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Are AI-generated drawings real art? Canadian artists say they lack ‘human touch’

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When an artificial-intelligence (AI) generated picture won first place in the Colorado State Fair’s fine arts competition in September, debates quickly emerged over whether AI-generated works should be considered art.

The winner, Jason Allen, said he indicated the work was made by AI when he submitted it to the competition under the category of digital arts/digitally manipulated photography.

“Art is dead, dude. It’s over. A.I. won. Humans lost,” Allen told The New York Times in an interview.

The painting in question was created with Midjourney, a text-to-image generator that converts a text prompt into digital art. After the user puts in the text prompt, the algorithm generates the assets based on a database of pre-existing images and artwork.

Users usually would type in a few keywords to describe what they want the image to look like. Based on them, the AI creates digital drawings. The images could be further customized by feeding in other detailed commands, according to Midjourney’s user manual.

Midjourney is not the only text-to-image generator. There are other programs such as DALL·E, Nightcafe and Starryai that produce similar results. But the controversy over it is thrusting the technology to the front of a growing debate about what it means to create art and most importantly— what is art?

Canadian artists who spoke to Global News said AI still has a long way to go before it might be able to really replace artists and designers, and said while AI-generated images are impressive, they lack “the human touch.”

That’s especially true when it comes to concept art done for companies, said Olivia Hamza, a concept artist at Montreal-based company Panache Digital Games.

“What we do (as concept artists) is actually a lot more complex than just drawing and oftentimes you don’t see it from an outside point of view because people only see the final polished version of the product,” said Hamza.

“On a daily basis we have to communicate with different departments and find a way to harmonize every section’s needs into one design, so I don’t think the AI is at that point where it can do this for companies.”

 

Hamza said artists and designers took many years to learn how to organize images to convey a very specific mood or message.

“All of these things take years of practice, it takes at least seven years to learn how to draw, and then you have the painting skills and design skills to add on top of that, and those are another three or four years,” said Hamza. “Learning how to make art from scratch takes at least 12 years and at that point, you haven’t mastered it.”

Hamza said she was previously tasked to look into text-to-image generators to see if they can adapt AI for concept art development for video game designs, but “wasn’t specifically impressed” even though the results are beautiful.

“It has a lot of potential for creativity and brainstorming,” she said. “What I think is more worrisome is that the AI isn’t quite as intelligent as we’d like to believe it is, so I think it just mashes up a lot of bits and pieces of pre-existing images.”

Ljubica Todorovic, an artist who also runs a framing business, said there has been fear among some artists that AI is going to take away the work from living artists.

However, Todorovic said she is not worried.

“AI can’t generate real physical paintings and there’s value in traditional art,” said Todorovic.

Todorovic added that the controversy surrounding AI-generated art is very similar to how artist reacted to cameras when they were first introduced.

“Camera Obscura is one of the first controversial things that was out in the 1600s,” said Todorovic, adding that digital devices like drawing tablets were also in the heat of the debate when they came out in 1990s.

Todorovic said there are also concerns over the ethics of creating and profiting from AI-generated art.

She said for the sake of ethics and to be professional, artists who generate images using AI — which build on and adapt pre-existing images made by other artists — need to attribute to the original source and be transparent that their drawing is generated by AI.

Hamza said there are also copyright issues that don’t allow AI to replace real artists in a professional setting.

“This is where the big part of the dilemma in my industry is that we can’t really claim these images until we know what the sources are,” said Hamza.

In Canada, creators cannot obtain copyright over a work that is entirely AI-generated since it is not a human-authored work, said Carys Craig, a professor at the Osgoode Hall Law School at York University.

“Copyright law in Canada right now protects only human-authored works as original work of expression,” said Craig.

“This means an author must exercise skills and judgment when expressing their ideas.”

Craig said the AI’s ability to process data and produce digital art is not the kind of authorial skill and judgment that fits the definition of work deserving copyright protection.

Copyright law only protects human-authored works so that authors and artists are encouraged to create cultural products, and to be rewarded by the copyright system, said Craig.

“When we’re talking about whether this should be protected by copyright, we’re not talking about whether it’s good or bad art,” said Craig. “Copyright is about giving individual control, exclusive control over the work so nobody else can make the productions or they can copy it.”

She said although she thinks AI-generated drawings are “wonderful to look at”, the rationale for protecting AI-generated works with copyright law “just isn’t there.”

“To my mind, art is something more than the machine-generated image. It’s an exercise of human creativity and human expression,” she said. “I think it’s very important to recall that what the machine is doing is very different from what human artists and operators are doing.”

For Shana Patry, AI-generated images can come in useful for her creation as reference images — images that artists sometimes use to get an understanding of what objects should look like in real life.

Patry, who is a full-time artist in Saguenay, QC, told Global News that she believes AI-generated images can be “a massive time saver” for artists and useful for brainstorming ideas and exploring different compositions.

“Artificial Intelligence can create reference images extremely quickly for painters and artists,” said Patry. “These images will have a consistent light source, color harmonies and an awareness of things like reflections and bounced light.”

Patry has used AI-generated images for one of her traditional oil painting works, in which she said the paint, canvas and the texture are something an AI couldn’t mimic.

She said she believes that there will be always room for artists as the “artwork exists first in the mind of the artist as a concept or an idea before being put onto the canvas.”

“AI helps define that vision into something clearer and tangible,” said Patry. “The artist’s mind is still required to create AI images. Generators can’t do anything without being told what to do, so it’s all about the idea and the artist behind it.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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