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Arsh Pal, 12, sells his art for charity. He’s raised about $15,000. – The Washington Post



Arsh Pal had bold ambitions when he started selling his artwork at age 8: He wanted to raise $1,000 for charity.

Four years later, he has far surpassed his goal. Arsh, now 12, has sold hundreds of his acrylic and watercolor paintings, the proceeds of which have totaled more than $15,000. Apart from a small portion he takes to buy supplies, every dollar has gone to charities that support children.

“Young people have the power to change the world,” Arsh said from his home in Dubuque, Iowa, which is also his art studio.

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Arsh has always been artistically inclined, his mother said. When he was a young boy, Divya Pal and her husband, Sanjeev, signed their son up for extracurricular activities such as piano, karate and gymnastics, but “he would lean toward art,” Pal said.

For his eighth birthday present, the Pals bought a watercolor set for Arsh. He spent all his spare time in front of an easel.

“That’s how I started painting,” he said.

Soon, a stack of completed canvases began piling up, “so I decided to give them away to friends and family,” said Arsh, adding that he also displayed some pieces at his school, which people asked to buy.

Around the same time, Arsh was frequently visiting a local nursing home, where his mother works as an occupational therapist. Spending time there inspired him to start selling his art for a good cause.

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“Just by talking to the residents and the people there, it just made them smile and that really made me smile at the same time,” he said. “That thought made me want to help people in need through my paintings.”

And so began his fundraising initiative, which he called “Art by Arsh.” He sells his paintings at local art shows, restaurants and libraries, as well as on his Instagram account and Facebook page.

He donated his first $1,000 to St. Jude Children’s Research Hospital in 2018, and has since expanded his reach to support various other charities, including Easterseals, Compass to Care, the Riverview Center and the Make-A-Wish Foundation.

Arsh mainly contributes to child-focused organizations, he said, because “I wanted to help kids.”

Although he stopped counting long ago, Arsh said he estimates that he has sold about 500 paintings in the past four years.

The price of his work, he explained, ranges based on size and complexity. For instance, small pieces have sold for $10, while larger paintings — which can reach five feet — have sold for $800. He auctioned two pieces at a charity event last fall for a total of $10,000.

“That is very impressive,” said Pal, adding that she and her husband are blown away by their son’s commitment to the project. “He is doing amazing work. When he started doing all of this, we never thought it was going to go in this direction.”

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Arsh mainly uses acrylic paint to produce his art, but he also works with watercolor and mixed media. He particularly enjoys crafting abstract pieces.

“You can express yourself through abstract art,” he said. “Everybody thinks differently about it.”

Arsh now mostly makes commissioned pieces, and several of his customers have come back wanting more.

That includes his neighbor, Jolene Schaver, who has five of Arsh’s creations hanging in her home and has purchased many more for friends and family.

“I can’t stress enough how amazing he is,” said Schaver, who is retired and lives next-door with her husband, and has known the Pal family for seven years. “I was amazed at how talented he was at such a young age, without any formal training.”

Plus, she added, “he has such a generous and giving heart.”

Arsh’s artwork is scattered around their home, and Schaver’s favorite piece is a silhouette of two elephants, which is on display in her dining room.

“I would never know that it was done by a child,” she said.

Arsh aims to be detail-oriented in his art, and larger pieces can take a month or more to complete. Although Arsh never took art lessons as a child, “my mom helped me,” he said. “She’s probably my main teacher. Me and her learn techniques together. She just helps me get better.”

Pal and her husband also manage the logistical elements of Arsh’s initiative. They coordinate with customers, deal with shipping and supplies, and ensure all the funds go to charities of Arsh’s choice.

“It’s teamwork, but it’s all worth it,” Pal said. “We want to support him, especially if it’s helping someone.”

“He has never asked us if he can keep the money,” she continued, adding that Arsh has been asked by his peers why he doesn’t buy himself some expensive new gadgets and toys with his hard-earned funds. “He is not getting impacted by what others are saying, he’s impacting others with what he’s doing.”

He has earned several accolades for his community service, including the Diana Award in 2022 — which is presented annually to a group of young people around the world for their humanitarian work.

“I feel very honored,” Arsh said.

The organizations that he has supported are grateful for his contributions, too.

“I’m always so encouraged to see the enthusiasm of a kid wanting to do what they can to help out other kids in need,” said Richard C. Shadyac Jr., president and chief executive of ALSAC, the fundraising and awareness organization for St. Jude. “Kids like Arsh help raise funds that ensure families never receive a bill from St. Jude for treatment, travel, housing or food, so they can focus on helping their child live.”

“By channeling his generosity through his creativity, it’s even more meaningful to us because art therapy is part of the holistic treatment offered at St. Jude and helps inspire and warm the hearts of so many of St. Jude patients,” he said.

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Along with selling his paintings to benefit nonprofit groups, Arsh also teaches art lessons at Stonehill Communities — the nursing home where Pal has worked for nine years. His younger brother, Yuvan, 7, assists with instructing the classes, which are held several times a year.

“They’re always excited when I come teach them,” said Arsh, who has also volunteered at other nursing homes to teach art lessons.

“It just touches my heart,” said Pal, adding that the nursing home residents regularly inquire about her sons, and look forward to their visits. “He’s a kid, and he’s inspiring adults.”

Arsh’s lessons have made him think about accessibility, and how not all people have the resources to make art — which has the capacity to comfort and heal.

“One of my future goals is to make art accessible for kids who want to express themselves,” Arsh said.

He has already started offering free art lessons to local children, and he hopes to expand his classes further in the future, including on his YouTube channel.

“I want to help the community and spread kindness,” he said.

