Are social media giants censoring pro-Palestine voices amid Israel’s war? - Al Jazeera English | Canada News Media
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Are social media giants censoring pro-Palestine voices amid Israel’s war? – Al Jazeera English

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At the end of last week, Thomas Maddens, a filmmaker and activist based in Belgium, noticed something strange. A video about Palestine that he posted to TikTok with the word “genocide” suddenly stopped getting engagement on the platform after an initial spike.

“I thought I would have got millions of views,” Maddens told Al Jazeera, “but the engagement had stopped.”

Maddens is one of the hundreds of social media users who are accusing the world’s largest social media platforms – Facebook, Instagram, X, YouTube and TikTok – of censoring accounts or actively reducing the reach of pro-Palestine content, a practice known as shadowbanning.

Authors, activists, journalists, filmmakers and regular users around the world have said posts containing hashtags like “FreePalestine” and “IStandWithPalestine” as well as messages expressing support for civilian Palestinians killed by Israeli forces are being hidden by the platforms.

Belgian filmmaker Thomas Maddens noticed a decrease in engagement with his TikTok video on Palestine [Courtesy of Thomas Maddens]

Some users have also accused Instagram, owned by Meta, of arbitrarily taking down posts that simply mention Palestine for violating “community guidelines”. Others said their Instagram Stories were hidden for sharing information about protests in support of Palestine in Los Angeles and the San Francisco Bay Area. Some also reportedly complained about the word “terrorist” appearing near their Instagram biographies.

In a post on X on October 15, Meta spokesperson Andy Stone blamed the reduced reach of posts on a bug.

“This bug affected accounts equally around the globe and had nothing to do with the subject matter of the content – and we fixed it as quickly as possible,” Stone wrote.

When asked about the accusations of shadowbanning, Stone pointed Al Jazeera to a blog post that Meta published highlighting its latest efforts in tackling misinformation related to the Israel-Hamas war. The post said users who don’t agree with the company’s moderation decisions may appeal.

The BBC reported that Meta apologised for adding the word terrorist to pro-Palestinian accounts, saying the problem that “briefly caused inappropriate Arabic translations” has been fixed.

A TikTok spokesperson told Al Jazeera that the company “does not moderate or remove content based on political sensitivities”, adding that the platform removes “content that violates community guidelines, which apply equally to all content on TikTok”.

YouTube and X did not respond to Al Jazeera’s requests for comment.

Civil rights groups aren’t buying the platforms’ denials.

This month, 48 organisations, including 7amleh, the Arab Centre for Social Media Advancement, which advocates for digital rights of Palestinian and Arab civil society, issued a statement urging tech companies to respect Palestinian digital rights during the ongoing war.

“We are [concerned] about significant and disproportionate censorship of Palestinian voices through content takedowns and hiding hashtags, amongst other violations,” the statement said. “These restrictions on activists, civil society and human rights defenders represent a grave threat to freedom of expression and access to information, freedom of assembly, and political participation.”

Facebook’s rebrand logo Meta is seen on a smartphone in front of logos for Facebook, Messenger, Instagram, WhatsApp and Oculus in this illustration [Dado Ruvic/Illustration/Reuters]

Jalal Abukhater, 7amleh’s advocacy manager, told Al Jazeera that the organisation had documented 238 cases of pro-Palestinian censorship, mostly on Facebook and Instagram. These included content takedowns and account restrictions.

“There is a disproportionate effort that targets Palestine-related content,” Abukhater told Al Jazeera in an interview. “In contrast, the official Israeli narrative, as excessively violent as it could get, has got more of a free reign because Meta considers it to be coming from “official” entities, including from the Israeli military and government officials.”

‘Getting censored’

A 26-year-old marketing manager from Brussels who asked to remain anonymous to protect her identity, noticed that engagement she received on Instagram Stories dipped sharply when she posted about Palestine from her personal account. “I have around 800 followers, and I usually get 200 views for a story,” she told Al Jazeera. “But when I started posting about Palestine, I noticed my views getting lower.”

The woman said she was concerned because her story didn’t contain graphic images or include hate speech. “[They were] about understanding that Palestinian people are human and deserve to live freely in peace in the region,” she said. “Why is that getting censored?”

People have noticed that content about Palestine on Instagram and other social media platforms is getting less engagement [Courtesy: Instagram users who chose to be anonymous]

Another Instagram user, a 29-year-old mechanical engineer from India who also requested anonymity, noticed her Instagram Stories about protests in Los Angeles and California’s Bay Area had zero views even after an hour. “That was unusual,” she said. She then posted a selfie, which got the usual engagement she usually gets, she said.

Other users had similar experiences and took to the social media platforms themselves to complain. “After posting an Instagram story about the war in Gaza yesterday, my account was shadowbanned,” Pulitzer Prize-winning journalist Azmat Khan posted on X. “Many colleagues and journalists [sic] friends have reported the same. It’s an extraordinary threat to the flow of information and credible journalism about an unprecedented war.”

Pakistani author Fatima Bhutto also said Instagram was shadowbanning her and limiting comments and story views. “I am learning so much about how democracies and big tech work together to suppress information during illegal wars they are unable to manufacture consent for,” she posted on X. In a video she posted to Instagram, she said her posts weren’t showing up in her followers’ feeds on the platform.

Khan and Bhutto did not respond to requests for comment from Al Jazeera.

