Art Bank Expands Collection with 72 New Works | Canada News Media
Connect with us

Art

Art Bank Expands Collection with 72 New Works

Published

 on

Celebrating the changing face of contemporary art in Canada

OTTAWA, ON, Jan. 18, 2023 /CNW/ – The Canada Council Art Bank is thrilled to announce that with a dedicated purchase budget of $600,000, it has acquired 72 works by emerging and established artists from Canada. Introduced as part of the Art Bank’s 50th anniversary celebrations, this milestone purchase of permanent pieces by artists who are predominantly new to the collection has enabled the changing face of contemporary art in Canada to be celebrated.

The Art Bank received an impressive 1,748 eligible submissions in response to the call for purchases that it launched as part of commemorating this milestone anniversary. Priority was given to artists who self-identify as Indigenous, Black, racialized, Deaf or having a disability, from official language minority communities, youth, 2SLGBTQI+, gender-diverse and women. In addition, the Art Bank also prioritized acquisitions of artwork by artists whose works are not currently in the Art Bank collection. This decision was based on the Council’s current strategic direction to build a more inclusive and equitable collection.

Quick stats about the 72 works of art selected:

  • 56 are created by artists who are new to the collection.
  • Artists from every province and territory are represented.
  • Each priority group is represented.
  • Almost half of the works are created by artists who self-identify as women.
  • A quarter of the artists are 35 years old and under.
  • The works include photographs, paintings, fine crafts, sculptures, prints, drawings, mixed media and textile.

The 2022 acquisitions have far-reaching implications for the future of the Art Bank, including how it can impact and influence the art scene in Canada and around the globe.

“Art is often an expression and an account of an artist’s quest for identity. Sharing the ideas, feelings and impressions that a work of art can arouse can impact our understanding and our experience of equality and belonging. With these latest acquisitions, the Canada Council Art Bank collection is all the more inclusive and representative of the art that is currently being created and contributing to societal progress. Diversity is what will fashion our future, and I am proud to bear witness to that irresistible movement.”

Simon Brault, Director and CEO, Canada Council for the Arts

“The Art Bank is extending its ongoing dialogue on inclusivity by celebrating the vibrancy of creators who give us such incredible depth and perspective on the arts landscape in Canada. A purchase of this scale means a greater number of artists are given a unique opportunity to build connections and spark meaningful conversations in new settings. This is what the Art Bank loan and rental programs are all about. We are beyond excited to share the selected works of art with new and existing clients, as well as with partners across the country.”

Amy Jenkins, Head of the Art Bank

Based on artistic merit and relevance, submissions were assessed by a committee of artistic peers, all of whom are professional artists and experts in their fields. Committee members were selected with consideration given for fair representation of artistic specializations, Canada’s official languages, First Nations, Inuit and Métis Peoples, the Deaf and disability communities, gender, age and the cultural and regional diversity of Canada.

The members of the peer assessment committee are: Eunice Bélidor, Curator, Montreal Museum of Fine Arts; Simon M. Benedict, Artist and translator; Mark Igloliorte, Artist; Sean Lee, Director of Programming, Tangled Art + Disability; Sanaz Mazinani, Artist; Samuel Roy-Bois, Artist; Howie Tsui, Artist; Larry Weyand, Artist and Visiting Assistant Professor, Memorial University; Allison Yearwood, Executive Director, Plug-In.

Mark your calendars

To celebrate this new purchase, an exhibition with some of the newly acquired works will be presented in the Âjagemô Exhibition Space in June 2023. It will come after the current exhibition, Looking the World in the Face, which has been extended to May.

As the Art Bank celebrations continue to unfold, the public is encouraged to follow and use #ArtBank50 on social media.

These new additions to the collection will be available for rental as of April 2023.

