German photographer Herlinde Koelbl still remembers her first photo session with a shy and awkward young woman named Angela Merkel back in 1991.
“I was struck by her power even though she was an inexperienced woman at that time,” said Koelbl.
“She was a scientist and then switched to politics. But even so, she already had a strong individuality and also a strong will. She already knew what she wants and doesn’t want.”
Koelbl, now in her 80s, was starting a project to document the impact of power on people over time. She would continue to photograph Merkel, who’s stepping down as German chancellor, on and off over the next 30 years.
When they started, Merkel was 37 and had been a member of Germany’s first post-unification parliament for just a year, and recently appointed minister for women and youth in the cabinet of Helmut Kohl, the father of German unification.
Other politicians in the project included Gerhard Schroeder, who was chancellor from 1998 to 2005, and his foreign minister, Joschka Fischer, in the late 1990s.
Schroeder is pictured with his trademark cigar while Merkel said she didn’t know how to sit or where to place her arms, recalled Koelble, who gave her subjects no direction beyond a request to be “open.”
But it is Merkel who has stood the test of time, rising to become one of the world’s best-known political figures, but also one of its most enigmatic.
That’s what makes Koelbl’s series of portraits so interesting: searching for the thread linking the awkward MP in her 30s to Time Magazine’s Person of the Year in 2015, with a cover headline that read: “Chancellor of the Free World.”
By then, Merkel had already been at the helm in Germany for a decade, and Koelbl had started taking her picture more regularly, every year she served as chancellor.
“She really learnt to wear, in a certain way, a mask,” said Koelbl. “She talked about this in the interviews I did with her. That she had to learn it. And I think she learnt it very well.”
Critics and advocates alike will say that Merkel’s poker face and a calm exterior when confronted with more combustible figures has stood her in good stead.
Think former Italian prime minister Silvio Berlusconi or former U.S. president Donald Trump.
“If you want an ingredient of her success, it has been that she’s a very guarded person,” said Klaus Goetz, a specialist in European politics at Munich’s Ludwig Maximilian University.
“It’s very rare that anything slips out. And she’s not like Boris Johnson or some very sort of impulsive people. She’s very controlled. She’s controlling and controlled.”
‘There is no secret’
“The only secret is that there is no secret,” said Ralph Bollmann, author of a recently published Merkel biography called The Chancellor and her Time.
“She is like she is. And I think only people who have in mind an image of a macho style, a traditional politician’s politician, are wondering if there is something [else behind it].”
Bollmann’s theory is that Merkel learned to keep her own counsel as a young girl, growing up in former East Germany as the daughter of a Lutheran minister.
“As a pastor’s daughter in a communist regime and afterwards as a woman, and as an East German in Western [male-dominated] politics, she always had a good sense of resistance, of not ceding.”
Merkel studied quantum chemistry at the University of Leipzig before moving to East Berlin for work. She was there when the Berlin Wall fell in 1989.
“In politics, there are very often situations where there is only the alternative to go out or go up,” said Bollman. “She didn’t want to go out.”
Only two other German leaders have served longer in office than Merkel: Prince Otto von Bismarck and Kohl.
Goetz said Merkel stands up poorly when placed against leaders like Kohl, calling her a manager and the latter a visionary.
“Under Helmut Kohl, we had the Maastricht Treaty with the introduction of the euro. We had the opening to central and eastern Europe. We had German unification.”
Merkel’s advocates say it is her skill as a manager that has defined her premiership: an ability to seek compromise into the wee hours and present a steady hand at the helm during times of crisis.
In 2015, when hundreds of thousands of mainly Syrian refugees arrived in Europe, Merkel was criticized for leaving Germany’s border open. Her response to worried Germans was “we can manage.”
Syrians now settled in Germany call her the “mother of refugees.”
WATCH | The legacy of Angela Merkel:
But the turmoil of their arrival also provoked anti-immigrant groups and it was on her watch that a far-right party was elected to the German parliament for the first time since the end of the Second World War.
Bollmann believes her motives were both personal and pragmatic.
“She was a citizen of the former communist eastern Germany. She didn’t want to build new walls in Europe. And she wanted Germany as an open society, as a liberal society to preserve liberalism against populist uprisings.”
Now that Merkel is leaving, the political autopsy on her tenure has begun, one line of criticism being that she has failed to “future-proof” Germany or to leave a vision of where the country should be headed.
A popularity boost
“I think she’s been a stabilizing force there, but she’s definitely not been innovative in any way,” said Travis Todd, a dual U.S.-German citizen who runs a campus for start-ups in Berlin.
COVID-19 gave Merkel another crisis to handle, and another boost in popularity. But it also exposed Germany’s out-dated bureaucracy, still relying on fax machines and regular mail.
“I mean, I think it was maybe last year or the year before we could finally book our train tickets on the public transport via an app, which was mind-blowing,” said Todd.
But despite the criticism, voters have kept her in power for 16 years, choosing her even when the enormity of her imprint blurred the lines of the coalition governments she’s led.