Ameer Al-Khatahtbeg, the 25-year-old founder and editor-in-chief of Muslim, a news website that focuses on Muslim issues, noticed that posts from the publication reached significantly fewer people on Instagram over the past few days, plummeting from 1.2 million before the start of the war, to just over 160,000 a week into the war.

“The most major form of censorship that is being implemented is towards any account mentioning keywords such as ‘Palestine’, ‘Gaza’, ‘Hamas’, even ‘Al Quds’ & ‘Jerusalem’ in Instagram stories and posts alongside hashtags such as #FreePalestine, and #IStandWithPalestine,” Al-Khatahtbeg told Al Jazeera. “These posts aren’t reaching Instagram’s Explore page and are showing up on people’s main feed days later.”

Muslim wasn’t the only publication that accused social media platforms of censorship. Days after Hamas first attacked Israel, Mondoweiss, a pro-Palestine news outlet based in the United States, said TikTok banned its account and only restored it hours later after an online outcry. The Palestine-based Quds News Network posted on X that its Facebook page was suspended by Meta.

This isn’t the first time that social media platforms have been accused of censoring Palestinian voices.

An independent report commissioned by Meta after Israel’s war on Gaza in 2021 and made public a year later found that the company had negatively affected the human rights of Palestinian users in areas such as “freedom of expression, freedom of assembly, political participation, and non-discrimination”.

According to findings by 7amleh shared with Al Jazeera, Facebook received 913 appeals from Israel’s government to restrict or remove content on its platform from January to June 2020. Facebook consented to 81 percent of these requests.

“This isn’t new. Palestinians have faced censorship from Meta before and are experiencing it again,” Al-Khatahtbeg told Al Jazeera. A Meta spokesperson did not respond to a request for comment.

‘Tricking the algorithm’

Some people who said they experienced censorship on social media have been resorting to workarounds.

When posting to Instagram for instance, a Palestinian activist who did not want to be named for his safety told Al Jazeera that they “started breaking up” words. “When I wrote ‘Palestine’ or ‘ethnic cleansing’ or ‘apartheid’, I’d break the word with dots or slashes. I’d replace the letter ‘A’ with ‘@’. This is how I started tricking the algorithm.”

Mohammad Darwish, 31, the founder of a Bydotpy, a blockchain company based in Cairo, Egypt, created a website called “Free Palestine.bydotpy” that automates the same process. Typing “Gaza” into his website, for instance, automatically changes it to “ğaza”, which users can then copy and paste into the social media app of their choice.

“I don’t like anyone controlling me, and during tensions in Sheikh Jarrah, a Palestinian neighbourhood in East Jerusalem, I experienced a lot of restrictions,” Darwish told Al Jazeera, adding that Facebook also warned him about spreading “hate speech” back then.

Mohammad Darwish has set up an online tool to change how words are written to avoid online censorship [Courtesy: Freepalestine.bydotpy]

“As a community of developers, we have a principle that ‘there is nothing that cannot be done with code.’ So I developed this tool, which has two versions, one for the Arabic language and the other for the English language,” he said.

“The function of the tool is to change the form of sentences to make it difficult for artificial intelligence and Facebook algorithms to understand the meaning of the text,” he added.

Shortly after noticing user complaints about social media censorship of pro-Palestine content, Florida-based law firm called Muslim Legal that focuses on helping American Muslims, set up a page on its website where anyone who had faced  such censorship could share their experience. At the time of publishing, Muslim Legal had received more than 450 submissions.

“We noticed pages that were simply speaking out for justice for Palestinians were being simply shut down and banned without warning,” Hassan Shibly, the firm’s founder, told Al Jazeera in an interview. “We were also seeing people restricted for innocent comments.”

Shibly is now trying to take these complaints to the platforms to try to resolve them.

“The use of social media by the community is so essential,” he said. “It’s one of the ways we can push back against Islamophobic narratives. It’s one of the ways we can expose the war crimes that are happening. And it’s one of the tools we have to dismantle the propaganda and misinformation that is being used to justify the ethnic cleansing happening in Palestine by the Israelis.”

Need for transparency

In July, the European Union passed the Digital Services Act (DSA), seeking to tame Big Tech. Under this regulation, social media platforms are required to comply with rules that ensure digital security and also safeguard users’ freedom of expression.

“Platforms need to be very transparent and clear on what content is permitted under their terms and consistently and diligently enforce their own policies,” an EU spokesperson told Al Jazeera in a statement. “This is particularly relevant when it comes to violent and terrorist content.”

Crucially, the DSA also mandates transparency around shadowbanning and other kinds of content moderation.

“When an account gets restricted, the user must be informed,” the spokesperson said and added that users had the right to appeal the decision.

Some experts, however, expressed doubts on the effectiveness of the DSA in the current situation.

“In principle, the DSA covers shadowbanning,” Andrea Renda, senior research fellow at the Centre for European Policy Studies, told Al Jazeera, “but in practice, it is going to be harder to prosecute this behaviour compared to the spread of misinformation on these platforms.”

Ultimately, censorship of Palestinian content hurts journalists, civil society and human rights defenders during a time of crisis, Abukhater said. “It especially prevents Palestinians from establishing context surrounding the events affecting their lives during this moment.

“It is crucial for companies to recognise their role at this vital moment and recognise that maintaining a steady flow of information to and from Palestine is absolutely essential to save lives and mitigate the human rights impact the censorship could have had.”

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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