Art
Art honours gold mining past | The Star – Toronto Star
GOLDENVILLE – There may be less controversial traditions to commemorate, but for one St. Mary’s community, gold mining is not only a matter of local history; it’s in the town’s name. And now it’s recorded on canvas.
The Heritage Goldenville Society is marking the area’s past with a new water colour depiction of the area’s first mineral operation, circa 1860, by Sherbrooke artist Beverly Cameron, called Gold Mining Works at Goldenville.
According to the organization’s chair, Neil Black, proceeds from the sale of a limited number of prints will help support the society’s work to collect and preserve the community’s economic and social legacy. “Our whole source of revenue comes from bringing in donations at the door,” he said. “We have a nice little museum here with all sorts of interesting artifacts.”
Sherbrooke resident Cameron – who has exhibited her art in Fredericton, Saint John and Halifax – said she was happy to undertake the project after speaking with Black and other society members last year. “They offered to pay me, and I said I would be happy to make a donation,” she noted. “Gold on the Eastern Shore is part of our history.”
Between 1862 to 1941, production in the area reportedly topped 200,000 ounces, making Goldenville the unofficial gold capital of the province.
“Thousands of people actually lived and worked around here in those days,” Black said. “Folks spent their money in Sherbrooke, and you had teachers and church people arriving here [because of gold mining].”
Cameron said she had to undertake a bit of sleuthing to draw the picture accurately. “I just went and got a whole lot of different old pictures from the archives they [the Society] provided and put it together,” she explained. “I used line drawing and watercolor. So, what you’re seeing is me doing my very best to represent what it used to look like.”
Atlantic Gold, a subsidiary of Australian mining company St Barbara Ltd., hopes to build an open pit mine along the environmentally sensitive St. Mary’s River. The project has yet to undergo an environmental assessment, but opinions on both sides of the issue are running hot in the area. Despite this, however, Black says he hasn’t received any pushback from the community about the art fundraiser.
“There’s been absolutely none of that,” he stressed. “This was part of our history and it was economically good for the community at the time. And, of course, it was really before anybody had an understanding of environmental waste and damages.”
The society hopes to introduce a “non-invasive” gold panning program for residents and tourists this summer. “We won’t be using any chemicals. We’ll teach people how to pan for gold, and then offer a sourdough’s meal,” Black said. “People can go off and find history with their own hands.”
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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