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Archaeologists discover and replicate earliest musical instrument in the Middle East

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Archaeologists are hearing for the first time how humans made music some 12,000 years ago, by recreating a flute that was likely used to hunt ducks and other small birds in northern Israel.

On Friday, a team of Israeli and French researchers published an article about the recreated bone flute in the peer-reviewed Nature Scientific Report, offering an auditory window into how early humans shifted from hunter-gatherers to more settled villages, creating the earliest known musical instruments ever discovered in the Middle East.

The French-Israeli team of archaeologists discovered fragments of seven different flutes, dating to around 10,000 BCE, which is the largest collection of prehistoric sound-producing instruments ever found in the Levant. The pieces were found at the Eynan/Ain Mallaha site, a small village some 35 km (20 miles) north of the Sea of Galilee. The site was inhabited from 12,000 BCE to 8,000 BCE, around the time when humans were undergoing a massive revolution from nomadic hunter-gatherers to more sedentary, semi-settled communities.

Dr. Laurent Davin, a post-doctoral fellow at Hebrew University, was examining some of the bones recovered from the site when he noticed tiny holes drilled at regular intervals along a few of the bones. At first, experts had dismissed the holes as regular wear and tear on the delicate bird bones. But Davin examined the bones more closely and noticed that the holes were at very even intervals, and clearly created by humans.

“One of the flutes was discovered complete, and so far as is known it is the only one in the world in this state of preservation,” Davin said in a press release that accompanied the article’s publication.

Dr. Hamoudi Khalaily, a senior researcher with the IAA, spent 10 years excavating at the Eynan site and was instrumental in creating a replica of the extant flute.

“There were a lot of doubts that this was even possible [to recreate], but the replica was created exactly [in the same way] as the original and it allowed us to hear what people would have heard 12,000 years ago,” Khalaily told The Times of Israel.

“When we first heard it, it gave us this feeling like, we are really doing something for history,” Khalaily said.

The recreated flute produces a screeching, breathy whistling sound that Khalaily and the team believe could be an imitation of predator birds, including falcons, which eat small waterfowl.

“The sound could have attracted predator birds, which creates chaos with the other birds, and then it’s very easy to catch them, even with your hands,” explained Khalaily.

Previously, nomadic hunter-gathers had focused on bigger game such as gazelles, rabbits, or foxes. But when humans began settling in the Hula Valley for the first time, they started taking advantage of new food sources, including fish and smaller waterfowl in the lake that used to stretch across the Hula Valley.

Today, the Hula Valley is still a major conduit for bird migration in the late fall when tens of thousands of birds pass through Israel on their way from Europe to Africa. The Hula Valley was once covered by water, with a 13 square kilometer (5 square mile) lake and 47 square kilometers (18 square miles) of seasonal swamps. Early Zionist pioneers drained the swamp in the early 20th century as a major infrastructure project to create more agricultural land and to combat malaria.

 

A trove of bird bones

At the Eynan site, archaeologists are excavating a small Natufian village, which was a Mesolithic culture in the Levant and Western Asia around 9000 BCE. It’s a unique time because the culture emerged when humans started living a semi-sedentary lifestyle predating the agricultural revolution, meaning they had to find regular food sources in the same area even before they knew how to cultivate them. Once humans became more settled, their culture underwent dramatic societal change including the appearance of burial practices, art, and durable structures.

The Eynan site was first excavated by a French mission in 1955 and later from 1996–2005 by a joint team from Israel and France directed by François Valla of the Centre Nationale de Recherche Scientifique (CNRS) and Khalaily of the Israel Antiquities Authority.

Excavations at the site are ongoing and it can take years to methodically sift through all of the earth removed from a site and search for fragments of tools, animal bones, or other detritus from daily life thousands of years ago. Over the past two decades, careful sifting has yielded 1,112 bird bones from the Eynan site.

Dr. Hamoudi Khalaily holds the original 12,000-year-old flute discovered in a Natufian village in northern Israel. (Hamoudi Khalaily/IAA)

The bone flute was researched and recreated by a team of French and Israeli experts, consisting of archaeologists and archaeozoologists, who study animal bones, ethnomusicologists, paleo-organologists (the research of ancient sound-making instruments), and technical experts that were able to find ways to recreate the exact placement of the finger holes.

The original flutes, also called aerophones because they are an instrument that produces sound due to vibrating air, were made from the hollow wing bones of the Eurasian teal and the Eurasian coot. The current replica was made from the wing bones of two female mallard ducks “because of the difficulty in obtaining carcasses of Eurasian coot (Fulica atra) used by the Natufians,” the article stated.

The tinier the bone, the more difficult it is to play. The researchers believe the bones were chosen specifically to mimic the calls of the Eurasian Sparrowhawk and the Common Kestrel, two birds of prey that were widespread in the Hula Valley.

