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Art exhibition putting spotlight on Indigenous women's voices – Regina Leader Post

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Curator Melanie Monique Rose wants be “uplifting and amplifying” Indigenous women’s voices by telling their stories through art.

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Regina-based artist Melanie Monique Rose uses Saskatchewan’s native plants to dye the fibers she uses in her artwork, a deeply personal nod to her experience as an Indigenous artist connected to the land on which she lives.

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“I take these plants, like goldenrod, and create colour with them to dye my wool that I use,” said Rose. “All the colours I have there have been taken from Treaty Four territory, for my needle felting.”

Rose is both artist and curator of the exhibition titled ᑌᐸᑯᐦ or Tepakohp, which means “seven” in Cree, a multi-media exhibition of works from seven Saskatchewan artists that uses art to share their experiences as Indigenous women.

The unique collection is set to debut at the Cathedral Village Arts Festival next week, before it begins an extended tour across the province with the Organization of Saskatchewan Arts Councils.

ᑌᐸᑯᐦ includes artwork from Audie Murray, Larissa Kitchemonia, Stacey Fayant and Brandy Jones, among others, who each contributed several pieces, each of which represents their lived experiences in a way that examines connections with the land.

Rose envisioned the exhibition because she wanted to place the experiences of Indigenous women on centre stage, as traditionally theirs are voices that have been stifled.

“It’s really all about uplifting and amplifying,” said Rose. “I wanted the artists to think about something that’s important to them, that they want to share through their art.”

What resulted is a series of very personal pieces, she said, that touch on topics ranging from experiencing Indigenous motherhood to discovering identity, grappling with grief and navigating injustices.

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A striking self-portrait by artist Marcy Friesen tells the story of her reaching comfortableness with her Welsh and Cree heritage; a piece from Donna Langhorne examines her journey of reconnecting with her Anishinaabe roots after being adopted by a white family as a child.

“A lot of the works are really speaking to connection and reconnection,” said Rose. “It’s quite contemporary, but definitely you can see how it’s rooted in tradition.”

Melanie Monique Rose, curator of a multi-media art installation titled ᑌᐸᑯᐦ, or Tepakohp, makes a willow wreath for the show at her home on Wednesday, May 18, 2022 in Regina.
Melanie Monique Rose, curator of a multi-media art installation titled ᑌᐸᑯᐦ, or Tepakohp, makes a willow wreath for the show at her home on Wednesday, May 18, 2022 in Regina. Photo by KAYLE NEIS /Regina Leader-Post

For Rose, the overarching goal is to educate the audience on the experience of being Indigenous in the current climate.

“We know we have a major problem here in Canada, with missing and murdered Indigenous women and negative stereotypes that just aren’t true,” said Rose. “I really wanted to use my gifts as an artist as a form of activism.”

Rose is enthusiastic to be partnered with both OSAC and the festival to show ᑌᐸᑯᐦ, to reach audiences across the province. OSAC’s tour will take the physical exhibition to Prince Albert, Estevan, Indian Head and more over the next two years.

But the show’s Regina debut will be at the upcoming arts festival in Cathedral, which begins on Monday. ᑌᐸᑯᐦ will be on continual display throughout the week, on the digital billboard located at Westminster United Church.

It will be the first time the festival has hosted an art installation in this way, said chair Marilyn Turnley, and the nature will allow for hopefully more reach than a typical display inside a venue.

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“It offers an opportunity for people on bikes, walking, driving by to see it up close and personal,” said Turnley.

Turnley said the festival is excited to be the first look at the collection.

“Diversity and inclusiveness has always been at the forefront of the festival,” said Turnley. “This is how we build community — we bring art together in this way.”

A piece by Melanie Monique Rose, curator of a multi-media art installation titled ᑌᐸᑯᐦ or Tepakohp, debuting at the Cathedral Village Arts Festival next week.
A piece by Melanie Monique Rose, curator of a multi-media art installation titled ᑌᐸᑯᐦ or Tepakohp, debuting at the Cathedral Village Arts Festival next week. Photo by KAYLE NEIS /Regina Leader-Post

The artists featured in ᑌᐸᑯᐦ will also be attending personally on the final day, Saturday, to interact with festival-goers and offer original art pieces for purchase — both their own, and from other Indigenous artists.