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Diplo ‘Wins’ Art Basel Miami by Topping ATM’s Leaderboard



Photo: Thaddaeus McAdams/Getty Images for Ocean Drive

Diplo has about $3 mil in the bank, FYI. The celebrity DJ who once streamed Sophie Turner’s wedding to Joe Jonas (remember that?) claimed to have “won” Miami Art Basel this year. One of the most talked-about pieces at the annual art fair is an ATM that posts your picture and bank balance if you use it. The ATM has a leaderboard, which Diplo topped on December 2. At the time he posted his “high score” on social media, Diplo had $3,004,913.06 in his account. So we know his cash assets, but do we know if he’s in on the joke? This piece is from Brooklyn art collective MSCHF, who are known for their trolly stunt art. “ATM Leaderboard is an extremely literal distillation of wealth-flaunting impulses,” MSCHF co-founder Daniel Greenberg said on NPR. “From its conception, we had mentally earmarked this work for a location like Miami Basel, a place where there is a dense concentration of people renting Lamborghinis and wearing Rolexes.” The piece is goofing on ostentatious displays of wealth, Diplo. Having the most ostentatious display isn’t the flex you think it is. The ATM was a collab between MSCHF and the gallery Perrotin. They had the banana duct taped to the wall, to give some more context on where everyone involved stands on the art vs. prank spectrum.

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Free Press celebrates launch of art exhibit



The Winnipeg Art Gallery has opened its doors to an exhibition focusing on the Winnipeg Free Press and its 150th anniversary.

Headlines: The Art of the News Cycle, which includes works from seven artists from across North America as well as archival material from the Free Press and the gallery’s permanent collection, looks at the many changes that have taken place in how the Free Press and other news organizations let their readers know what’s going on in the world around them.

The exhibit runs through to May 21, 2023 at the Winnipeg Art Gallery.

— with files from Alan Small

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Inuk art scholar makes leap to National Gallery of Canada



The National Gallery of Canada is home to a rich contemporary Indigenous international art collection, as well as important collections of historical and contemporary Canadian and European Art from the 14th to 21st centuries. (Photo by Christine Mastroianni)

Jocelyn Piirainen, from Cambridge Bay, will help the gallery curate its Indigenous and Inuit art collection

Jocelyn Piirainen is bringing an Inuk voice to the way the National Gallery of Canada acquires and exhibits Inuit and Indigenous artwork.

The arts scholar and former Cambridge Bay resident was appointed in early November to the role of associate curator for the gallery.

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Piirainen brings experience from her previous role as associate curator of Inuit art at the Winnipeg Art Gallery’s Qaumajuq museum, which she has held since March 2019. Qaumajuq is a collection of almost 14,000 contemporary Inuit art pieces, making up the largest collection of its kind in the world.

Curators organize and set up exhibits, said Piirainen in an interview from her home in Winnipeg.

Jocelyn Piirainen is an urban Inuk artist and curator originally from Cambridge Bay. She was recently appointed to the role of associate curator at the National Gallery of Canada in Ottawa. (Photo courtesy of Jocelyn Piirainen)

“The curator is really there to allow artists to tell their stories,” she said.

“If there’s a specific carving that has a story or legend associated with it, you know, you want to tell the public about it.”

Piirainen joins the national gallery’s recently formed Indigenous Ways and Decolonization department. It has a mandate to amplify the voices of Indigenous artists, curators and scholars.

In an email, Michelle LaVallee, director of the department of Indigenous Ways and Decolonization, recognized Piirainen’s skill as a collaborator in her work with arts and culture professionals and Indigenous communities to highlight Inuit artistic and cultural practices.

“I am excited about her lived and professional experience as an Inuk curator which she brings to the national gallery,” she said.

Piirainen is joining the gallery as some controversial changes are taking place there. The Globe and Mail and other national media reported last month the departure of four curators from the gallery’s Indigenous Ways and Decolonization department. A former senior curator, Greg A. Hill, tweeted he was fired because he disagreed with the “colonial and anti-Indigenous ways” the department was being run, the Globe reported.

Piirainen said the Canadian art world needs more Inuit curators and art professionals. She credits a government-funding initiative, called Inuit Futures, for leading the way in that respect.

Inuit Futures in Arts Leadership: The Pilimmaksarniq/Pijariuqsarniq Project supports Inuit and Inuvialuit by giving them access to the training, mentorship and professional opportunities necessary to find success in the arts industry.

Piirainen was invited to be a mentor in the Inuit Futures program in 2019, where she was paired with mixed-media artist Aghalingiak (Zoe Ohokannoak). Aghalingiak, who identifies as they/them, is in their fifth year of study of fine arts at the Nova Scotia College of Art and Design.

Aghalingiak said in an interview that being a participant in the Inuit Futures program as a research intern and mentee has been both challenging and a confidence boost, accelerating their development as an artist.

Multimedia artist Aghalingiak is grateful to the Inuit Futures Leadership in Arts initiative for boosting their confidence and helping to launch their career in the arts. (Photo by Jonas Henderson)

In April 2022, they curated their first exhibition at the Winnipeg Art Gallery’s Qaumajuq Museum under the mentorship of Piirainen. The exhibition is called Kakiniit Hivonighijotaa: Inuit Embodied Practices & Meanings.

“I didn’t think that I would ever be curating exhibitions at this point,” Aghalingiak said, reflecting on their recent solo exhibition and their experience with Inuit Futures.

As Piirainen prepares to move to Ottawa in January, she acknowledges that although this appointment provides an opportunity to be part of the national gallery’s efforts to ensure Inuit art and culture are appropriately represented, her hiring is not a solution in and of itself.

“There is also a lot of pressure that comes to that, to be kind of representing all Inuit, but I am aware that I can’t do that either,” she said.

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