Art
Armenian Heritage Park inspires Geometry as Public Art: Telling a Story – Armenian Weekly
Geometry as Public Art: Telling a Story, the innovative curriculum sparked by Armenian Heritage Park on The Greenway, its design and key geometric features that tell the story of the immigrant experience, is being implemented this school year at nine elementary schools including seven Boston Public Schools (BPS) and two private schools.
EdVestors, which is dedicated to “meaningful education that prepares every Boston student to activate their power and shape their future,” is funding round trip bus transportation to and from Park and teacher training. The curriculum aligns with two of EdVestor’s key initiatives with the Boston Public School: BPS Arts Expansion and Zeroing in on Math. “We are excited to work alongside you and see how this project continues to blossom and impact students,” said Alia Verner, EdVestor’s director of strategic school support.
Beginning this school year, Geometry as Public Art: Telling a Story is being implemented in fourth grade classes in the following Boston Public Schools: Harvard-Kent Elementary School in Charlestown, Higginson-Lewis K-8 School and Nathan Hale Elementary School in Roxbury, Josiah Quincy School in Chinatown, The Hurly School in the South End and The William Monroe Trotter K-8 School in Dorchester. For several years prior, the curriculum was piloted by teachers in their fourth grade classes at The Eliot K-8 Innovation School in the North End.
A Boston Public School (BPS) Partner Program, Geometry as Public Art: Telling a Story was developed by the fourth grade teachers at The Eliot K-8 Innovation School in collaboration with several educators among the Friends of Armenian Heritage Park. The Friends is an initiative of the Armenian Heritage Foundation, sponsor of Armenian Heritage Park on The Greenway. The Foundation’s Board is made up of representatives from Armenian-American parishes and organizations within the Commonwealth.
The key intent of Geometry as Public Art: Telling a Story is to spark awareness of geometric shapes and their creative expression of ideas and thoughts expressed by the geometric features of Armenian Heritage Park that tell the story of the immigrant experience. In doing so, this engages students to learn about and share the experience of the first person in their family to come to this country. Many students realize this discovery for the first time; for some, it’s about sharing their own experience. All are building common ground, a key theme of the Armenian Heritage Park on The Greenway.
The development of this curriculum was sparked by a young student during a 2012 visit to Armenian Heritage Park with her fourth grade class from The Advent School on Boston’s Beacon Hill. Several years earlier, cultural organizations and ethnic communities were provided the opportunity to develop and fund a parcel on what was to become the Rose Fitzgerald Kennedy Greenway with the Central Artery relocated underground. Parcel 13 was to become Armenian Heritage Park on The Greenway, a gift to the City of Boston and Commonwealth from the Armenian American community.
“He’s talking about me,” whispered the fourth grader as Don Tellalian, AIA, the Park’s architect/designer was speaking about the significance of the annual reconfiguration of the abstract sculpture.
Annually, the abstract sculpture, a split rhomboid dodecahedron made of stainless steel and aluminum, is reconfigured. In early spring, a crane lifts, pulls apart and reconfigures its two halves to create a new sculptural shape. This is symbolic of all who left or were forced to pull away from their country of origin and came to these Massachusetts shores, establishing themselves in new and different ways.
The significance of the annual reconfiguration of the abstract sculpture, a shared experience, resonates with so many people. In much the same way, the labyrinth, a circular winding path paved in grass and inlaid stone, celebrates life’s journey. The two features are connected by the waters of the reflecting pool upon which the abstract sculpture sits, washing over the sides and reemerging at the labyrinth’s center as a single jet of water, symbolic of life and rebirth. The inscription etched on the reflecting pool includes that abstract sculpture is dedicated “to lives lost during the Armenian Genocide of 1915-1923 and all genocides that have followed.” Etched around the labyrinth’s circle are the words – Service, Science, Commerce and Art – in tribute to contributions made to life and culture by all.
The Park’s design with its geometric features is sparking discovery, curiosity and delight while uniting and connecting through a shared experience, the immigrant experience and building common ground.
