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Art festival showcases talent, skill of Nova Scotians with disabilities – CBC.ca

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Megan Schofield was raised on stories of a magical school that only taught art: NSCAD University.

She found her way there, but a diagnosis of diabetic retinopathy came just months after she graduated from NSCAD in 2017. Her vision began slipping away, but her passion for art never wavered.

“It just seemed like there was no reason to give up now,” said Schofield, who lives in Halifax. “Like, I’ve come this far. We’ve got to go further. It’s what I really want.

“A couple issues and complications aren’t going to bring me down now.”

Megan Schofield is a NSCAD University grad, and frequently works with themes of light and dark as they are easiest to see with her limited vision. (Megan Schofield)

Schofield is one of the many artists participating in this year’s Art of Disability Festival. It runs Aug. 16-20 and is hosted by Independent Living Nova Scotia. 

For the second year in a row, everything is taking place online as the province and country deals with the COVID-19 pandemic.

During the festival, people can check out the virtual catalogue of artists at the ILNS website and visit their personal websites or social media pages to look through any works they have available for sale. 

The online aspect means the event is open to any Canadian artist this year.

First time entering festival

Schofield, who primarily draws, had her vision stabilized after rounds of treatments and injections. But she is legally blind in both eyes without corrective lenses.

Her vision loss has changed her work, she said, leading her to focus more on contrasts like light and dark, which is what’s easiest for her to see. 

This is Schofield’s first time at the festival, and she said she loved the idea of something highlighting artists and creators who “just don’t get as much attention as I think a lot of them should.”

Jen Powley, a fellow festival participant and Halifax writer, also said she wanted to take part because she’s “constantly amazed” by what other people are able to make. 

Powley has published two books: a memoir called Just Jen about living with multiple sclerosis, and one of interactive fiction titled Sounds Like a Halifax Adventure

“I love creating because I am in control of the words. I get to say when, and how,” Powley said via a text-to-speech system.

“The event is important because it highlights what people are able to do, not what their disabilities are.”

Writer Jen Powley of Halifax is taking part in this year’s Art of Disability Festival (CBC)

She said moving the festival online again this year was the right call since many artists are in vulnerable health situations and this removes any risk.

But the fact that an event like this still has to exist in 2021, in a time when people with disabilities have low rates of employment and little government support, is “disheartening,” Powley said.

However, Powley said such a festival is helping build a better province. As Nova Scotia has committed that the province will be accessible by 2030, Powley said the biggest obstacle to achieving that goal is overcoming “deeply ingrained” biases. 

She said the festival shows the talents and imagination of the participants.

Meaghan Ernst, left, and Brad Gabriel are summer co-coordinators for Independent Living Nova Scotia. They are putting together this year’s Art of Disability Festival. (Meaghan Ernst, Brad Gabriel)

Meaghan Ernst and Brad Gabriel, summer co-coordinators for ILNS, said in a recent interview they had about 12 artists signed up so far but hoped for many more before the Thursday deadline.

In the past, Ernst said they’ve had artists in various mediums including books, paintings, sculptures, costume design and many more forms of art.

ILNS is also hosting free virtual events throughout the week on Zoom, including a paint-a-long and dance event. 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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