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Art project to fill Raymond Taavel Park after COVID-19 delays upgrades – CBC.ca

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Plans to beautify a small downtown Halifax park may be on hold due to the pandemic, but a new art project is set to bring a burst of colour into the space.

Raymond Taavel Park, named for the Halifax community leader and LGBTQ activist who was killed in 2012, officially opened at last year’s candlelight vigil during the Pride festival. The park is located where Barrington and Inglis streets meet.

A small group of volunteers, named the Friends of Raymond Taavel Park, helped push for the establishment of the area. 

Adriana Afford, group member and owner of Argyle Fine Art, said they had been working toward a similar event this July with additional gardens, permanent lighting and public art.

But, due to the COVID-19 pandemic Afford said they quickly realized many of the new plans were not going to be possible, especially since the municipality told them they didn’t have the staffing to help with any changes.

Raymond Taavel is shown in a 2008 handout photo. (The Canadian Press/Shambhala Sun-Marvin Moore)

Then Darren Lewis, who was Taavel’s partner, mentioned he would still love to walk by and see some type of light in the park.

“I suggested that the point of the vigil has always been to remember those who have gone before us with the symbol of light,” Lewis said in an email.

‘A pandemic can’t dampen Raymond’s shining light’

If people couldn’t gather with lit candles, he said maybe there could be a way for images of candles to brighten the space instead. 

“Surely a pandemic can’t dampen Raymond’s shining light,” he said.

Afford said the volunteer group worked with local artist Chris Smith of Jampy Furniture to create 200 wooden candles that can be painted and decorated in any way before being placed in the grass like a lawn ornament.

‘Something really special’

“I think everybody kind of needs a little boost,” Afford said. “It does take some time to pick up one of these things and paint them. But then, the payoff is you get to see that everybody kind of worked together and did something really special.”

The project was funded by a grant from the Downtown Halifax Business Commission so the candles are free for participants.

Afford said people can decorate their candles however they like. She’s heard from people who plan to put LED lights all over theirs, while others are writing the names of people they miss from the LGBTQ community.

The candles can be picked up from Argyle Fine Art or Venus Envy, and Halifax Pride plans to distribute some as well. There’s a quick turnaround, since any finished candles must be dropped back off at these locations by noon on July 20, or the park itself between 5-6 p.m.

That’s the night of Halifax Pride’s annual candlelight vigil, which begins at Victoria Park at 8 p.m. and is in support of Black Lives Matter. Participants will march past Raymond Taavel Park, ending at Cornwallis Park for the main vigil.

About 200 candles have been created. (Steve Lawrence/CBC)

Adam Reid, executive director of Halifax Pride, said the full event can’t be held at the Taavel Park this year since it’s too small for people to physically distance, but anyone participating can take a moment to place their decorated candle in the grass as they go by.

When thinking about this art project, Reid said it’s important because for so long the LGBTQ community felt like they had to hide who they were, and often were fearful to record their own history.

“We just need to identify for the next generation of young people like who are the leaders, who should they be emulating, who should they be looking to for inspiration,” he said.

And for those who might think that this project isn’t for them if they’re not in the LGBTQ community, Afford said it’s meant to be inclusive to anybody who wants to remember Taavel, but also other people who did great things in their community or just take part in a beautiful art installation.

“I think it will hopefully uplift a lot of people. It definitely will bring a lot of happiness to Raymond’s partner, but anyone that would have known him I think it will be extra special for them,” she said.

“Even if you didn’t know him and you were just driving past the park, just to be able to see something like that it would be pretty great.”

Afford also said this is a great project for families to sit down together and create something while learning about Taavel’s legacy.

The wooden candles will be on display for about a week, and then they will then be collected and stored safely for use in future years.

For those who aren’t in Halifax, there’s an option to print out a colouring page to follow along with the project from a distance, which was originally suggested by Taavel’s family in Ontario.

Park upgrades

The park had some upgrades last year following its renaming, including new sod, a park sign with information about Taavel, and a new garbage can, according to an email from municipal spokesperson Maggie-Jane Spray. 

Picnic tables have returned to the park this year, while there is also now a planter installed by the volunteer group.

“Consideration will be given to other park improvements for future implementation, while working with the loved ones of Raymond,” Spray said.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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