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Art Shows to Visit This Summer – Vanity Fair

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From L.A. to London and in between!

Get thee once again to galleries and museums, anywhere in the world.

GO SEE

ALMA W. THOMAS: EVERYTHING IS BEAUTIFUL

A retrospective of the artist whose abstract work reflects life’s exuberance is opening this month at the Chrysler Museum of Art in Norfolk, Virginia, and will travel to museums in Washington, D.C.; Nashville; and Georgia.

THE NEW WOMAN BEHIND THE CAMERA

The Metropolitan Museum of Art is showcasing the work of more than 120 female photographers from the 1920s to the 1950s—among them Florestine Perrault Collins and Lola Álvarez Bravo, who rejected ill-conceived stereotypes.

TEAMLAB: CONTINUITY

For their first major U.S. show, at the Asian Art Museum of San Francisco, the Tokyo-based art collective teamLAB has created whimsical digital ecosystems that depend on visitors’ movements, so no two viewings are the same.

SOCIAL WORKS

In his debut exhibition for Gagosian in New York City, newly minted director and curator Antwaun Sargent conceives of space through a multifaceted Black imagination, including pieces from Titus Kaphar and Lauren Halsey.

BEAUTIFUL CREATURES

At the American Museum of Natural History’s newly opened Mignone Halls of Gems and Minerals, all that glitters isn’t gold—it may be labradorite, emerald, or towering amethyst geodes. This summer it gleams with a survey of brilliant critter-inspired fine jewelry.

PETER BLAKE: TIME TRAVELLER

Spanning seven decades, Waddington Custot’s London show highlights the British artist’s keen exploration of collage and his role in the Pop art movement.

TURN ON

A museum of medieval art hosts an ultracontemporary concert series—on screens now.

Lost Souls of Saturn in the Fuentiduena Chapel at The Met Cloisters filmed in April.
Lost Souls of Saturn in the Fuentidueña Chapel at The Met Cloisters, filmed in April.Stephanie Berger.

“I was interested in showing the depth and breadth of electronic music,” says Limor Tomer, general manager of Live Arts at the Met and curator of the Sonic Cloisters, an electronic-music series featuring the pulse-raising works of Lost Souls of Saturn, Jlin, and Dubfire, which will roll out on the Met’s website and social platforms monthly through August. The through line between the performances, Tomer says, is “the deep connection between the music and the art”—paintings, illuminated texts, sculpture, tapestries, and four French cloisters brought to their current location in New York’s Washington Heights in 1938. Each musician chose a different area of the museum in which to film, from an intimate stone gallery to a vast space housing iconic sculptures, says Tomer; perfectly varied settings for the music’s “layered, complex compositional structures.”

PLUGGED IN

Art Shows to Visit This Summer
Emmanuel Olunkwa.

Aria Dean, a forward-looking L.A.-born artist, critic, and curator whose solo exhibition “Suite!” is on view at REDCAT, shares what’s currently capturing her attention.

Image may contain Bronze and Art

“There’s no artist whose work—objects and writing—I return to more than Robert Morris’s,” says Dean. “I have a poster of him overlooking my dining room.”

© Robert Morris/Artists Rights Society (ARS), New York, © Christie’s Images/Bridgeman Images.

Image may contain Text Number Symbol Advertisement Poster Graphics and Art

“The programming at Artists Space in New York,” says Dean, highlighting the recent retrospective of Art Club 2000, which raised still-relevant critiques of capital and ’90s downtown cool—“is intelligent and rigorous, and often quite fun (an important combination).”

Ian Dreiblatt & Anastasios Karnazes. Courtesy of Artists Space, New York.

Image may contain Hair Human Person Necklace Jewelry Accessories Accessory Clothing and Apparel

Dean calls Adrienne Edwards, director of curatorial affairs at the Whitney Museum of American Art, a beacon for her “heavy-duty theoretical component” to curating, citing her work on post-structuralism and race.

Cynthia Edorh/Getty Images.