“Germany has loved Angela Merkel,” said Manual Manzor, a member of the Social Democratic Party that managed to edge ahead of Merkel’s Christian Democrats, now led by Armin Laschet, in this week’s election.
“And she was accepted in the whole world as a woman leader, so I think we’ll keep her in mind. But it’s good to have a change now.”
Where did the sparkle go?
So what about that thread linking the young Merkel to the woman stepping down after 16 years in power?
“I could see that she had a moral guiding line,” said Herlinde Koelbl. “And I think she kept it through all these years.
“She kept herself as a human being and I think she is a great politician and a great woman.”
One difference in the Merkel of today, Koelbl noted, is the loss of what she calls a sparkle in Merkel’s eye.
“I think that’s the price you have to pay to be chancellor,” she said.
Koelbl had her last photography session with Merkel three weeks ago, as yet unpublished.
“She didn’t love the cameras, but she accepted to be photographed because it’s part of her position and her job. And so in the last sitting it was the same. It was quite normal.”
Secrecy surrounds major new public art piece in downtown Kelowna – The Daily Courier
A major piece of public art once planned for Highway 97 North disappeared last year after criticism from city councillors.
One main complaint about the proposed $250,000 sculpture, which featured 10 human figures perched atop tall poles, was that its beauty and grace would be lost by being placed next to the busy highway with all its speeding cars.
Coun. Gail Given suggested last November that artist Ted Fullerton’s proposed sculpture should have been located in pedestrian-friendly City Park where people could better relate to its scale and take pictures of themselves beside it.
Fast forward to Wednesday, when much secrecy was woven into a press release issued by the Kelowna Art Gallery about a “large new outdoor public art sculpture” about to be unveiled next to the building on Water Street.
“No announcements will have been made via any Gallery communications before the media preview event,” art gallery spokesman Joshua Desnoyers wrote in an email invitation to attend the event.
Feverish media minds, or one of them anyway, wondered if the about-to-unveiled sculpture was a revival of Fullerton’s ill-fated piece, which was conceived as a new ‘Welcome to Kelowna’ sign.
“I can confirm that it is not a sculpture by Ted Fullerton, although that is a very astute guess,” Desnoyers wrote in an email.
So media, and all of Kelowna, will have to wait until 9:30 a.m. on Oct. 27 to get a look at the sculpture, described as having been made by “an established artist whose work has been shown throughout North America and who has received major commissions in Canada and the U.S.”
Kelowna currently has more than 70 pieces of public art. The newest, whatever it is, will be located between two of the most photographed sculptures, ‘Rhapsody’, a representation of playful dolphins at the entrance to Waterfront Park, and ‘Bear’ , a representation of a bear, in Stuart Park.
Whatever happened to plans for a new Welcome to Kelowna sign on Highway 97 North also remains a bit of a mystery as calls to relevant authorities at City Hall were unreturned Wednesday.
Del Mar unveils five new pieces of public art – Del Mar Times
The city of Del Mar’s temporary outdoor sculpture program has opened with five new works in downtown Del Mar, along a one-mile art stroll.
The Del Mar Foundation is providing approximately $15,000 in funding for the program over the first two years and the pieces will remain on display for up to 23 months.
Take the Del Mar art walk:
- Hanging Out by Maidy Morhous at 15th Street and Stratford Court
- Birds Eye View by Petrello and Graham at the southeast corner of 14th Street and Camino del Mar
- Terpsichore by David Beck Brown at the southeast corner of 12th Street and Camino del Mar
- Moonshadow by Jeffery Laudenslager and Deanne Sabeck at the northeast corner of 9th Street and Camino del Mar
- Pasaje a lo Infinito by Hugo Heredia at 5th Street and Camino del Mar
Before There Were Pockets: A Métis Youth Art Series – Métis Nation of Ontario – Metis Nation of Ontario
Before There Were Pockets
A Métis Youth Art Series
Part 1 – TOBACCO BAG
Thursday, November 18, 6-9 PM ET
Thursday, December 16, 6-9 PM ET
Part 2 – SASH BAG
Thursday, January 13, 6-9 PM ET
Thursday, February 10, 6-9 PM ET
Thursday, March 10, 6-9 PM ET
The Métis Nation of Ontario is excited to be hosting Before There Were Pockets- Métis Youth Arts Series this year across the province virtually through the Zoom platform.
This will be a once a month gathering of youth to learn a variety of traditional arts through the construction of a sash bag and tobacco bag. It is an informal opportunity for youth to connect with each other and work one-on-one with knowledge holders and staff. It will also be an opportunity to bring in special guests to speak about their artwork and journey. These workshops will allow participants to explore different skills and gain a deeper understanding of their Métis heritage. In order to receive the supplies for their session, all forms must be completed and participants are expected to attend all sessions. Access to technology and reliable internet is required to participate in the camp.
Space is limited, so please register and complete the application as soon as possible. Participants can access the Metis Nation of Ontario Application Portal at metisnation.smapply.io/.
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