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Art installation that injured several people gets a safety makeover – Toronto Star

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It’s encouraging when the guy in charge steps up to make sure more people aren’t hurt by a water-filled trench that is too easy to step into.

Last week I wrote about a narrow channel that’s part of an art installation in front of the LCBO store near Yonge Street and Summerhill Avenue, and how two women were injured after stepping into it on Mar. 9.

They ended up in the same cubicle in emergency at Mt. Sinai Hospital with serious leg injuries, where they met and realized they’d been bushwhacked by the same trench, which runs next to a busy sidewalk, just an hour apart.

Since that column, four more women emailed to say they were also injured by the trench. One suffered a broken foot that left her in a boot cast for six weeks. Another broke and dislocated three ribs, while a third suffered minor injuries.

Susan Merry, who ran a business nearby and was quite familiar with the art installation, which was built in 2004, tried to step over the trench one day in 2007 or 2008 “as a shortcut. I’d done it a million times.”

But she instead stepped into it, where “my left shin collided full-force with the granite edge,” that surrounds it. “I thought I broke my leg,” she said, adding she was in agonizing pain and also ended up in emergency.

“The gash on my shin was so bad you could see right down to the bone,” she said, noting she was wearing sandals and a skirt at the time, and that a piece of her skin was stuck to the granite edge for days afterward.

After hearing from six people who were hurt, it seems likely there are more, which is reason enough to think the trench and its proximity to the sidewalk is indeed a hazard, as all six described it.

Before my first column I talked to Mitchell Cohen, who runs Westdale Properties, which owns the historic former train station in which the LCBO is located and is responsible for the art installation.

He said he was considering changes, but wasn’t specific about what they’d be or how long it would take. So when he asked me to meet him there on Wednesday, I didn’t know what to expect.

I arrived to find the trenches on both sides of the ramp that leads to the LCBO doors covered with fitted steel plates that are fastened in place and prevent people from stepping into them.

Cohen said that covering them with plates — which he hopes is only a temporary fix — was the best way to make the trenches safer right away, adding he doesn’t want anyone else to be hurt.

He said he’s been involved in the train station and its property since 1987 and hopes to find a better solution that will make the trenches safer but “protect the design integrity” of the art installation.

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The bottom line is that Cohen did what was needed to make the trenches much safer right now, and has engaged professionals to figure out a way to cover them that doesn’t detract from its esthetic appeal.

That’s a win-win, I’d say.

What’s broken in your neighbourhood? Wherever you are in Greater Toronto, we want to know. Email jlakey@thestar.ca or follow @TOStarFixer on Twitter

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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