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Augmenting our reality: Ottawa ARt City is virtually painting the town – Ottawa Citizen

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Ottawa ARt City is an augmented reality art festival that is accessed through a locally designed iOS app called Hidelight.

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This summer, a new type of festival has landed in downtown Ottawa; one that exists digitally, not physically.

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Ottawa ARt City is an augmented reality art festival that is accessed through a locally designed iOS app called Hidelight. The app allows users to physically explore and visit a library of virtual art exhibits scattered around the city, created by various local art institutes from Ottawa.

App designer and artist, Paul Sharp, offers an original take on the use of technology for civic engagement with arts and culture during a time where mass social gatherings are discouraged.

When users load the Hidelight app, they will be presented with a map marked with local exhibits to be visited. Once within range of an art piece, users can use their camera to view the exhibit superimposed over the physical scene in front of them.

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Users are also able to learn more about the virtual art pieces which have been submitted by the Ottawa School of Art, Ottawa Public Art, and the Ottawa Art Gallery.

Ottawa ARt City also encourages the contribution of local citizens by allowing them to upload their own content into Hidelight’s augmented reality. Users can add their own video, audio, and 3D models into virtual exhibit space to be explored by other visitors.

“Your phone is your ticket for this safe and futuristic festival,” writes Sharp on the Ottawa ARt City website.

Augmented reality (AR) is an interactive experience of a real-world environment where objects that reside in the real world are enhanced by digital information.

This technology is being used with Ottawa ARt City to virtually display art pieces at specific locations.

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This merging of real and virtual worlds is often called mixed reality, an environment where physical and digital objects co-exist and interact in real-time.

Exhibit details are accessible through the Hidelight app. Max Peacock/Capital Current
Exhibit details are accessible through the Hidelight app. Max Peacock/Capital Current jpg

Hidelight uses the user’s mobile device camera to overlay a digital reality over their physical setting. Virtual objects remain spatially proportional and present in augmented reality as users move around in their environment.

Virtual spaces and events have been growing in popularity during the COVID-19 pandemic, but often lack spatial presence and compelling interactivity when being viewed from behind a screen. AR offers some solutions to these challenges in a time where physical spaces are not accessible to everyone.

Back in 2016, Niantic’s Pokemon Go took the world by storm, essentially overlaying a fantasy world over daily physical reality to create a gamified scavenger hunt for virtual assets. This fictional-reality approach to AR is but a single example of how physical and digital worlds can be merged to bring communities together in their local space.

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With ever-present innovation in software and hardware, new possibilities for entrepreneurs and artists alike are on the rise. While many tech giants like Google, Microsoft, and Apple are designing their own interfaces for interacting with mixed realities, Hidelight showcases a local artistic integration of the same technological fundamentals.

While the festival officially ran from July 10 to 18, the exhibits remain accessible through the Hidelight app on iOS devices. If you’re looking for a way to safely engage with local arts and culture while also getting a preview of the next wave of tech, Ottawa ARt City is a summer bucket list must.

This story also appears in Capital Current, the community news site run by Carleton University’s journalism program.

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Art contest, mall pop up and more – Sault Star

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The WKP Kennedy Gallery has welcomed over 75 guests through our doors since opening our two current exhibitions: Feats of Clay, Then and Now, and Alive and Thriving: The Unseen Resiliency.

We’ve met so many amazing members of our community and welcomed back our regulars with open arms and wide, masked covered smiles.

But like anything, it’s time to say goodbye.

Both our current exhibitions close this Friday, the 6th of August, so if you haven’t been in to view these two diverse and cultural exhibitions, make sure you book for the next three days.

These two exhibitions have raised so many talking points in our community about history, tradition and North Bay’s perception of the individuals that make up our vibrant city.

Head over to our website to book your spot to see these shows.

After we close our current exhibitions, the Kennedy Gallery will take a small break from the public eye to de-install and prep our gallery for a very exciting fall.

We have new shows coming up that are out of this world, while still connecting us to our roots here in North Bay, of course, and we also have … an art contest.

That’s right local artists you read right.

