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Art Cashin sees inflation peaking soon and other surprises for the market in 2022 – CNBC

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You have to hand it to UBS’ Art Cashin.  He loves to play against the crowd.

“Cashin the Contrarian” was very much in evidence in my annual look ahead interview with the NYSE floor legend. We met at our usual spot for the past 15 years:  Bobby Van’s steakhouse across from the Big Board in lower Manhattan.

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As he is wont to do, Art went against consensus thinking on many topics for 2022, including the idea that the Federal Reserve will become increasingly aggressive raising rates next year, and on just how long inflation will last.

Interest rates: Not as high as everyone assumes?

 “The headline a year from now will be rates don’t rise as much as people assume,” Art tells me, suggesting that Fed Chair Jerome Powell and the others have not abandoned sensitivity to higher rates and the impact on the economy.

“I would suggest to the viewers, don’t pay attention so much to the meetings and what was said at them. Remember that Powell has to be reconfirmed in the middle to end of January. So if they move to taper a little too rapidly, if somehow the market takes it badly, he’s got to allow for a back-off.”

“And if we had a sudden sharp drop in the stock market, I think you would see the Fed back off. And I think the fact is, this economy depends far more on the stock market. People’s assets have risen. Back to that consumer, their household assets have risen — some of that is measured by what the stock market does.”

The surprise on inflation:  Not what you think

Surprise!  Art says inflation will indeed prove to be transitory just when the Fed has given up on the word. He says many companies have double-ordered on supplies and that after the holidays supplies will begin to pile up on the dock. He believes inflation will begin to abate in the first quarter and points to some key dates in China.

“I think product inflation will begin to drop sharply [in early 2022]. I would suggest to you that there are two dates that viewers should watch out for. One is the Lunar New Year, okay, and its celebration in Asia. And secondarily, the Winter Olympics, which are gonna occur in China. I think China is a key function in the demand cycle here, in the supply cycle. And once President Xi gets past those two ones, he’s worried about a food shortage, he’s worried about energy shortages. He’s worried about all of those other things. They should crest at the lunar new year and the beginning of the Winter Olympics. And then I think you will see prices begin to trend down and that I think will be a major headline. People will say wait a minute, in December wasn’t the Fed suddenly dropping transitory?”

Covid likely to become ‘manageable’ disease

Art is optimistic about the ultimate impact of Covid and its many variants. This time next year, he believes vaccines and antiviral pills will have made significant advancements against the disease.

“I think the headline will be that it appears somewhat manageable. We will have to watch for modifications and variations. There is still some belief that this was less of an accident and more of a manmade design gone awry. And if that picks up that will present problems because that will make nations far more defensive and it will restrict things like corporate travel and whenever we look at the airlines today while we move the year into this and domestic travel. Yes, people are going home to see the family on Thanksgiving and whatnot. International travel has not come back yet. So the marker is it will affect the worldwide economy unless it becomes far more manageable. I think the big hope here is less vaccination and more the treatments, the pills. If these things appear to work well then I think we will make Covid manageable — not unlike the vaccines prevented smallpox, but flu and a variety of other things — they’re managed more by therapy treatments.”

The key to stocks and economy: the consumer

Cashin is bullish on stocks, at least for the first half of the year, for one reason: the health of the consumer. 

While many characterized 2021 as part of a huge spending boom, Art believes the real consumer spending boom will continue into 2022.

“If Covid moderates to a point where people can go out and about, then all of that money is ready to be spent. And that’s why we had an economy that was pretty good because people have savings in a greater amount than they’ve ever had in America before, in the household. And that’s available to be spent. So if Covid moderates, you could have a sudden economic boom when people go out and start to spend – almost like the post-World War II baby boom, they’re going to go out and spend. People talk about the roaring 20s – we may in fact get it again.”

A major boost to stocks: the return of buybacks

Another reason Art is bullish:  record buybacks have returned.

“Now that we’re moving back toward almost normalcy, believe it or not corporate buybacks are back at the high level they were before the outbreak now what caused that I’m not entirely sure, but it has been a big boost under the stock market. And if it continues, we’ll, you know, you and I will discuss it and look at earnings and other things. But corporate buybacks over the last four years have been a very, very important factor in the rallies and bull markets that we’ve seen.” 

Tech valuations

Art believes that megacap tech stocks (Apple, Microsoft, Nvidia, etc.) will continue to be a major factor in the markets in the first half, but that a re-evaluation is coming.

“They’ve been a factor – I think that may begin to change and we’re going to have to look for a rather broader spread in the economy. I don’t really believe that 20 or 30 companies are going to tell us what’s happening in America or even in the world, as we’ve had over the past few years.”

