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Art: at what price? – Coast Reporter

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* Scheduling for all events listed in Art Beat is subject to change due to current health concerns.*

The rarified world of high-end art is a place of eye-watering prices, where works can sell for hundreds of millions of dollars. The film The Price of Everything looks at this puzzling phenomenon. The 2018 documentary by Nathaniel Kahn “isn’t a rant against money culture,” as one critic noted, but “a freewheeling meditation on what art is” and “the value of beauty.” It screens at the Sunshine Coast Arts Centre in Sechelt on Sunday, March 15 at 10:30 a.m. 

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Parasite 

This might be your last chance to see a local big-screen presentation of Parasite, the Oscar-winner for best picture, best director and best original screenplay, plus winner of the Palme d’Or at Cannes. The South Korean smash is on at the Heritage Playhouse in Gibsons at 7:30 p.m. on Monday, March 16 and Tuesday, March 17. Doors at 7. Sunshine Coast Film Society members get first dibs on tickets and seats. $5 to $9. 

Fafard 

Local blues and roots master Joël Fafard performs his acoustic show at the Heritage Playhouse on Saturday, March 14, before setting off on the European leg of his 2020 tour. Doors at 7:30 p.m., show at 8. $20 advance tickets at local outlets and www.share-there.com, $25 at the door. 

Shout Out 

The Gibsons Public Art Gallery’s annual youth-art show is on now, with an opening reception on Saturday, March 14 from 2 to 4 p.m. Young artists up to age 18 sent in one or two works. “There is no judgment or jury: every applicant who submits is assured of having at least one piece of art included.” There are always some promising pieces at these shows. It runs until April 5. 

Thread 

A solo exhibition by Iranian-born Vancouver artist Mehran Modarres-Sadeghi opens this week at the Doris Crowston Gallery at the Sunshine Coast Arts Centre, showcasing two of her projects. Ma Miaeem va Miravim (We Come and Go) uses a Grade 1 Dick and Jane book to explore the globalization of English, and the “third space” of hybrid languages like Persian-English. The second part of the show, Thread, is described as “is a series of sculptures made from everyday objects wrapped in black string,” another take by Modarres-Sadeghi on cross-culturalization. There’s an opening reception on Sunday, March 15 at 2 p.m.

50 years of art 

Coast Raven Design Studios on the highway in Davis Bay is marking 50 years of producing Indigenous art in B.C., first in North Vancouver, then here on the Coast. Founder Richard de la Mare has teamed up with carver Artie George for nearly 40 of those years. They’re celebrating with a one-day sale and savings of 10 to 40 per cent off, Saturday, March 14, 10 a.m. to 5 p.m. 

Funny future 

The season’s final reading-performance by the Off the Page is Sunday, March 15 at the Heritage Playhouse in Gibsons, starting at 1 p.m. The featured work is award-winning local playwright David King’s How Things Have Changed, set in Gibsons a few years in the future. It’s not sci-fi, but it is timeless comedy, generated by the play’s three characters. King will be on hand to chat with the audience afterwards. Admission by donation. 

Saturday night stand-up 

Painter, former policeman and hilarious, occasional auctioneer Ed Hill performs his comedy show at the 101 Brewhouse on Saturday, March 14. Other talented comedians will also be featured. The brew will cost you, but the show is free, courtesy of Ed Hill and Mixed Nuts Productions, 8 p.m. 

More weekend music 

• The Friday dinner music at the Roberts Creek Legion on March 13 will be provided by Jim Taylor as part of a Burger and Beverage fundraiser for local Scouts to help send two delegates and their leaders to a summer Jamborette in Belgium. $25 for adults, $12 for kids; 5 p.m. start. 

• The Pender Harbour School of Music Coffee House on Friday, March 13 features musicians David Jones, Michelle Morand and Lori Carmichael, plus the Lynn Urquhart Band, with Lynn on vocals and keyboards, guitarist Sacha Fassaert, drummer Michael Munro and bassist Gordie Birtch, 7:30 to 9:30 p.m. $10.

• The Millar-Bowie Band – “three lively sexagenarians with a common delusion that starting a rock band would be a fine way to spend their golden years” – plays Gibsons Public Market from 2:30 to 4:30 p.m. on Saturday, March 14. 

• Tapworks in Gibsons is putting on a St. Paddy’s Bash on Saturday, March 14 with music starting at 2:30 p.m. with Grant Olsen, followed by Nick Farrer, then DJ Cronneloctopus. Salt & Swine will be on site with an Irish Pub menu from lunchtime to 5 p.m. 

• Mud Bay, formerly the Mud Bay Blues Band, is in at the Roberts Creek Legion on Saturday, March 14. These guys know a lick or two, with more than four decades of playing together before audiences all over Western Canada. They hit the stage at 8:30 p.m. $8 members, $15 guests.

• Soulful songsmith Simon Paradis hosts The Sunday Jam Session on March 15 at the Pender Harbour Golf Club restaurant, 2 to 6 p.m., admission by donation. 

Submissions 

If there’s an event you’d like considered for Art Beat, please let us know by 11 a.m. Tuesday at arts@coastreporter.net. Space is limited and, regrettably, we can’t list everything. Also check Coast Reporter’s Coast Community Calendar for more music and events.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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