Art dealer George Bergès detailed terms of Hunter Biden deals to House committees | Canada News Media
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Art dealer George Bergès detailed terms of Hunter Biden deals to House committees

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WASHINGTON — Hunter Biden insisted on knowing the identities of who was buying his art when he began selling his work, an “unusual” directive that was later retracted, his gallery director told House investigators, according to a transcript of the interview reviewed by NBC News.

Hunter Biden was the only artist represented by George Bergès to make that demand, Bergès testified to the House Oversight and Judiciary committees before the stipulation was rolled back in September 2021 after months of public scrutiny. His testimony came as part of House Republicans’ inquiry into President Joe Biden.

Bergès said there was never any conversation with his buyers about political favors from the president or the White House.

The timeline for the shift raises questions about the Biden White House’s statements about ethics safeguards surrounding the sales, which had attracted the attention of art world insiders and good governance experts. It also counters statements by the White House that Hunter Biden does not know the identities of his collectors.

Bergès said he was “surprised” by a report in the summer of 2021 claiming that “White House officials [had] helped craft an agreement” that would create a firewall between Hunter Biden and his buyers, having never spoken to the White House.

Georges Berges
Georges Bergès at the Los Angeles Beverly Art Icon Awards on Sept. 22.Jordan Strauss / Invision / AP file

Joe Biden’s press secretary at the time, Jen Psaki, described a “system” that would allow Hunter Biden to sell his work “within reasonable safeguards,” telling reporters, “He will not know, we will not know who purchases his art.” Psaki, now the host of “Inside with Jen Psaki” on MSNBC, later clarified that it was not the White House itself that helped create the arrangement.

The White House did not immediately respond to a request for comment.

The interview with Bergès raises new questions about Hunter Biden’s art sales as a potential vehicle for him to pay off debts owed to Kevin Morris, a Hollywood attorney. NBC News reported that Morris began advising Biden in 2020 before he arranged to pay $2 million in outstanding tax obligations to the IRS on his behalf.

Describing the deal with Morris, Bergès said Biden would have had to discuss the terms of the sale with his friend before the deal was made. “I think they had an arrangement. … He had to have known that he was the buyer, because normally the gallery would then write a check for the artist commission, but I didn’t,” Bergès told investigators.

After the agreement was revised, Bergès said, nothing would have prevented buyers from informing Biden that they had purchased pieces.

Bergès said that he no longer represents Biden but that they remain close and talk several times a week, with Bergès at one point describing him as “one of my best friends.”

Morris, who purchased $875,000 worth of Biden’s art through a business entity in January 2023, paid the gallery director a 40% commission while planning to resolve the balance with Biden directly, Bergès testified.

He described Morris as Biden’s largest collector. 

Bergès told Congress that he did not know whether the gallery had provided Biden with the tax documentation to reflect the $525,000 payment from Morris. He also recalled seeing a piece of art in Morris’ home that the gallery director had not sold, indicating that Morris had obtained it elsewhere, perhaps from Biden directly.

In a letter last week to Oversight Committee Chair James Comer, R-Ky., Morris’ attorney said Morris had not decided how to pay for Biden’s artwork. He is still considering either a direct payment or a write-down of the loans, and that will depend on his tax advisers’ advice, according to a copy obtained by NBC News.

Biden last week pleaded not guilty to nine tax-related charges, including three felony counts, related to his business dealings from 2016 to 2020.

Bergès said another buyer known to Biden was Elizabeth Hirsh Naftali, a prominent Democratic donor who received a White House appointment last year. She is the great aunt of 4-year-old Abigail Eden, the first American hostage freed by Hamas after Oct. 7 in a prisoner exchange.

Though Bergès was introduced to Hirsh Naftali and began working to sell Biden’s artwork to her in 2019, it was not until the weeks after Joe Biden was inaugurated that she made her first purchase in February 2021. In December 2022, Hirsh Naftali purchased a second piece of Hunter Biden’s artwork after having attended one of his art exhibitions, buying $94,000 worth of his art.

In a letter to Congress last year, Hirsh Naftali’s attorney said that she did “nothing wrong,” that her White House appointment to the U.S. Commission for the Preservation of America’s Heritage Abroad was not connected to her purchase of the artwork and that the appointment came at the recommendation of then-House Speaker Nancy Pelosi, D-Calif.

Bergès said Biden learned of her identity through news reports.

 

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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