Another problem for big-cap tech is more regulatory restraints are coming.

“Look at Facebook. Facebook became so powerful that he had to change its name because it appeared to be anathema. It was ruling our children’s lives, it was ruling what they were doing, and suddenly not unlike Jack Ma in China, there was suddenly one or two people, one or two corporations that looked too big. So I think you will see that kind of social pressure coming back and so the influence of those major corporations will be challenged governmentally and otherwise. I prefer that they be challenged by new inventors, but it’s not happening.”

Earnings: analysts underestimating strength

 It was one of the big stories of 2021:  analysts underestimated the strength of the economy and drastically underestimated earnings growth, by 10% or more.  Cashin believes that is going to happen again, at least for the first six months of 2022.

 “I think in the near term, the analysts once again are underestimating, and as I said to you earlier the thing that would be forgotten is that money that’s building up in the household, it’s been building up in the corporation. Corporate buybacks will put a bid under this market for the next six months, in a manner that will surprise many people.”

How much higher could earnings be in 2022?  Right now, analyst estimate S&P 500 earnings will rise 10% next year. Cashin believes it will be “Certainly 15 and it could be 20 [percent higher].”

China: trouble brewing? 

 Art believes that China’s potential problems next year with food and energy may cause its leader, Xi Jinping, to take certain geopolitical risks.

 “It’s because if I am the autocratic leader of a nation, and I begin to see the political polls. Not that I’m running for election, but my people are getting upset. They’re out of food, they’re having difficulty here. What do you do? You need to do something to get their attention away from it. If I can’t get you the food and get you the energy you need, I’ve got to distract you. And that means geopolitical surprise. So the reason that I can’t give you a solid answer as to what the relations will be, you tell me how bad the food shortage will be. You tell me how bad the energy shortage will be and I’ll tell you how far we go, when do we worry about Taiwan, or Ukraine? We’re in a period where autocratic rulers want to divert their people’s attention.”

When to buy and when to sell? A Cashin parable

As he often does, Art ended our discussion with a parable about when to buy, and when to sell.  It involved one of his earliest mentors, Professor Jack, who traded over-the-counter silver stocks in the early 1960s.  A very young Art Cashin often met with Professor Jack in the many bars around the NYSE. 

This particular story centered around the very dark days of the Cuban Missile Crisis in late 1962, when it momentarily appeared as if nuclear war was about to break out between Russia and the U.S.  A panicked, very young Art Cashin thought he was being smart by buying stock puts, a bet the market would drop. 

He ran to the bar where Professor Jack was drinking, and told him what he had done.

 “And he said to me, “Kid, sit down and buy me a drink.” That was tuition for school. I paid tuition by buying Jack Scotch Old Fashioneds and class lasted as long as I could afford to buy them, or as long as Jack could talk after drinking.”

 “I offered him a drink. And he said, ‘Now, sit down and listen to me.’  And I said, ‘yes?’ And he said, ‘When you hear the missiles are flying, you buy them, you don’t sell them.’

 “And I said, ‘You buy them? Why would you buy them if the missiles are flying?’

 He said, “You buy them because if you’re wrong, the trade will never clear. We’ll all be dead!”

“I loved him, I said you don’t ever learn that in the Wharton School or the Stern School. This man in this bar has just given me an insight about Wall Street that will last me forever. That things are not often what they appeared to be on the face of it and think of the ultimate consequence and that’s the action you take.”

Art’s wish for 2022:  “Let’s keep the missiles from flying.”

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Art Bites: The Movement to Remove Renoir From Museums – artnet News

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What’s the deal with Leonardo’s harpsichord-viola? Why were Impressionists obsessed with the color purple? Art Bitesbrings you a surprising fact, lesser-known anecdote, or curious event from art history. These delightful nuggets shed light on the lives of famed artists and decode their practices, while adding new layers of intrigue to celebrated masterpieces.

From Just Stop Oil to Free Palestine to P.A.I.N., recent times have seen art museums coopted as staging grounds for high-minded protest.

In 2015, however, the group of protesters that picketed outside Museum of Fine Arts in Boston had a simpler, less lofty target: Pierre-Auguste Renoir. Their demand? That museums remove his paintings from their walls. Their reasoning was rather straightforward: they argued Renoir was bad at art. (A protest at New York’s Metropolitan Museum of Art was soon to follow.)

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The Renoir Sucks at Painting movement (if one can call it that) was the brainchild of Max Geller, and came to life after he encountered the sizable collection of Renoir paintings at Philadelphia’s Barnes Foundation. Its central outlet is an Instagram account that features close-ups of Renoir paintings accompanied by satirical, often long-winded critiques.