“It’s about opening that door for other artists,” said Rose. “Creating that space for the next generation, which I think is the whole spirit of the exhibition.”

lkurz@postmedia.com

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After fleeing civil war as a child, the 'mayor of the rail trail' in Hamilton uses rock art to help him heal – CBC.ca

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If it’s a nice day in Hamilton, chances are good that Antonio Merino will be sitting at his special spot alongside the Escarpment Rail Trail.

His nook on the Mountain side of the trail, near the foot of the Margate Stairs, can’t be missed – it’s a solid 15 metres of sculptures and artwork made from painted rocks, fallen branches and other found objects. 

A curvy branch juts from a log, evoking the head and body of a swan. Painted rocks are everywhere, bearing messages supporting essential workers or in remembrance of people who have died. There’s a row of sticks that have been painted blue to look like a pond, with wooden birds and alligators looking over it and a fish trapped on a line inside. 

“It’s just a passion for me,” said Merino, enjoying his home-away-from-home on a recent, hot-as-an-oven summer day. “It’s a way to express without words. I did this all because I like to see a better world.”

Tall wooden stakes hold up a tarp with two seats underneath it – one for Merino and one for the litany of guests who stop by for a visit each day. The densely treed area of the Niagara Escarpment provides plenty of canopy shade as well, with the little sun that is able to peek through the trees forming a speckled, cheetah-print of light on the forest floor.

Nearly everyone who walks by says hi to Merino, who has become a central part of the community that has developed among regular trail users. “He’s the mayor of the trail,” said one passerby. 

A man sits under a tarp along a path in the forest, surrounded by painted rocks on the ground among the trees.
Antonio Merino sits among his creations on a hot day in Hamilton, in June 2022. (Saira Peesker/CBC)

“It’s really great to see somebody utilize the space, utilize found objects and just make it their own,” said Laura Heaney, who stopped to visit while walking past with her dog. “My first impressions were that somebody had a creative streak in them and wanted to put it out there in the world.”

Sandra France, who hikes past twice a day, says the spot has become a focal point for trail users.

“It’s like a little community down here and this is the hub,” she says. “Sometimes you’ve got to take a number if you want to be able to say hello to him because he’s very popular and keeps everyone going around here.”

‘This is helping me to release pain, sorrow’

Merino is 53, with a slight frame and gentle smile. His ever-present dark sunglasses are held on with a cord, and his dark hair is thick and cut short.

He takes pride in the fact that the space he’s created brings joy to the people who go by, but he’s also made pieces that hint at what is beneath his positive countenance.

“A man from nowhere, just giving hope,” reads one. “Lost soul,” says another.

“This is helping me to release my pain, my sorrow, and the horror that I lived in the past,” he told CBC Hamilton. “When people say, ‘The past is gone, yesterday is gone,’ it all depends. Yesterday can be gone, but the horror stays. There are two choices: do you live in hell or learn how to live with the hell inside you?”

Merino was born in El Salvador, raised by his grandmother after his mother abandoned him when he was three months old, he says. The brutality and chaos of the civil war took over his life at age 10, its atrocities echoing in his head to this day.

The war would go on to kill more than 75,000 people between 1979 and 1992, and about 8,000 more would disappear, according to the United Nations. Some of those were Merino’s family members, neighbours and friends – including his grandmother, which left him on his own at age 11. 

The pain brought me here, but that pain made my heart soften.– Rail trail artist Antonio Merino 

Later, the threat of being forced to join the army made him flee the country. He moved through Costa Rica and Mexico while waiting for a Canadian visa, finally moving to this country on Aug. 16, 1989.

“The pain brought me here, but that pain made my heart soften and I learned how to be more kindful,” says Merino, who lives with post-traumatic stress disorder and receives disability support payments as a result. “All the people I saw get killed, I believe their spirits came to me to protect me.”

He lived in Belleville and Cambridge before eventually settling in Hamilton many years ago. 

When COVID-19 hit, Merino was in the process of trying to get his high school diploma through an adult education school, which he says shut down with the pandemic. The isolation of that period combined with his existing mental health struggles left him in a dark place, until the day he discovered the rail trail. 