With Blues Fest just around the corner here at the Capitol Centre and the WKP, we’re hosting an art contest based around a song from the headliner, Jack de Keyzer.

All the information on how to enter is on our website, but here is a little teaser.

This is a free submission art contest where you create an artwork inspired by the song, ‘6 String Lover,’ by Jack de Keyzer.

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The artwork must be hang ready and can be dropped off Aug. 30.

On Thursday, Sept. 2, there will be an open mic night in the gallery where all your art pieces will be displayed with a People’s Choice Award to crown the art contest winner.

Please email us at info@kennedygallery.org or head over to our website for more information.

Lastly, have you checked out our newest art installation at the Northgate Shopping Centre?

Right across from the food court is a brand new installation that we set up in collaboration with Ivy Ireland, @vibeyivy on Instagram, a local artist.

Take a peek into our fantastical world and get lost with your head in the clouds. Take a picture and tag us on Instagram.

That’s all for now North Bay, see you soon!

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Art Bikers attempt to mend communities one stitch at a time – HalifaxToday.ca

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A new biker gang will be taking over Fort Needham Memorial Park on August 7 but it’s not likely the band of swarthy roughnecks you are imagining.

Called the Art Bikers, the mobile bicycle and trailer-based art program is planning to set up shop in the North End park in order to launch their Clothing Care and Repair Project, the first of three outdoor public gatherings aimed at breathing new life into the items in your closet.

The Art Bikers have actually been roaming Halifax neighbourhoods since 2007. Formed through the 4Cs Foundation to provide free art-making opportunities around Halifax, the group has earned its place as a well-respected community-building program in HRM.

Renee Brazeau is the coordinator of the Art Biker’s 15th season.  She moved from Ottawa to get her Master’s degree in art education and says landing the position was a thrilling opportunity.

“I very much care about art education and I’m super passionate about teaching art and also I’m a certified teacher,” says the 23-year-old NSCAD student who was looking to explore ways to teach art outside the classroom and get more involved in the community.

“It’s really a pleasure to get involved and interact with different folks in different neighbourhoods, different communities — just seeing the joy that we can bring through art and connecting,” adds Brazeau. “(After the pandemic), you can just tell that everyone is just itching to be together and create together so it’s just a really nice treat.”

The Art Bikers have already hosted a handful of projects in Halifax since COVID-19 restrictions were lifted. The first event of the year was on July 10 at the Sands at Salter along the harbour where they launched a Waterfront Play Day and handed out free handmade booklets to children, encouraged drawing and participating in sidewalk games. 

The group has also hosted recurring pop-up activities every other week at Mulgrave Park Caring and Learning Centre as well as at The North Grove in Dartmouth.

“The way that I’ve been approaching the coordinator role has been (to say) how can I develop a relationship with different community partners and see what their needs are,” says Brazeau, with the focus always on the community’s needs. “I think as a pop-up art program, you’re going into communities that you don’t necessarily belong to or aren’t in on a regular basis (so) there’s a lot of relationship-building that needs to happen before just showing up.”

With the Art Bikers upcoming Clothing Care and Repair Project, the mobile arts crew will not only share their techniques and knowledge for mending or embellishing clothes in a fun way, but they will also be supplying participants with donated materials and tools.

“We encourage people to bring an item of clothing or maybe a few, depending on how much they want to work on throughout the event,” says Brazeau, suggesting any items with rips or wear and tear will do. As well, people can just bring clothes to be decorated.

“We are going to have things like zippers, buttons, lots of embroidery materials to do embroidery mending techniques,” adds Brazeau. “We’re also thinking of creating some screen-printed patches that people can use either as decoration or to cover up any sort of rip.”

Brazeau adds residents don’t necessarily need to have old clothes to mend in order to participate either. In fact, for her, one of the best parts of being a member of the Art Bikers is simply meeting other neighbours in the community.

“Learning from others and connecting with others — I think that’s so important especially with the past year and a half that we’ve had,” says Brazeau. “Just having the ability to connect with people in-person and create together is so special.”

For more information on the Art Bikers, visit their Facebook page.

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