Migrating Gray Cranes at the Agmon Hula Lake in the Hula Valley in northern Israel, November 16, 2017. (AFP Photo/Menahem Kahana)

The flute represents the oldest musical instrument found locally, but it is not the oldest aerophone that has been discovered. Most of the known Paleolithic sound-making instruments are found in Europe, and the oldest dates to around 40,000 years ago, which was found in southwestern Germany, made from bird bone and mammoth ivory.

Previous to this discovery, the only known “music” or sound production during the Paleolithic and Neolithic periods in the Levant was from a few studies suggesting that humans could have developed a belt of bone pendants that clacked and rattled, or possibly a bone whistle (flute with no fingerholes).

Fragments of seven flutes discovered in northern Israel that were likely used for hunting birds some 12,000 years ago. (Hamoudi Khalaily/IAA)

The flute represents an important discovery, but it’s not music to everyone’s ears.

“I heard it for the first time on Youtube, and it’s really a terrible tone, it’s high and pitchy and not nice at all to my ear,” said Prof. Rivka Rabinovich, the scientific director of archeozoological collections at the National Natural History Collections at the Hebrew University. Rabinovich, an expert in studying and interpreting the remains of ancient mammal bones has been studying the discoveries from the Eynan site for years.

Rabinovich added that there’s no way of knowing whether ancient humans had a similar cringe reaction when they heard it; whether it was used for hunting, communication, or making music.

But it opens a window into a fascinating point in human development, the complexity of society and their ability to make tools. The small finger holes in the flute were drilled with the talon of a larger bird, likely a falcon. Archaeologists believe that talons also had spiritual significance to early humans, Khalaily said.

The tiny finger holes drilled with talons at regular intervals in the 12,000-year-old flute discovered in northern Israel (Hamoudi Khalaily/IAA)

“It’s very interesting because this is just at the starting point of people becoming more sedentary,” Rabinovich said. “It’s a very exciting period at which to understand the day-to-day life and also larger questions beyond day-to-day life, and why they did certain things.”

She credited the discovery to the large and varied French-Israeli team, which united researchers and archaeologists with areas of expertise in niche areas like reconstructing bone tools and interpreting scratches made in animal bones.

“The message from this is that you really need to save everything [excavated from a site] because you always see these things with new eyes and new tools,” she said. “It takes a long time to sift through things, and when you look at it anew, you can see it differently. That’s because there’s continually new research, there’s continually new technology, and new ways to investigate new information. And it all works together to create a more complete picture of what happened there.”

Part of the research team, from left to right, Laurent Davin, Julien Navas, and Aurelia Bourbon with the recreated 12,000-year-old flute. (Laurent Davin)

The Eynan site hosted continuous human presence for around 4,000 years, with people living in round houses made of stones with animal hides or branches for roofs. In 8,000 BCE, when the agricultural revolution was well underway, humans abandoned the site, moving around 500 meters closer to the Hula Lake, whose contours had changed with time.

One of the most important tests on the flute is yet to come: In late fall, when the annual bird migration through the Hula Valley takes place, Khalaily plans to take the replicated flute to the Eynan site and play it there, in the same spot where humans created it 12,000 years ago.

“I want to go and see if we can make these voices, in hopes of attracting a hawk or falcon,” he said. “I’m naturally an optimistic person, but I do really think it will work. If we were able to replicate this sound, I’m certain it will bring those birds to us.”

 

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The body of a Ugandan Olympic athlete who was set on fire by her partner is received by family

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NAIROBI, Kenya (AP) — The body of Ugandan Olympic athlete Rebecca Cheptegei — who died after being set on fire by her partner in Kenya — was received Friday by family and anti-femicide crusaders, ahead of her burial a day later.

Cheptegei’s family met with dozens of activists Friday who had marched to the Moi Teaching and Referral Hospital’s morgue in the western city of Eldoret while chanting anti-femicide slogans.

She is the fourth female athlete to have been killed by her partner in Kenya in yet another case of gender-based violence in recent years.

Viola Cheptoo, the founder of Tirop Angels – an organization that was formed in honor of athlete Agnes Tirop, who was stabbed to death in 2021, said stakeholders need to ensure this is the last death of an athlete due to gender-based violence.

“We are here to say that enough is enough, we are tired of burying our sisters due to GBV,” she said.

It was a somber mood at the morgue as athletes and family members viewed Cheptegei’s body which sustained 80% of burns after she was doused with gasoline by her partner Dickson Ndiema. Ndiema sustained 30% burns on his body and later succumbed.

Ndiema and Cheptegei were said to have quarreled over a piece of land that the athlete bought in Kenya, according to a report filed by the local chief.