A woman stands on a forested path with her hand on her hip, her other hand holding a leash the leads to her dog.
“My first impressions were that somebody had a creative streak in them and wanted to put it out there in the world,” says Laura Heaney, standing along the trail, June 21, 2022. (Saira Peesker/CBC)

“I actually live by the trail, a half a block, and did not know the trail was here,” he says, noting he’s been in the same Wentworth Street apartment for 16 years. 

That first day on the trail, he found a lost photo album, an interesting rock, an emerald, and another rock painted with the words, “you are loved” – which he saw right at the spot where he now sits daily.

“I got this crazy feeling that something was going on,” he said. “Then I came back the next day and started collecting rocks.”

‘2 years ago, I was just a masked man in a ghost town’

Now Merino spends six to 10 hours a day near the spot, sanding, painting and arranging the rocks and other natural items he finds. He attributes almost a mystical power to some of his most special finds.

“I have some rocks I won’t sell because I believe I will be cursed if I sell them. I believe Mother Nature brought them to me,” he says. 

His friends along the trail also bring him rocks sometimes, as well as money – he has a donation box, but says things have dried up lately with the hard times people are facing. Some people ask him to make rock art to honour deceased loved ones. One woman even begged him to let her kiss his hand, after sensing he was a special person.

“It feels very strange,” Merino said. “I said to this lady, ‘I am a normal person. I am not an angel. I am nobody.'” He let her kiss it anyway.

He also gets plenty of attention from local children; a “blessing,” he says. 

“I have maybe 50 letters and rocks that kids made for me… Parents come here and lend me the kids and I babysit them. I teach them art.

“Two years ago I was just a masked man in a ghost town. Nobody knew me. [Now] sometimes when I am downtown, police officers put the siren on and say, ‘Antonio!’ People downtown say, ‘Hey, I know you!'”

He says feeling like he’s part of something has changed his outlook, and he hopes to provide a piece of that to others.

“I always want to be a humble person and bring positive energy to everyone who goes by here. That’s my main goal.”

A man in sunglasses stands smiling in the forest.
Antonio Merino decorates a section of the rail trial with artwork made from painted rocks, fallen branches and other found objects. (Saira Peesker/CBC)

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PHOTOS: Walkerville Art Walk Takes Over Wyandotte | windsoriteDOTca News – windsor ontario's neighbourhood newspaper windsoriteDOTca News – windsoriteDOTca News

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PHOTOS: Walkerville Art Walk Takes Over Wyandotte | windsoriteDOTca News – windsor ontario’s neighbourhood newspaper windsoriteDOTca News  windsoriteDOTca News



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QU Announces Art Scholarship Recipients for Fall 2022 – Quincy University

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QUINCY, Ill. – Quincy University’s Art Department awarded two art scholarships for the fall
2022 semester.

“The Quincy University Art Department created the Art Talent Search Competition as a
way to raise the awareness for new or transfer students to obtain scholarships,” said Karl Warma,
M.F.A., professor of art. “QU has a long tradition of providing scholarships to art students, but
the growing financial need of students in art programs meant we needed more program
visibility,”

The selection process was held during the School of Fine Arts and Communication
Showcase on February 19, 2022. Participants submitted an application, portfolio and had
personal interviews with QU Art Department faculty. Recipients were chosen at the discretion of
the art faculty on the talent and personal vision of the candidate.

“We are so fortunate to have student’s bringing their developing talents to our Art &
Design Department at QU,” said Gary Meacher, M.F.A., assistant professor. “Every year we
have the chance to reward those talents with our annual scholarship competition.”

Laura VanNice, an incoming transfer student, was awarded a $5,000 scholarship.
VanNice previously studied at Moberly Area Community College. VanNice is from Hannibal,
Mo., and pursuing a degree in graphic design.

High school senior Aliya Callaway received a $3,000 scholarship. Callaway is from
Advance, Mo., majoring in graphic design.

“Laura VanNice and Aliya Callaway are talented young women who will bring additional
creative energy to the Art Department program at QU. We look forward to their active
participation starting in the fall of 2022,” said Warma.

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