can’t customize or run locally. But hey, at least you’ll look artsy (and nerdy) at parties!

Functionally, MidJourney churns out images rapidly based on text prompts, with impressive aesthetic cohesion. But dig deeper into a specific subject matter, and the output gets wonkier. MidJourney likes to put its own touch on every single creation, even if that’s not what the prompter imagined. So most of the images may be saturated with a pump in the contrast and tend to be more photorealistic than realistic, up to the point that after some time people get to identify pictures created with MidJourney based on their aesthetic characteristics.

With MidJourney, your creative freedom is also limited by the platform’s strict content rules. It is aggressively censored, both socially (in terms of depicting nudity or violence) and politically (in terms of controversial topics and specific leaders). Overall, MidJourney offers a tantalizing gateway into AI art —but power users will hunger for more control and customizability. That’s when Stable Diffusion comes into play.

Stable Diffusion v1.5: the ‘Ol’ Reliable’ of AI art

Untitled image created by user ThaiTvNews using a custom SD v.15 model.

If MidJourney is a pony ride, Stable Diffusion v1.5 is the reliable workhorse. As an open-source model that’s been under active development for over a year, Stable Diffusion v1.5 powers many of today’s most popular AI art tools like Leonardo AI, Lexica, Mage Space, and all those AI waifu generators that are now available on the Google Play store.

The active MidJourney community has iterated on the base model to create specialized checkpoints, embeddings, and LoRAs focusing on everything from anime stylization to intricate landscapes, hyper realistic photographs and more. Downsides? Well, it’s starting to show its age next to younger AI whippersnappers.

By making some tweaks under the hood, Stable Diffusion v1.5 can generate crisp, detailed images tailored to your creative vision. Output resolution is currently capped at 512×512 or sometimes 768×768 before quality degrades, but rapid scaling techniques help. The popularity of tiled upscaling also boosted the model’s popularity, making it able to generate pictures at super resolution, far beyond what MidJourney can do.

Right now it’s the only technology that supports inpainting (changing things inside the image). Outpainting—letting the model expand the image beyond its frame—is also supported. It’s multidirectional, which means users can expand their image both in the vertical and horizontal axis. It also supports third party plugins like roop (used to create deepfakes), After Detailer (for improved faces and hands), Open Pose (to mimic a specific pose), and regional prompts.

To run it, creators suggest that you’ll need an Nvidia RTX 2000-series GPU or better for decent performance, but Stable Diffusion v1.5’s lightweight footprint runs smoothly even on 4GB VRAM cards. Despite its age, robust community support keeps this AI art OG solidly at the top of its game.

SDXL: The next frontier of AI art

Untitled Image created by user Buzimage using a customized SDXL model

If Stable Diffusion v1.5 is the reliable workhorse, then SDXL is the young thoroughbred whipping around the racetrack. This powerful model, also from Stability AI, leverages dual text encoders to better interpret prompts, and its two-stage generation process achieves superior image coherence at high resolutions.

These capabilities sounds exciting, but they also make SDXL a little harder to master. One text encoder likes short natural language and the other uses SD v1.5’s style of chopped, specific keywords to describe the composition.

The two-stage generation means it requires a refiner model to put the details in the main image. It takes time, RAM, and computing power, but the results are gorgeous.

SDXL is ready to turn heads. Supporting nearly 3x the parameters of Stable Diffusion v1.5, SDXL is flexing some serious muscle—generating images nearly 50% larger in resolution vs its predecessor without breaking a sweat. But this bleeding-edge performance comes at a cost: SDXL requires a GPU with a minimum of 6GB of VRAM, requires larger model files, and lacks pretrained specializations.

Out-of-the-box output isn’t yet on par with a finely tuned Stable Diffusion model. However, as the community works its optimization magic, SDXL’s potential blows the doors off what’s possible with today’s models.

Output comparisons

A picture is worth a thousand words, so we summarized a few thousand sentences trying to compare different outputs using similar prompts so that you can choose the one you like the most. Please note that each model requires a different prompting technique, so even if it is not an apples-to-apples comparison, it is a good starting point.

To be more specific, we used a pretty generalized negative prompt for Stable Diffusion, something that MidJourney doesn’t really need. Other than that, the prompts are the same, and the results were not handpicked.

  • Prompt: Portrait of a corgi riding a bike crossing the sea

Comment: Here is just a matter of style between SDXL and MidJourney. Both beat Stable Diffusion v1.5 even though it seems to be the only one able to create a dog that is properly “riding” the bike, or at least using it correctly.

  • Prompt: The Red Square at Night

Comment: MidJourney tried to create a red square in The Red Square. SDXL v1.0 is crispier, but the contrast of colors is better on SD v.15 (Model: Juggernaut v5).

  • Prompt: A busty teacher in a futuristic classroom

Comment: MidJourney refused to generate an image due to its censorship rules. SDXL is richer in details caring to produce both the busty teacher and the futuristic classroom. SD v1.5 focused more on the busty teacher (the subject. Model: Photon v1) and less in the environment details.

  • Prompt: a brain powering a machine, jeffrey smith and h.r. giger, highly detailed in 4k, by Nishida Shun’ei, poster, tool, highly detailed epic, epic cyberpunk, studio muti, bitmap, by Sugimura Jihei

Comment: Both MidJourney and SDXL produced results that stick to the prompt. SDXL reproduced the artistic style better, whereas MidJourney focused more on producing an aesthetically pleasing image instead recreating the artistic style, it also lost many details of the prompt (for example: the image doesn’t show a brain powering a machine, but instead it’s a skull powering a machine).

The future of generative art

So which Monet-in-training should you use? Frankly, you can’t go wrong with any of these options. MidJourney excels in usability and aesthetic cohesion. Stable Diffusion v1.5 offers customizability and community support. And SDXL pushes the boundaries of photorealistic image generation. Meanwhile, stay tuned to see what Dall-E has coming down the pike.

Don’t just take our word for it. The paintbrush is in your hands now, and the blank canvas is waiting. Grab your generative tool of choice and start creating! Just maybe keep the existential threats to humanity to a minimum, please.

 

 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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