Art
ART/CRAFT 2020 fundraising auction on now! – GuelphToday
If you’re an art and craft lover, chances are you feel like you’ve been missing out these past few months.
Fortunately, there’s an exciting new event to look forward to.
The Art Gallery of Guelph will be presenting ART/CRAFT 2020, a fundraising art auction, in a new online format that everyone can safely enjoy from the comfort of home.
The auction celebrates the powerful intersection of art and craft, featuring more than 30 works created by contemporary Canadian and Indigenous artists. Every piece was donated to help support the gallery’s programming and educational endeavours. In this year’s auction, you’ll find a real diversity of artists and artistic practices.
Curious? All pieces of artwork are available to view right now online.
“We are thrilled to be able to reinvent ART/CRAFT in a new format for this new moment,” says AGG Director Shauna McCabe.
What’s even more exciting is the variety of creative approaches represented. Expect to see work in the form of photography, ink and pastel drawings, oil, acrylic, gouache, and watercolour paintings, serigraphs, monoprints, lithographs, stonecut and silkscreen prints, as well as bronze, porcelain, and stoneware sculptures.
For those who would like to view the artwork in person, you are welcome to do so at the Art Gallery of Guelph, from November 10 – 28, 2020.
If you see something you love—or a piece you might like to buy as a gift for someone special—the bidding starts on Wednesday, November 18 at 10 am EST. Bids will continue to be accepted until Saturday, November 28 at 8 pm EST and purchasers also have a “buy it now” option.
When you purchase one of these remarkable pieces, you are showing your commitment to the arts. Sales of these auction items raise important funds that support artists directly, as well as the surrounding communities, who benefit from the gallery’s esteemed public programs and transformative exhibitions.
The Art Gallery of Guelph is the city’s leading arts institution, recognized internationally for its collection of over 10,000 Canadian and international works. It is known for facilitating opportunities for dialogue and exchange that create positive social change through creative practices. The work they feature, and the work they do, is inspiring, engaged and bold.
Says McCabe, “The phenomenal generosity and enthusiasm of the local and national arts community makes this event a cornerstone of the gallery’s activities.”
Browse the online auction catalogue at your leisure and show your support for the gallery and its important mission at this much-anticipated gala fundraiser.
To learn more, visit the Art Gallery of Guelph.
Art
Unique art collection on display – CTV News Vancouver
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Unique art collection on display CTV News Vancouver
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Art
This N.B. artist joined an online movement. Now her art is being shown across the world. – CBC.ca
Since joining a community that dreams of an internet free from giant corporations that can exploit users’ time and data, Victoria West’s digital artwork has been exhibited across the globe.
West, a photographer and digital artist based in Burton, 30 kilometres southeast of Fredericton, has had her work shown in Paris, Rome, Barcelona, Townsville in northeastern Australia, Miami, New York City, and even a museum in Albuquerque, N.M., — all through connections she’s made in Web3.
West warned it was a “rabbit hole,” but what she found in wonderland she doesn’t believe she’d find anywhere else.
Web3 is a future version of the internet.
Web1, West said, was the first version of the internet, in which users passively consumed information.
As the 2000s dawned, Web2 emerged, and users could now post their own content — think Twitter, blogs, YouTube. People are now creating more and more in digital spaces, but the downside of Web2 is that corporations are technically still the owners of all that creation, and they could take your data and potentially do with it as they please.
Enter Web3, which still exists more in theory: nobody and everybody owns the internet. This version aims to be decentralized. It doesn’t eradicate the distrust some people have in mega companies like Google and Meta — it just removes the need for it, because no one person or organization can own the blockchain Web3 operates on.
West said within Web3 there’s an art movement, with artists working together and taking control of their work. Imagine if Leonardo da Vinci had an internet connection, as well as Raphael, Michelangelo and Donatello. It’s the renaissance all over again, West said, except it’s happening with digital art.
“And it’s happening online on a much bigger scale.”
Before learning about W3 in 2021, West said she was in a photography bubble.
Photography isn’t the art form West imagined herself pursuing when she was younger. But when she bought a camera after the first commercial digital models arrived on the market in the mid-2000s, she was hooked.
“I was bothering everybody around me to take their portrait,” she said.
She built up her portraiture business, becoming involved with the Professional Photographers of Canada and competing in photography contests. Still, West didn’t want to just capture moments — she wanted to make them.
That’s when artificial intelligence came on the scene.
West was using Midjourney, a generative AI program, when it was still in beta testing. Around the same time she became involved with Web3, she experimented with blending AI-produced textures into her photography. In her business, AI quickened her workflow and allowed her to change backdrops and furniture.
While creating a piece in 2023 called When I Die, West wanted to design a man underground with roots blossoming into a tree. Well, there aren’t any blossoming trees in Canada in February, West joked — so she made the tree using AI.
“I feel like someone took handcuffs off me, and I’m free,” she said.
Lauren Cruikshank, an associate professor in culture and media studies at the University of New Brunswick, has spoken about the use of AI in universities, but she also thinks about it through an artistic lens.
From the camera to spell check, Cruikshank said the same discussion happens with each new medium: how much of the artistry belongs to the artist, how much to the tools they’re using?
“For some people where it gets uncomfortable is where the role of the human is minimal compared to how much the AI tool is creating or having creative influence,” she said.
With AI, Cruikshank agreed there are degrees — there’s a difference between prompting an AI to generate an image of a beautiful sunset and claiming it as your artwork and what West is doing, combining AI with her own artistry.
“That sounds really compelling to me,” Cruikshank said.
When West first saw Lume Studios on Broadway in lower Manhattan, the place she’d eventually display Eden’s Dye, her immersive art exhibit, she knew she wanted it immediately.
She collaborated on the exhibit with some of her Web3 friends. Los Angeles actors and poets Laurence Fuller and Vincent D’Onofrio wrote poetry to accompany each piece of art, which West created using both photography and AI. A coder friend joined the crew, and the result was a floor-to-ceiling immersive exhibit. West’s collaborators also choreographed performances to complement the art, using music produced by AI.
“Why wouldn’t I do that if I can?” West asked. “It’s freeing, I think, and lets you push the boundaries of photography and what you can do with it.”
While the exhibit leaned heavily on romantic, classical themes and Baroque aesthetics, Eden’s Dye is almost a premonition: minted, digital artwork taking up entire walls in people’s homes, flowers growing from code, experiencing art in virtual realms.
Demand will only grow, West said. Technology will progress and the internet will change. But what she really wanted was for people to walk into Eden’s Dye and be amazed by the art they were experiencing.
“They came because of the art, and they were there enjoying the art. You don’t really need to understand anything beyond that.”
Art
Niagara quilt expo to explore history of modern art form – Welland Tribune
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These aren’t your grandma’s quilts.
Being a grandmother herself, Lorna Costantini said she’s not a huge fan of the above phrase, but she can’t help but use it to describe modern quilting.
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