Canada Council Art Bank New Acquisitions (alphabetical order)

  • Barry Ace (Ottawa, Ontario) – Poignant, 2018
  • Eldred Allen (Rigolet, Nunatsiavut, Newfoundland and Labrador) – Boxed, 2022
  • Siku Allooloo (Bowser, British Columbia) – Akia, 2019
  • Judy Anderson (Calgary, Alberta) – A Square is Not a Circle (South), 2020, A Square is Not a Circle (West), 2020, A Square is Not a Circle (North), 2020, A Square is Not a Circle (East), 2020
  • Ning Ashoona (Cape Dorset, Nunavut) – Computer Desk, 2022
  • Sonny Assu (Campbell River, British Columbia) – Landline #8, 2020
  • Rémi Belliveau (Memramcook, New Brunswick) – Land of Evangeline Route, 1930, 2021
  • Deanna Bowen (Montréal, Québec) – Donna (Afterimage), 2020
  • Nicole Brabant (Toronto, Ontario) – astum (come here), 2019
  • Sandra Brewster (Toronto, Ontario) – Blur 21, 2017
  • Annie Briard (Vancouver, British Columbia) – In Possible Lands I, 2020
  • Rydel Cerezo (Surrey, British Columbia) – Penny Loafers, 2021
  • Jorian Charlton (Mississauga, Ontario) – Susie, 2021
  • Kelli Clifton (Prince Rupert, British Columbia) – Gaksdanaa (Behold!), 2020
  • Ruth Cuthand (Saskatoon, Saskatchewan) – Surviving: Measles, 2022
  • Dayna Danger (Tiohtià:ke/Mooniyang/Montréal, Québec) – End of the World, 2018
  • Wally Dion (Binghamton, New York) – Braids (pencil crayon), 2022
  • Louis-Charles Dionne (Dartmouth, Nova Scotia) – Manila Legal Folder, 2021
  • Melissa Doherty (Kitchener, Ontario) – The Green and the Grey, 2019
  • Chun Hua Catherine Dong (Montréal, Québec) – Skin Deep, 2014-2020
  • David Elliott (Montréal, Québec) – Studio w Typewriter & Squirrels, 2021
  • Nicolas Fleming (Gatineau, Québec), Darren Rigo (Toronto, Ontario) and Waard Ward (Toronto, Ontario) – Flowers for, 2021
  • Michelle Forsyth (Toronto, Ontario) – Pink Floral Stack, 2020
  • Anthony Gebrehiwot (Scarborough, Ontario) – The Power of A Hug, 2020
  • Jonathan S. Green (Winnipeg, Manitoba) – Preserving Old Geologies, 2018
  • Jude Griebel (Bergen, Alberta / Brooklyn, New York) – Portent, 2022
  • Maureen Gruben (Tuktoyaktuk, Northwest Territories) – Moving with joy across the ice while my face turns brown from the sun, 2019
  • Julya Hajnoczky (Calgary, Alberta) – Monotropa uniflora 2, 2021
  • Alexa Kumiko Hatanaka (Toronto, Ontario) – Crossing the Current (map), 2021
  • Brandon Hoax (Halifax, Nova Scotia) – MOVEMARROW Full Suite, 2022
  • Jessica Houston (Montréal, Québec) – Letters to the Future – Antarctica, 3019, 2020
  • Ji Hyang Ryu (Riverview, New Brunswick) – SUGAR CAMP, 2022
  • Tanea Hynes (Montréal, Québec) – Club, 2022
  • Duane Isaac (Listuguj, Québec) – Land/Body, 2020
  • Hua Jin (Montréal, Québec) – ECHO, 2022
  • Ursula Johnson (South Brookfield, Nova Scotia) – ITHA Label, 2020
  • Anique Jordan (Toronto, Ontario) – These Times, 2019
  • Bushra Junaid (Toronto, Ontario) – Sweet Childhood, 2017
  • Kablusiak (Mohkinstsis / Calgary, Alberta) – Akunnirun Kuupak: Duck Lake Street, 2018
  • Fariba Kalantari (Ottawa, Ontario) – The unknown future, 2022
  • Wy Joung Kou (Toronto, Ontario) – Mycelium: Interdependence in the Undergrowth, 2022
  • Jim Logan (Ottawa, Ontario) – The One The Elders Kept From the School, 2018
  • Levi MacDonald (Fort Smith, Northwest Territories) – Eagle fishing, 2022
  • Ruth Marsh (Halifax, Nova Scotia) – Cyberhive Triptych Set 6, 2020
  • Laïla Mestari (Montréal, Québec) – Monabamqueb, 2022
  • Azadeh Monzavi (St. Catharines, Ontario) – Namesake, 2022
  • José Andrés Mora (Toronto, Ontario) – Arrival, 2022
  • Calvin Morberg and Brian Walker (Whitehorse, Yukon) – Daughter of the Creeks, 2022