Cheptegei competed in the women’s marathon at the Paris Olympics less than a month before the attack. She finished in 44th place.

Cheptegei’s father, Joseph, said that the body will make a brief stop at their home in the Endebess area before proceeding to Bukwo in eastern Uganda for a night vigil and burial on Saturday.

“We are in the final part of giving my daughter the last respect,” a visibly distraught Joseph said.

He told reporters last week that Ndiema was stalking and threatening Cheptegei and the family had informed police.

Kenya’s high rates of violence against women have prompted marches by ordinary citizens in towns and cities this year.

Four in 10 women or an estimated 41% of dating or married Kenyan women have experienced physical or sexual violence perpetrated by their current or most recent partner, according to the Kenya Demographic and Health Survey 2022.

The Canadian Press. All rights reserved.

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The ancient jar smashed by a 4-year-old is back on display at an Israeli museum after repair

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TEL AVIV, Israel (AP) — A rare Bronze-Era jar accidentally smashed by a 4-year-old visiting a museum was back on display Wednesday after restoration experts were able to carefully piece the artifact back together.

Last month, a family from northern Israel was visiting the museum when their youngest son tipped over the jar, which smashed into pieces.

Alex Geller, the boy’s father, said his son — the youngest of three — is exceptionally curious, and that the moment he heard the crash, “please let that not be my child” was the first thought that raced through his head.

The jar has been on display at the Hecht Museum in Haifa for 35 years. It was one of the only containers of its size and from that period still complete when it was discovered.

The Bronze Age jar is one of many artifacts exhibited out in the open, part of the Hecht Museum’s vision of letting visitors explore history without glass barriers, said Inbal Rivlin, the director of the museum, which is associated with Haifa University in northern Israel.

It was likely used to hold wine or oil, and dates back to between 2200 and 1500 B.C.

Rivlin and the museum decided to turn the moment, which captured international attention, into a teaching moment, inviting the Geller family back for a special visit and hands-on activity to illustrate the restoration process.

Rivlin added that the incident provided a welcome distraction from the ongoing war in Gaza. “Well, he’s just a kid. So I think that somehow it touches the heart of the people in Israel and around the world,“ said Rivlin.

Roee Shafir, a restoration expert at the museum, said the repairs would be fairly simple, as the pieces were from a single, complete jar. Archaeologists often face the more daunting task of sifting through piles of shards from multiple objects and trying to piece them together.

Experts used 3D technology, hi-resolution videos, and special glue to painstakingly reconstruct the large jar.

Less than two weeks after it broke, the jar went back on display at the museum. The gluing process left small hairline cracks, and a few pieces are missing, but the jar’s impressive size remains.

The only noticeable difference in the exhibit was a new sign reading “please don’t touch.”

The Canadian Press. All rights reserved.

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B.C. sets up a panel on bear deaths, will review conservation officer training

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VICTORIA – The British Columbia government is partnering with a bear welfare group to reduce the number of bears being euthanized in the province.

Nicholas Scapillati, executive director of Grizzly Bear Foundation, said Monday that it comes after months-long discussions with the province on how to protect bears, with the goal to give the animals a “better and second chance at life in the wild.”

Scapillati said what’s exciting about the project is that the government is open to working with outside experts and the public.

“So, they’ll be working through Indigenous knowledge and scientific understanding, bringing in the latest techniques and training expertise from leading experts,” he said in an interview.

B.C. government data show conservation officers destroyed 603 black bears and 23 grizzly bears in 2023, while 154 black bears were killed by officers in the first six months of this year.

Scapillati said the group will publish a report with recommendations by next spring, while an independent oversight committee will be set up to review all bear encounters with conservation officers to provide advice to the government.

Environment Minister George Heyman said in a statement that they are looking for new ways to ensure conservation officers “have the trust of the communities they serve,” and the panel will make recommendations to enhance officer training and improve policies.

Lesley Fox, with the wildlife protection group The Fur-Bearers, said they’ve been calling for such a committee for decades.

“This move demonstrates the government is listening,” said Fox. “I suspect, because of the impending election, their listening skills are potentially a little sharper than they normally are.”

Fox said the partnership came from “a place of long frustration” as provincial conservation officers kill more than 500 black bears every year on average, and the public is “no longer tolerating this kind of approach.”

“I think that the conservation officer service and the B.C. government are aware they need to change, and certainly the public has been asking for it,” said Fox.

Fox said there’s a lot of optimism about the new partnership, but, as with any government, there will likely be a lot of red tape to get through.

“I think speed is going to be important, whether or not the committee has the ability to make change and make change relatively quickly without having to study an issue to death, ” said Fox.

This report by The Canadian Press was first published Sept. 9, 2024.

The Canadian Press. All rights reserved.

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