Armed with snobbish hipster fury and signage that read “God Hates Renoir,” “ReNOir,” and “We’re Not Iconoclasts, Renoir Just Sucks At Painting,” the group briefly received considerable media attentionthough none from the institutions it was heckling. Fellow Renoir haters expressed their aesthetic sympathy online by posting photographs of themselves giving the middle finger to Renoir paintings, often accompanied with the hashtag #renoirsucksatpainting.

Renoir haters outside Boston’s Museum of Fine Arts.Photo: Lane Turner via Boston Globe

Renoir haters outside Boston’s Museum of Fine Arts. Photo: Lane Turner via Boston Globe

The furor prompted Renoir’s great-great-granddaughter Genevieve Renoir to chime in. She argued the free market had spoken clearly in favor of her ancestor’s talent. The market said something that sounded like, “$78 million at Sotheby’s for Bal du moulin de la Galette na na na-na na.” Geller responded by saying the free market lacked judgement and taste, citing TV commercials, climate change, and the destruction of sea otter habitats as evidence. Fair enough.

This points to the deeper purpose of Renoir Sucks at Painting, one that was generally lost beneath the media noise and pithy takedowns. Geller wasn’t trying to censor Renoir through ridicule. He was hoping to force museums into reconsidering the artistic merits of the paintings on their walls and make change, ideally in favor of non-white male painters. He called it “cultural justice.”

Pierre-Auguste Renoir, Bathing Group (1916). Courtesy of the Barnes Collection.

Pierre-Auguste Renoir, Bathing Group (1916). Courtesy of the Barnes Collection.

Though Geller’s approach was decidedly contemporary, his root sentiment wasn’t. People have long hated Renoir. The loathing has both moral and aesthetic substance. On moral grounds, Renoir’s innumerable dumb-faced, unflattering female nudes have seen him posthumously charged with sexism. Adding to the ignominy was his anti-Semitism, as shown by his stance in the Dreyfus affair.

And yet even the aesthetic charges are somewhat personal. Renoir, a ceramicist by training, fell in with a Parisian clique that included Alfred Sisley and Claude Monet, anti-academic artists who would become part of the Impressionist movement. Bold color and depictions of modern life were in. Formalism, florid rococo details, and grand mythological scenes were out.

The problem was, Renoir quite liked these old things“I am of the 18th century,” he once saidand when times got financially tough, he backtracked and began painting saccharine, bourgeois portraits. It made him rich, an international star even. In short, he’s seen as a sellout.

Critics argue Renoir paid no attention to line or composition (he painted as though on a pot, the charge runs) and ignored the contemporary concerns of his day. Most damning, seemingly, is the accusation that Renoir’s paintings are pretty. Good art, of course, cannot simply be pretty.

One fan of Renoir’s pretty little paintings? Donald Trump. He claims to own Two Sisters (On the Terrace). It’s a fake, mind you.

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New Art of Punjabi Exhibit – CTV News Barrie

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New Art of Punjabi Exhibit  CTV News Barrie

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City awards celebrate art, culture and volunteerism – Owen Sound Sun Times

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Twenty-six years ago Mark Perry raised his hand at his son’s soccer practice and volunteered to fill in for the head coach the odd weekend — here and there — when needed.

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On Sunday, Perry accepted the Volunteer of the Year Award at the Owen Sound Arts, Culture and Volunteer Awards inside the Tom Thomson Art Gallery.

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“It’s funny how things can evolve,” Perry said.

Owen Sound Minor Soccer registered more than 1,000 kids last summer, and even though Perry’s children have grown up he’s still the backbone and president of the steadily run organization, his nominators said.

Perry is the Rogers TV Grey County station manager and said his day job constantly reminds him of how important volunteers are to Owen Sound.

“I see it every day,” he said.

Owen Sound Minor Soccer President Mark Perry accepts the award for Volunteer of the Year at the the Owen Sound Arts, Culture and Volunteer Awards Sunday afternoon inside the Tom Thomson Art Gallery. Greg Cowan/The Sun Times
Owen Sound Minor Soccer President Mark Perry accepts the award for Volunteer of the Year at the Owen Sound Arts, Culture and Volunteer Awards Sunday afternoon inside the Tom Thomson Art Gallery. Greg Cowan/The Sun Times

The Owen Sound Arts, Culture and Volunteer Awards celebrate excellence in the arts, culture and heritage in the greater Owen Sound area. This year, the celebration event included awards for Volunteer, Youth Volunteer, and Senior Volunteer of the Year.

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Local poet, filmmaker and climate activist Elizabeth (Liz) Zetlin won the Lifetime Achievement Award for her decades of work promoting the arts and climate action in the region.

