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Anti-China Rhetoric Is Off the Charts in Western Media

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A key feature of mainstream Western media today is the relentless China-bashing. It is off the charts and tiring, often involving regurgitated trivia or fabricated stories with no evidence to support callous statements about the country, demonstrating a deep lack of understanding. But such stories continue to be churned out with no end in sight.

Countering this in international media by offering more balanced views for a global audience is near impossible as censorship is rife. There almost seems to be a global compact to control the narrative, a propaganda war powered by today’s digital technology.

Just try looking for a positive story on China any day of the week in any of the leading global media outlets. Apart from reports in January about the Lunar New Year, there will hardly be any, and these too are likely to have a negative spin. It would appear there is a confidential memo circulating within Western media groups that guides reporters and editors to ensure there cannot be any positive news arising from a country with 1.3 billion people.

Typically, the negative stories adhere to three core ideas, which inform the unspoken guidelines within these press rooms when it comes to reporting on China.

First is the belief that China is a threat to the world and that this belief must be relentlessly reinforced at every available opportunity. How and why China is a threat is never explored; such is the deep-rooted and almost religious nature of the belief. Sound arguments do not matter. The basic tenets of good journalism are ignored when it comes to a China story. There is no need to explain or give evidence of why China is a global threat.

Left ignored is the plentiful evidence that shows China is not a global threat – even if one can point to mistakes and overreach in certain areas. China has not invaded any country in decades, or imposed sanctions that have devasted the lives of millions in poor countries, unlike the West, led by the United States.

Second is that China must be linked to every possible global event that affects the West. This provides an opportunity for the West to bash China while simultaneously burnishing its own credentials as the supposed arbiters of what is right and wrong in international relations. From the pandemic to the Russia-Ukraine war to carbon emissions; from rising sea levels to the scramble for rare earths; from the building of infrastructure in Africa to the production of vaccines – there must be an angle to demonize the country and instill fear in Western nations (and beyond).

Indeed, media outlets are reverting to the “yellow peril” of the late 1800s. There is no subtle and nuanced approach to instilling fear like this. It is full-on and very often blatantly racist – but it is now acceptable for one to be racist about the Chinese in Western media, despite the fact that Black-White relations are very carefully described.

The third part of this phenomenon, which is surprisingly not challenged by liberal readers of mainstream media, is the sentiment that everything must be done – even illegal and unfair methods – to arrest the rise of China. Never mind the rights of hundreds of millions of Chinese to have a better life after a century of poverty and deprivation.

Headline after headline that capture this sentiment have normalized the view that there is a need to curb the rise of China, and that this is a legitimate geopolitical objective. There is no explanation about why or if it is even morally acceptable. It has become a feature of Western commentary on China to say that its rise is a concern and a threat. With this assumption unassailably in place, the West has the right to galvanize – and even bully – its allies and ask the absurd question, “what should be done about China’s rise?” – as if China does not have the right to carve its own place in the new world.

There is even a school of thought in the United States that it was America that magnanimously allowed China its first baby steps into the globalized economy, and that in hindsight the U.S. was too nice to China. This view betrays everything that is imperial about the West and why it is unable to come to terms with the legitimate rights of other nations to grow and become powers in their own right. The assumption is that the rise of others is a gift from the West, and accordingly they must never challenge its supremacy. The deeply entrenched view in the West from centuries of domination is that it will decide which nations will be permitted to be participants in the global economy according to its self-serving “rules-based order.”

Indeed, Western media seem wholly tied to the hegemonic competition view of geopolitics, constantly referencing the “Thucydides Trap” and being stuck in the Western canon as if there are no other ways of looking at geopolitics and world order. This view assumes conflict is inevitable and helps to demonize China while justifying the hegemonic position of the West – and the United States in particular – as a globally stabilizing force.

Needless to say, this is an extremely belligerent position to take, and not something media should be egging on. Whatever happened to promoting multilateralism? And why are people who speak to multilateralism side-lined as idealists or China apologists? This flies in the face of fair reporting.

So, how to fix this?

First, people in China and the non-Western world must realize that when it comes to the workings of the mainstream media we are in a new era – a propaganda war the likes of which the world has never seen before, powered by today’s digital technology. The media war is real, and tech-driven, and it is not a fight for eyeballs to deliver fair, honest, and educational news. It is almost everything else but that, especially when it comes to China or enemies of the West.

On one side is sheer propaganda aimed at the preservation of Western power. Participants include the most well-known brands in the Western media world, which are household names across the world.

The idea that Western media is run by fair-minded people who are independent, driven only by a desire to talk truth to power, is a mirage. It is a myth, and it is a bitter pill that needs to be swallowed. The idea that the Western journalist is a paragon of virtue also needs to be banished from the minds of consumers of media.

That is the first stage in enabling one to step out of the propaganda mist we are engulfed in on a daily basis, so that one can examine different viewpoints as news is consumed. This is not easy, given the current dominance of Western media outlets and their apparently collective mission.

The next step is to dismantle the dominance of Western media.

This too will be a long, hard fight. Mainstream Western media are the most powerful in the world and for close to a century, Western media have had a stranglehold on the dissemination of international news and viewpoints across the world. Many had their origins in colonialism, the preservation of empire and later the spread of Western ideas about how the world should be run. These outlets are a powerful economic force and dislodging them will require investments.

Across the world there is an opportunity to contribute to this effort, not necessarily by building large media companies but by investing in media companies that are committed to fair and objective analysis, so that local audiences in the first instance have choices and are not inundated by the propaganda of mainstream Western media. This too will not be an easy task and there are many hurdles to overcome, but this is not the space to dive into those details. Ultimately, it is all about readers becoming more aware of global issues by having more non-Western sources to rely on, so they are not victims of the current propaganda war. This is beginning to happen as more alternatives flourish.

It is an urgent need in the West too so that the mass hysteria generated by mainstream media is prevented from creating fear and pitting Western societies against the rest of the world. Today the target is China; tomorrow India and then maybe Africa.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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