Geometry as Public Art: Telling A Story is engaging students to tell their own, their families’ or ancestors’ immigrant experience, prompting the realization that most people come to this country from somewhere else. The multi-disciplinary curriculum creatively integrates geometry, art, language and social studies while promoting cross-cultural understanding and respect.
“The three thoughtfully planned lessons take educators and students on a path of self-discovery and storytelling, intertwining interactive classroom lessons and the hands-on nature of visiting the Park. The culmination of celebrating the immigrant experience is as heart-warming and thought-provoking when the students share proudly their I AM Poems at the Park,” comments Morgan Atkins, former Coordinator of Culture and School Climate of The Eliot Innovation K-8 School.
The student’s I AM Poems are a powerful, insightful culminating activity of the three-part curriculum. A geometric illustration and portrait of the individual accompany each poem.
Successfully piloted for several years at The Eliot K-8 Innovation School, the comments of 4th grade educators reflect the curriculum’s intent, impact and value. Brianna Greene, curriculum team leader remarks, “This curriculum is an exciting and engaging way for students to learn more about their family heritage and reflect on the American immigration experience. The curriculum is a wonderful way for teachers to learn about and better understand their students and students to learn about one another.”
Roxanne Emokpae comments, “The pride just exudes from my students as they draft and revise their ‘I AM’ Poems; being able to dive deep into their family’s arrival to America is so worthwhile.”
Alyssa Kotsiopoulos shares, “Implementing the curriculum in our classrooms at the beginning of the year is a great way to welcome students to 4th grade and to introduce our larger social studies immigration unit.”
Emily Roberts remarks, “The curriculum is a great opportunity for students to spend time with their families, learning the story of their own culture and experience and sharing that experience.”
Teachers are incorporating walking the labyrinth as a class, symbolic of their collective journey. They are also introducing the benefits of walking the labyrinth to quiet the mind and practice mindful meditation.
During the pandemic, the curriculum was adapted for remote learning with a video.
Upon completion of the curriculum this past year, several 4th grade students from The Eliot K-8 Innovation School with Brianna Green, 4th grade teacher met via ZOOM with older adults representing the ABCD North End Senior Center in the North End to share their I AM Poems, geometric illustrations and portraits of the first person to come to this country – the culminating activity of the curriculum. This was the pilot for Geometry as Public Art: Telling a Story – The Intergenerational Project, a collaboration of Age Friendly Boston, Andrea Burns, Director; The Eliot K-8 Innovation School and Friends of Armenian Heritage Park to prompt and encourage intergenerational connections with a sense of purpose by engaging and energizing students and older adults. Sharing what unites and connects us enhances the quality of life and experiences for both generations.
Boston City Councilor Julia Mejia participated in the pilot. She shared, “I love this…and would like to be a part of making it happen across the city. This is part of our collective healing. I was moved by the beautiful poems I heard today. As an immigrant my heart was full.”.
“Wow, the experience of hearing the young students beautifully share their I AM Poems brought so much hope for our future as an inclusive society. Although each student had a unique heritage, there was commonality in the journey. They are mature beyond their age,” shared Laura Bilazarian Purutyan, STEM mentorship consultant, “The imagination, empathy and mysterious wisdom of our youth will save us, if we listen to them.”
Nearby each school, implementing the curriculum this fall, is a senior center to prompt this intergenerational initiative. One center is the UMass Boston Osher Lifelong Learning Center.
Programs at the Park are planned by the Friends’ Programs Planning Team, each responsible for a key program and/or initiative. The 2021 team, to date, includes Kristin Asadourian, Andrea Burns, Susan Deranian, Tom Dow, Catherine Minassian, Dr. Armineh Mirzabegian, Rita Pagliuca, Katrina Piehler, Tsoleen Sarian and Ann Zacarian together with the Curriculum Team – Jason Behrens, Manneh Ghazarians and Barbara Tellalian. Reviewers of the Curriculum were Joseph Cahaly, Diana Topjian and Chiara Meghigian Zenati. Elizabeth Cahaly and Tom Cahaly developed the video, Join us! We’re on our Way to Armenian Heritage Park.
Art
Ukrainian sells art in Essex while stuck in a warzone – BBC.com
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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Art
Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed
The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Art
Sudbury art, music festival celebrating milestone
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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