  • Kriss Munsya (Burnaby, British Columbia) – Dream On, 2020
  • Zinnia Naqvi (Toronto, Ontario) – The Wanderers – Niagara Falls, 1988, 2019
  • David Neel (North Vancouver, British Columbia) – The Great Transformer, 2022
  • Kosisochukwu Nnebe (Ottawa, Ontario / Montréal, Québec) – Black Woman #6 (Hyper/in/visibility), 2017
  • Raoul Olou (Toronto, Ontario) – Nap, 2021
  • Emmanuel Osahor (Toronto, Ontario) – A Chair Outside (An artist book – folio of 7 prints), 2022
  • Lionel Peyachew (Buena Vista, Saskatchewan) – tahto awasis kihceyihtakosiw (Cree for “Every Child Matters”), 2020
  • Annie Pillaktuaq (Richmond Hill, Ontario) – A Bird’s-eye View, 2018
  • Bertrand R. Pitt (Montréal, Québec) – Écho : d’après Refus Global, lu par Françoise Sullivan, 2017-18
  • Yann Pocreau (Montréal, Québec) – Archipel, 2021
  • Sarah Pupo (Montréal, Québec) – burning through the body, 2021
  • Frank Shebageget (Ottawa, Ontario) – Free Ride, 2022
  • Krystle Silverfox (Whitehorse, Yukon) – tth’í’ yáw nan (thread beads land), 2018
  • Skawennati (Montréal, Québec) – On The Occasion of The Three Sisters Accompanying xox on Her Visit to The Queen, 2022
  • Marika St. Rose Yeo (Burnaby, British Columbia) – Shifting Conversations, 2021
  • Janet Wang (North Vancouver, British Columbia) – Looking for Gold Mountain: Joss House, Lytton and Altar, Barkerville, 2021
  • Stanley Wany (Montréal, Québec) – Ancestry, 2019-2020
  • Tobaron Waxman (Toronto, Ontario) – Chimera Project: Riis Beach, September 1, 2012, 1:46:42 AM, 2019
  • Nelson White (St. John’s, Newfoundland and Labrador) – Grandfather, 2022
  • Jane Meredith Whitten (Summerside, Prince Edward Island) – Consumed, 2021-22
  • Jessica Winters (Makkovik, Newfoundland and Labrador) – Hair Braiding Booth, 2022
  • Timothy Yanick Hunter (Toronto, Ontario) – Untitled (Shimmering), 2022
  • Lan “Florence” Yee (Toronto, Ontario) – Finding Myself at the Montreal Museum of Fine Arts IV, 2018
  • Wang Zi (Toronto, Ontario) – Yi Hua Li, 2018

About the Canada Council for the Arts

The Canada Council for the Arts is Canada’s public arts funder. The mandate of the Canada Council is to “foster and promote the study and enjoyment of, and the production of works in, the arts.”

The Canada Council’s Art Bank operates art rental programs and helps further public engagement with contemporary arts through exhibition and outreach activities.

The Canada Council’s investments foster greater engagement in the arts among international audiences and within Canada. This contributes to the vibrancy of a creative and diverse arts and literary scene and supports the presence of this scene across Canada and around the world.

Media Relations

For media requests including interviews with artists and photos of selected artworks, please contact:

Canada Council for the Arts
Communications and Engagement
613-239-3958 | 1-800-263-5588 ext. 5151 
[email protected]

SOURCE Canada Council for the Arts

 

Source link

Continue Reading

Art

Ukrainian sells art in Essex while stuck in a warzone – BBC.com

Published

 on


[unable to retrieve full-text content]

Ukrainian sells art in Essex while stuck in a warzone  BBC.com



Source link

Continue Reading

Art

Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

Published

 on

The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

Source link

Continue Reading

Art

Sudbury art, music festival celebrating milestone

Published

 on

Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

Source link

Continue Reading

Trending

Exit mobile version