“Lifetime kind of sounds a little bit like you’re done, but I’ve still got a few years left,” said Zetlin, who used part of her acceptance speech to promote and recruit volunteers for her new venture Pollinate Owen Sound, in partnership with the OPEN team consisting of the Owen Sound and North Grey Union Public Library, Billy Bishop Museum, Waterfront Heritage Centre and the art gallery.

Zetlin helped create the city’s poet laureate position and the Words Aloud festival. More recently, she produced, directed and edited the documentary Resilience

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Neyaashiinigmiing’s J.D. Crosstown earned the Emerging Artist award with a $500 cash prize. The singer/songwriter grew up in the Chippewas of Nawash Unceded First Nation with Cree and Ojibwe heritage. His music has roots in folk, country and blues and he’s fresh off a tour in Germany supporting local musician Matt Epp.

J.D. Crosstown accepts the award from Emerging Artist at the the Owen Sound Arts, Culture and Volunteer Awards Sunday afternoon inside the Tom Thomson Art Gallery. Greg Cowan/The Sun Times
J.D. Crosstown accepts the award from Emerging Artist at the Owen Sound Arts, Culture and Volunteer Awards Sunday afternoon inside the Tom Thomson Art Gallery. Greg Cowan/The Sun Times

Raquell Yang won the Outstanding Individual Award. Originally from Taiwan, Yang is now a mainstay in the Owen Sound arts community where she mixes eastern and western styles in her brush paintings. She also supports the community with pop-up workshops and gallery events. Her best-known work is likely the impressive mural painted on the side of the Grey Gallery in downtown Owen Sound entitled Transformation.

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The Georgian Bay School for the Arts won the Cultural Catalyst Award and Dean McLellan earned the Cultural Heritage Award for work restoring the Saugeen Amphitheater.

Sweetwater Music Festival won the award for Outstanding Group. The Emancipation Festival won the award for Outstanding Event, and the Owen Sound Memoir Series won the Most Promising New Event award.

Sandy Stevenson won Senior Volunteer of the Year while Junior Optimist Shayla Adamson won Youth Volunteer of the Year.

Musicians Magenta and Simon Dawes provided musical interludes throughout the ceremony.

More than 100 people attended the ceremony inside the TOM’s North Gallery. MPP Rick Byers, Mayor Ian Boddy and several city councillors attended.

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Diana Meder from Grey-Bruce’s Bounce Radio was host for the ceremony. Performers from the Roxy Star Company opened the event.

To be eligible for an award, nominees had to live in the greater Owen Sound area and make a significant local contribution or a national/international impact.

Full-time city employees and elected officials are not eligible to be nominated, nor are posthumous nominations accepted.

The award’s jury is made up of previous event winners.

Simon Dawes wows the crowd during a musical interlude at the at the Owen Sound Arts, Culture and Volunteer Awards Sunday afternoon inside the Tom Thomson Art Gallery. Greg Cowan/The Sun Times
Simon Dawes wows the crowd during a musical interlude at the Owen Sound Arts, Culture and Volunteer Awards Sunday afternoon inside the Tom Thomson Art Gallery. Greg Cowan/The Sun Times

PAST WINNERS:

2022 winners:

Cultural Catalyst – Christy Eaglesham (Taylor)

Cultural Heritage – Potters Field Monument Volunteer Steering Committee

Outstanding Event – Georgian Bay Symphony Virtual Sessions

Outstanding Group – Reconciliation Garden Project

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Outstanding Individual – Tyler Boyle, Spirit Artist

Emerging Artist – Paige Warner

Most Promising New Event – Earth Day Grey Bruce

Lifetime Achievement – Shirley John

2020 winners:

Cultural Catalyst – Community Foundation Grey-Bruce

Cultural Heritage – Wiidosendiwag+Walking Together+Marchons Ensemble Tour

Outstanding Event – Scenic City Film Festival

Outstanding Group – Lookup Theatre

Outstanding Individual – Stephanie Fowler

Emerging Artist – Kevin Griffin

Most Promising New Event – Owen Sound Art Walk

Lifetime Achievement – Wilmer Nadjiwon

2018 winners:

Cultural Catalyst – R. Michael Warren

Cultural Heritage – Maryann Thomas

Outstanding Event – 42nd Annual Summerfolk Music & Crafts Festival

Outstanding Group – Georgian Bay Symphony

Outstanding Individual – Steve Ritchie

Emerging Artist – Chris Morton

Most Promising New Event – Awesome Sydenham Riverfest Extravaganza

Lifetime Achievement – Stephen J. Hogbin

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