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Art Gallery of Ontario purchases two paintings by local artist – OrilliaMatters

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A local artist has found a big-time buyer for two of his paintings, and it kind of feels like he’s come full circle.

The Art Gallery of Ontario (AGO) has purchased two of Travis Shilling’s works from his Tyrannosaurus Clan show he put on last year, and they will be included in the Toronto gallery’s permanent collection.

“It was really exciting,” Shilling, a Canadian-Ojibwe artist based in Orillia, said of getting the call from the AGO. “I didn’t know how to feel about it.”

He’s had time to think about that, though, and can say it feels “special.”

Shilling moved to the big city when he was 17 to study at the Toronto School of Art. Money was tight, so he took advantage of the AGO’s free admission on Wednesday nights. That’s when he really gained an appreciation for the artists showcased and fell in love with oil painting.

“I joke that I always feel like I’m 17. As long as that excitement’s there, you feel really good,” he said. “I always think about those days at the AGO. What a fascinating place that is. We’re so lucky to have that institution of art.”

Shilling began painting when he was in high school. His father, the well-known and talented Arthur Shilling, of Rama First Nation, died when Travis was seven. The family kept his studio shut, but a large canvas as well as many supplies remained inside.

At 15, Shilling went back into his father’s studio, gathered some of those supplies and began painting.

He recalled a quote he read about an artist having to create 1,000 canvases before being happy with one. Ten years after he started painting, Shilling said, he was finally satisfied with his work.

He has been painting professionally for more than 20 years and his work has been exhibited far and wide, in Canada, the United States and Europe.

The two pieces purchased by the AGO are called Owl and The Excavators. The entire Tyrannosaurus Clan show was inspired by pipelines, particularly on First Nation lands, and everything that comes with them — the protests, the crews who work on them, the spirits disturbed by them, both humans and other animals.

“I just started to think about what they were digging up. I started to think about artifacts, the past,” Shilling said.

The pipeline workers crossed his mind, too. He knows people who have worked on such projects. Some have shared with him their stories of the animals they’ve seen — animals that have never seen excavators and pipelines.

“The vision was the old creature rising that’s been dormant for thousands of years,” he said of one of the recurring images in the series of paintings. “I’ve always tried to focus on the positives, but these spirits are coming back because they’re being dug up.”

The AGO purchasing his paintings has certainly been a positive, especially during a time when artists are struggling.

When the COVID-19 pandemic hit early in the year, “everyone had to rethink what they were doing,” he said.

“My work is about being in the moment and realizing this isn’t the end; it’s just another beginning,” he said.

Studio, the downtown Orillia space Shilling runs with his partner, Naomi Woodman, remains closed. Now, he’s painting out of his kitchen. He wasn’t sure at first how removing himself from his usual work environment would affect his painting or his productivity.

“We left the studio, we went to the woods and I just started painting again,” he said, adding that experience gave him “a real sense of security” that he could keep up with his craft during challenging times.

He also finds motivation from the Otter Art Club, a youth art collective founded by him and Woodman that provides a range of instruction and experience to local kids. It’s an experience they didn’t want the young participants to miss out on, so they’ve shifted the programming to online.

They have a goal of providing 150 youth with art kits to help with the online course, and they’re hoping the community will pitch in. Any contribution is appreciated, but everyone who donates $500 or more will receive a 16-by-16-inch, limited-edition print of Shilling’s We Are Always Together.

For more information, or to send an e-transfer, email otterartclub@gmail.com.

Shilling and Woodman are also working on a book that will feature all of the paintings that were included in Shilling’s exhibition called Colorado, which recently closed after a three-week run at the Ingram Gallery in Toronto. A copy will be auctioned off in support of the Otter Art Club art kits.

Keep an eye on the Studio and Otter Art Club Facebook pages for details.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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