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Art Basel Has Postponed Its Namesake Fair Yet Again – Bloomberg

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On Thursday, Art Basel announced that its marquee Swiss fair would be postponed from June until September.

While the announcement isn’t much of a surprise—countries are struggling to contain a more contagious strain of the virus—the postponement is the latest acknowledgment that a return to group events is still a very long way away.

“It will take a while even now that we have vaccines,” says Marc Spiegler, Art Basel’s global director, in a phone interview.

“The nature of Art Basel shows is that they’re large-scale events. Their success is dependent on widespread international travel, and that, for us, is the uncertainty for how long it will take [to resume]. So postponing from June to September makes the most sense.”

Art Basel is traditionally the final stop on the spring/early summer global art buying tour. 

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The Unlimited section of the Art Basel fair in Switzerland.
Photographer: Pacific Press/LightRocket

Unlike other art fairs, where galleries bring comparatively affordable work that can be snapped up by impulse buyers, the Swiss fair is a showcase for the best dealers have to offer. Galleries will often hold back their most expensive pieces specifically so that they can present them to Art Basel’s nearly 90,000 visitors.

In 2019, the last time the fair took place, an estimated $4 billion worth of art was crammed into a sea of booths and private viewing rooms, as crowds delighted in spectacles like a 30-foot-long blow-up recreation of a Nike sneaker by the artist Olaf Nicolai and a 28-foot-long sculpture by the artist Tom Wesselmann. Last year’s edition was cancelled entirely after a similar postponement to the fall. 

Sales Alternatives

Now this sales opportunity is gone—or at the very least, delayed until Art Basel’s rescheduled VIP preview day on Sept. 21—leaving dealers to generate sales through other means. 

Read More: Contemporary Art Needs Big Gatherings and Gossip to Survive

Art Basel, for its part, is planning three online viewing rooms (OVRs).

The first will take place between March 24–27 and will be “dedicated to artists who have broken new grounds aesthetically, conceptually, or socio-politically,” according to a press release. The second and third will be held in June and November respectively, with major themes yet to be determined. 

“Nobody in their right mind considers an OVR with 100 galleries to be a substitute for an art fair,” says Spiegler. “We think that under a specific set of conditions, and handled in the right way, these digital events do bring attention to galleries and artists.”

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An artwork by Polly Apfelbaum at the 2018 edition of Art Basel.
Photographer: Pacific Press/LightRocket

Looking Ahead

The news of the postponement strikes a blow to other art fairs, who are, as yet, are going ahead with plans for in-person fairs this spring and summer.

Frieze plans to hold its annual New York fair in The Shed between May 5 and May 9, and has already pushed its Los Angeles fair from February to July. TEFAF, a showcase for old masters and decorative arts, has scheduled the European branch of its fair for May 29 in Maastricht.

Art Basel Hong Kong plans to open its doors in the Hong Kong Convention and Exhibition Centre on May 19.

In light of the same factors that postponed the Swiss edition entirely, Spiegler’s ambitions for the Asian edition of his fair are limited.

“We’ve already informed visitors that we expect strong travel restrictions, but it’s not clear what the state of play will be there,” he says. “We’re hoping for a regional fair, but keep in mind that there are many international galleries that have gallery spaces and staff in Hong Kong.”

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 “Tumba Abierta III” by the artist José Yaque at Art Basel.
Photographer: Pacific Press/LightRocket

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    Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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    In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

    Alleged Fraud Scheme

    Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

    Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

    Massive Seizure of Artworks

    In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

    Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

    Artwork Returned, but Some Remain Unclaimed

    In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

    Court Proceedings Ongoing

    The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

    Impact on the Local Art Community

    The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

    For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

    As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

    While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

    Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

    As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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    Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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    Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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    Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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    The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

    On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

    Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

    The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

    Blaze in the West Wing

    The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

    About Somerset House

    Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

    Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

    Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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