Art
Anishinaabe artist turns everyday garbage into beaded pieces of art – CBC.ca
One man’s trash is another man’s beadwork.
Nico Williams, an Anishinaabe contemporary artist, is turning pieces of garbage that he found lying on the ground in Montreal into beaded works of art for a new exhibition.
He said that In the past, Indigenous peoples used baskets and basketry to hold things, and passed these items down from generation to generation. With his latest work, he hopes to get people thinking about the objects they bring in their home, and how they are temporary pieces which only get used once.
His newest exhibition, ataason | ils emmagasinent | they store it, opened up at Blouin Division in Quebec City on Nov. 6.
“I’ve been getting contacted from the community and they’re like, oh my gosh, we love this work. And they’re laughing because it’s just so rez,” said Williams, who is from Aamjiwnaang First Nation.
In the past he has beaded lottery scratch tickets, and his newest exhibition features a three-dimensional-style beaded grocery bag, as well as cereal and Kraft Dinner boxes.
“I think there’s always humour within the Indigenous community because it’s like a healing process, and it’s great to have a good laugh with the community,” said Williams.
The artist has also beaded a J Cloth, which he says reminds him of his grandmother’s house.
“It’s just an object that we all had in our household,” said Williams.
“A lot of stuff happened in the kitchen like … when aunties would sit at a table on Sundays or Friday nights all together as a community. So it’s kind of interesting that I’m using these objects in the kitchen to try to have that discussion and that relationship.”
As a multidisciplinary artist, one of Williams’ main inspirations is to get people interested in beadwork.
He has a public art project, a metal beadwork sculpture, coming up in Quebec City in the spring, and has been teaching beading workshops to people interested in learning the craft.
“I just was really interested in how Nico was able to look around in his surroundings and then use that as inspiration for his art,” said Craig Commanda.
Commanda, who is from Kitigan Zibi Anishinaabeg, has been applying some of the techniques that he learned from Williams and has collaborated with the artist on a couple of projects.
Michelle McGeough, who is an assistant professor at Concordia University in the art history department, visited the exhibition on Saturday and said that she’s impressed by how Williams is taking everyday objects and turning them into pieces of art.
“I think that artists like Nico open up the possibilities for us to see and explore the materials that we work with in really different ways,” said McGeough.
The exhibit at Blouin Division is on until Jan. 22, 2022.
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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