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Art Is at the Heart of This Modern Iceland Home – The Wall Street Journal

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Entrepreneur and art patron Oliver Luckett moved to Iceland with his partner Scott Guinn in 2015, intending to take a break from working in California and perhaps work on a second book.

Instead, the couple went on to organize music festivals, establish multiple companies and transform their home there—one of Reykjavík’s most iconic properties—into a community arts hub.

“Iceland has such a humanistic side. We had a vision of creating a door for people,” says Mr. Luckett, 45, who bought the five-bedroom, three-bathroom, 4,760-square-foot house at Sæbraut 1, on the island’s seafront Seltjarnarnes location, in January 2016 for $1.34 million.

The home of Messrs. Luckett and Guinn is located on the Seltjarnarnes Peninsula on Faxafloi Bay. It was built as a gift for one of Iceland’s most famous artists, Jóhannes Sveinsson Kjarval.



Photo:

Bodvar Sigurbjornsson/ Borg

Facing the steely gray Atlantic, the austere, brutalist exterior of the four-level home belies its vibrant interiors. Its star is a cavernous glass-fronted living room, where walls are covered, floor to 16-foot-high ceiling, in artwork.

There is a life-size mirrored wolf sculpture by Arran Gregory, an acrylic on canvas titled Warhol, by ThankYouX, and a work by London-based artist and designer Daniel Lismore. The piece combines clothing, fabrics, jewelry and curiosities taken from the 38 full-size “sculptural warriors” Lismore made for his show “Be Yourself Everyone Else is Taken,” which Messrs. Luckett and Guinn produced at Reykjavík’s Harpa music hall as part of the June 2018 Reykjavík Arts Festival. Every piece of art faces a window.

“Scott and I love transforming spaces like this. There are all these cool moments,” says Mr. Luckett. As part of the remodel, the couple invested 12 months and $700,000 modernizing the 1969 house, removing eight rooms to make the interior layout more open and creating an entranceway with a clear line of sight to the main level and views beyond.

Mr. Luckett wears a sweater by Icelandic artist Shoplifter, who also made the rugs.



Photo:

Axel Sigurdharson

Mr. Luckett is an author and entrepreneur who started and sold several companies, including a social media management company he co-founded with Ari Emanuel of William Morris Endeavor and Napster co-founder Sean Parker. Mr. Guinn, 31, is a music supervisor. Mr. Luckett has been collecting art for over 30 years, and it filled his California, Chicago and London offices, as well as the couple’s former Malibu home. The couple considers their collection the scrapbook to their lives.

The couple’s first visit to Iceland was in 2011 to work with the Icelandic musician Bjork on her album Biophilia. They kept coming back, and after touring the house, decided to stay. “Iceland values nature and creativity for the most part. It was exactly what we needed at the time, and opposite to L.A. in many, many ways,” says Mr. Guinn.

The couple opened up the kitchen to overlook the living room and ocean views.



Photo:

Bodvar Sigurbjornsson/ Borg

Entrance to the “furry room,” filled with artificial hair, an installation by Shoplifter.



Photo:

Bodvar Sigurbjornsson/ Borg

Their home has always been a space intended for art. It was built in the 1960s as a gift from the Icelandic people to prolific Bohemian painter Jóhannes Sveinsson Kjarval (1885-1972), but the artist had always maintained he would never move in, denouncing the atelier-cum-house when it was presented to him, fleeing the scene by taxi.

“He was already over 80 years old, and also quite unpredictable,” recalls the home’s architect Þorvaldur S. Þorvaldsson, now 87, who designed it as a place where international artists could live and work in the central sunlit space.

Other than two small arts events, including an exhibition of Kjarval’s work after his death in 1972, the house—Kjarvalhús, as it is known locally—wasn’t the home for art that Þorvaldsson envisioned until Messrs. Luckett and Guinn moved in.

In 2016, after packing 1,700 pieces of art into four shipping containers, Messrs. Guinn and Luckett used the nine months it took for their collection to arrive to host art events in the empty home.

This sitting room features a life-size “warrior” by Daniel Lismore and an original Kjarval purchased by Mr. Luckett for Mr. Guinn’s birthday.



Photo:

Bodvar Sigurbjornsson/ Borg

The atelier’s huge sliding wooden window panels—installed by Þorvaldsson so artists could control the Nordic light—were transformed into artworks by Devin Liston, an artist who was staying with the couple. He was inspired by the work of contemporary artist Birgir Andrésson, known for his “word portraits” on top of Pantone colors that resembled the colors he saw in Iceland.

Messrs. Luckett and Guinn have painted every wall in the house from Andrésson’s Icelandic palette, the steely gray of the living room perfectly matched to disappear into the ocean beyond.



Photo:

Sanna Mander

At its peak, the couple’s art collection in the house grew to 2,000 pieces. New additions included a room covered entirely in kaleidoscopic artificial fur by artist Hrafnhildur Arnardottir (AKA Shoplifter), who stops by to groom it whenever she’s in town, occasionally adding weaves or braids.

There is even an original Kjarval, which Mr. Luckett purchased for Mr. Guinn’s 30th birthday.

The couple is now selling the property, which is listed by Reykjavík real-estate company BORG for approximately $2.48 million. The couple say their move to Iceland and evolution of the house is part of a saga that is still unfolding. Messrs. Guinn and Luckett have relocated to Denver where they have started a company that sells Icelandic seafood.

“We love the house. And we love Iceland. But it deserves someone who’s going to be there more than half the year,” says Mr. Guinn. He describes living in their neighborhood and their daily strolls to nearby hot-spring-fed swimming pool Sundlaug Seltjarnarness like being at a resort.

The Luckett-Guinn home.



Photo:

Bodvar Sigurbjornsson/ Borg

The high ceilings created a display space for the couple’s extensive art collection. It includes a blown glass octopus chandelier by Adam Wallacavage; Pixelated Woman by Brandon Blatt; dual-headed gold deer by Joshua Levine; a pink-hued panoramic featuring monkeys and cherry blossoms by kozyndan; and the work CHAOS/ORDER by CYRCLE.



Photo:

Bodvar Sigurbjornsson/Borg

The couple want Kjarvalhús to continue to be a hub for art and artists who have a deep respect for Icelandic culture and art. The couple is even open to leaving the artwork in place as a loan. They are not sure whether the “furry room” will stay permanently, or whether they’ll re-create the installation elsewhere.

For the moment, the home is being used for its intended purpose for the first time. Surrounded by the couple’s art, local artist Gabriella Fridriksdottir, from whom they have bought pieces that fill one of the home’s guest rooms, is working on four new pieces, which Messrs. Guinn and Luckett can see developing live on their Nest Cam from their Denver home.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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