Art
Art Basel Miami Parties Feature Janelle Monáe and Harmony Korine
Miami Art Week is in full swing in South Florida, anchored by Art Basel Miami Beach. We were on the scene for parties in the area that featured the performer Janelle Monáe, the filmmaker Harmony Korine and prominent figures from the art world.
Harmony Korine Introduces Miami to Edglrd
The pop star Camila Cabello greeted Harmony Korine enthusiastically on Thursday night just inside El Palenque nightclub in Miami’s Little Havana neighborhood.
Mr. Korine, the filmmaker and artist, drew about 600 people, including Ms. Cabello, to the sprawling space decorated with red neon lights. It was an introduction, for many, to his new design collective, Edglrd, pronounced “edge lord,” which is a reference to internet trolls known for courting and relishing in controversy.
“I just want to work on future content,” Mr. Korine, 50, said, adding, “I just think it’s what comes after linear logic. What’s more sensory? What’s more integrated into a specific feeling or the kind of things that are beyond simple articulation?”
Inside the club, the D.J. pit was surrounded by LED screens with visual effects and animation mimicking Mr. Korine’s new film, “Aggro Dr1ft,” which was screened this year at film festivals in Toronto and New York.
The crowd at the event included the comedian Hannibal Buress, the artist Alex Israel and the skater Evan Mock. The party was hosted with Boiler Room, an online broadcaster and club promoter. The night opened with a set from AraabMuzik, who did the score for Mr. Korine’s film, followed by BLP Kosher, a rapper from Florida, and Yung Lean, a rapper from Sweden.
Around 1 a.m., Mr. Korine, wearing a skull-like yellow mask with horns that was a nod to “Aggro Dr1ft,” stepped up to a turntable for what he said was his public debut as a D.J.
Mr. Korine described the sound, an aggressive blend of Brazilian phonk with elements of trap music, South Florida rap, ’90s pop and metal, as something made by “gamers in favelas.”
Around him, people in white body suits and masks bobbed to the beat of the music, and women with long, neon green wigs stood still and stared ahead.
To prepare for the set, Mr. Korine said, he was “doing a lot of menthol vapes, a ton of Mountain Dew and eating Sweet Tarts, and sitting on a houseboat, and listening to a lot of Brazilian music.”
He wanted to try his hand at the craft, he said, because, “I just thought it was the right time.”
From left, Reid Waters; the artist Alex Israel; and Mr. Korine.Elizabeth Lippman for The New York Times
Mickalene Thomas Toasts Art Basel with Janelle Monáe
On Wednesday night, artists, curators and musicians convened under palm trees for an event celebrating the artist Mickalene Thomas at the Miami Beach Edition hotel.
Ms. Thomas was showing work at Art Basel Miami Beach and had released a capsule collection with Shop with Google, which included T-shirts, a sweatshirt and a baseball cap featuring some of her motifs.
“What excites me about tonight is the community of people here together,” Ms. Thomas said. “It’s about women celebrating women.”
Guests, including the actress Tasha Smith, the musician George Clinton and the gallerist Yancey Richardson, wrapped around a poolside bar sipping rosé as servers passed pepperoni pizza pockets and endive salads.
Around 8:30 p.m., the performer Janelle Monáe climbed to the top of the diving board hanging over the pool wearing a custom cape made of ruched black-and-white fabric roses that she had designed with Rey Ortiz.
“Happy birthday, baby!” the actress Yvonne Orji called out as Ms. Monáe, 38, took a microphone.
Over about 30 minutes, Ms. Monáe performed several of her songs, including “Float,” “Make Me Feel” and “Come Alive.”
“I’m here for you, Mickalene,” she told the crowd. “I love you so much. One of the greatest artists of our time. My friend. My sister.”
As she wrapped up her set, Ms. Monáe walked into the blue water behind her, fully dressed, and swam to the other side.
The audience cheered, and Ms. Monáe returned to the stage, finished the performance and walked off, draping herself in a large, white towel.
Gagosian Channels the Amalfi Coast
On Tuesday evening, blocks from the palatial accommodations of Collins Avenue, a disco ball spun slowly above a pool as a D.J. played a blend of Afro-Caribbean jazz, disco and Italo pop.
Just before Art Basel Miami Beach opened to V.I.P. clients, the blue-chip gallery Gagosian hosted a party at the Freehand Miami, with a crowd of more than 600 gathering in the hotel’s Broken Shaker bar and 27 Restaurant.
The evening was designed, in part, to channel the calming energy of Italy’s Le Sirenuse hotel before a week devoted to art fairs and luxury consumption shifted into high gear.
“Relax,” intoned Antonio Sersale, the proprietor of Le Sirenuse, as he circled the patio with the joyful air of a hotelier who deals in the good life. Servers floated by with fried oysters, and stations were set up with tacos and ceviche.
(Members of Gagosian’s staff, as well as many of the gallery’s clients, are fans and frequent guests at the five-star, family-owned hotel, organizers said.)
The crowd included Jeremy Pope, an actor and artist with work at the Scope Art Show; the photographer Tyler Mitchell; the artist Chloe Wise; and Meredith Darrow, an art adviser whose clients include Kim Kardashian. Guests drank champagne and margaritas by the pool and chatted with work friends. Larry Gagosian, the gallery owner, did not attend.
Ms. Wise, who is showing her work at Art Basel Miami Beach, said she planned to celebrate her birthday, see art and go to the beach.
“I feel very connected to Miami and Florida in a humorous and inspiring way,” she said, specifically referring to the bikini shops near the beach.
She continued: “It’s this combination of something I would like to satirize, something I look at, something I’m participating in, and I find it to be a very American consumerist sort of hilarious, yet meaningful, space.”
Art
Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
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