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Art stolen from Quebec City café-bar returned, thanks to social media – CBC.ca

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Art stolen from the wall of a Quebec City café-bar has been turned over to police after the alleged thieves were served a thinly veiled threat of legal consequences on social media.

On Boxing Day, La Ninkasi Simple Malt Québec posted photos to its Facebook page that showed a wall lined with the framed work of local artist Stéphan Paquet.

However, in that post, four of the frames are missing: only empty wall space and label cards remain.

“Rather than your faces, here are images of the holes left by your theft of four drawings,” the café-bar said in its post, describing the events that unfolded in the early morning hours of Christmas Eve — events captured on surveillance cameras, the post implied.

“It would be a good idea to bring back the stolen works before we file a complaint of theft.”

The post then drove home the lifelong consequences of a criminal record that could follow not just the thieves, but their accomplices, as well.

Artwork turned over to police

The post was shared hundreds of times in the days that followed. On Tuesday, the artwork was returned to a police station outside of Quebec City.

The café-bar’s manager, Caroline Marois, said the alleged thieves are not from the area.

They have apologized for the theft, she said —  just in the nick of time, as her next step was to publish their faces on social media.

Marois said the young people who frequent her establishment on Saint-Jean Street sometimes get drunk and make bad decisions, without thinking about the long-term consequences.

There may still be consequences, as the artist did file his own complaint with police Monday.

Paquet told CBC News that he will withdraw that complaint once he confirms the art, priced at around $160 per drawing, was undamaged.

Having a computer or a bicycle stolen is one thing, he said, but it’s a whole other experience when something he created — something into which he invested time and effort — is taken.

Artist ‘very happy’ to have work back

Paquet is a web designer, photographer and musician. He also draws, and he spent years on the work he had on display in La Ninkasi.

He said he was proud to finally hang it in the exhibition — and subsequently shocked when four of his pieces went missing.

The art was returned Tuesady, the day after the artist reported it stolen to Quebec City police. The manager of La Ninkasi says her cameras recorded every detail of the theft. (Facebook)

He applauded Marois for her effort to get the art back.

The photos of the missing frames and text sent a powerful message, and “they were shared more than 300 times,” he said. “The dozens of comments were nice, also.”

He said it’s important to him, too, that the alleged thieves are aware of the impact they had — that it makes no sense to steal. If they show remorse, he said he’ll forgive them. It makes no sense for them to have to live the rest of their lives with a criminal record, he said.

Once he gets the art back, it will be returned to the walls of La Ninkasi in the coming days.

Paquet said he is “very happy” to know he will soon be reunited with his work.

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After Nevada: Wake-up calls for the somnolent, shambling media establishment – Salon

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Margaret Sullivan, the Washington Post media writer and highly respected former public editor of the New York Times, called on the political media to ditch the false equivalence and the credulity and the euphemisms — in favor of honest and direct language describing the urgent threat that a newly unbound Donald Trump poses to democracy.

Anand Giridharadas, the noted author and chronicler of the elites, went on MSNBC, where he is a contributor, to call upon his network colleagues and others to stop freaking out about the Bernie Sanders groundswell and instead ask themselves: “What is going on in the lives of my fellow citizens that they may be voting for something I find it so hard to understand?”

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Naomi Klein, whose writing so effectively champions social, economic and ecological justice, called on the mainstream media to dispel rather than spread “the barrage of lies” about democratic socialism. “Journalists make choices at key moments in history,” she wrote, “they aren’t mere spectators.”

These three powerful, emotional and urgent calls for fundamental change in the way the elite media covers politics all came on one day – Sunday — and taken together strongly suggest that we are at (or past) what should be an inflection point for the political-journalism industry.

This should be a time to take stock. To reconsider whether core journalistic values are being served by arguably anachronistic methods like “neutrality-at-all-costs,” as Sullivan wrote. To ask if our most dominant news organizations are sleep-walking through “a wake-up moment for the American power establishment,” as Giridharadas said. To rededicate to the most essential job of journalism, which, as Klein put it, is to “educate people.”

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launched Press Watch precisely because I think we need to talk about this stuff — a lot, and often.

I’ve been exploring problem practices like false equivalence and horse-race journalism. I’ve been calling out examples of timidity and getting played. And, in what has been the biggest challenge, I’m trying to help identify and establish best practices.

The response has been incredible, and extremely positive. But it would be naïve of me to suggest that the leaders of our industry have engaged in any serious rethinking — even after Donald Trump’s campaign, election and presidency have exposed and exploited political journalism’s chronic weaknesses like never before.

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It’s more like they’re defensively digging in — even as, in Sullivan’s words, “the nation slides toward autocracy.”

We know what we want political journalism to be. A year ago, the Knight Commission on Trust, Media and Democracy summarized that effectively:

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At its best, journalism informs the public on matters of civic concern, gives citizens a common set of facts, provides context that lends greater meaning to the news, independently monitors and holds those in power accountable, and strengthens the public discourse. Good journalism helps us to understand others whose lives and challenges are very different from our own.

We know what needs to change. It involves “less false equivalence, more high-impact language and more willingness to take a stand for democracy,” writes Sullivan. It involves corporate media figures recognizing that “[t]his is a moment for curiosity in America,” says Giridharadas. It involves actively fighting misinformation, rather than reporting on how effective it will be, as Klein argues.

It also involves news leaders opening their minds to a number of excellent ideas that have been percolating in the academic, nonprofit and philanthropic worlds, such as practicing radical transparency, holding politicians accountable to the citizens’ agenda, teaching news literacy and civics, pursuing solutions journalism, encouraging civic engagement and standing up more assertively for a free press. (See, for instance, these seven calls-to-arms for political journalism.)

I am hopeful that pleas like those from Sullivan, Giridharadas, Klein and others will force the news industry to squarely and urgently reconsider how political journalism is practiced. The industry needs an intervention.

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In the meantime, I’ll try to keep the pressure on.

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pop sensation BTS' label picks JPMorgan, others for IPO -media – Financial Post

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SEOUL — Big Hit Entertainment, the music label of South Korean boy band BTS, has chosen JPMorgan, NH Investment and Securities and others to handle its initial public offering (IPO), according to media reports.

The IPO could be one of the largest in years in the country’s entertainment industry, with its total valuation expected to be as high as 6 trillion won ($5 billion), the reports said, citing industry sources.

Big Hit Entertainment has chosen three local brokerage firms – NH Investment & Securities, Korea Investment & Securities and Mirae Asset Daewoo for the IPO, sources with direct knowledge off the matter told Reuters on condition of anonymity as the plan is not public yet.

The brokerage firms declined to comment, while JPMorgan did not immediately respond to requests for comment.

Founded in 2005, the South Korean talent agency behind global sensation BTS has helped the South Korean superstar boy band score megahits globally and sell out U.S. stadiums. BTS also performed at the Grammy Awards in Los Angeles last month.

BTS broke into the U.S. market in 2017 and was the first Korean group to win a Billboard music award. The band is set to launch a new world tour in April.

With BTS at the height of its popularity, it would be the right time to go public for Big Hit Entertainment, analysts said. But some are skeptical about the lofty valuation.

“The band members who are in their 20s must enlist for compulsory military service in a few years,” said Yoo Sung-man, an analyst at Hyundai Motor Securities.

Big Hit Entertainment’s “valuable assets in their prime will be out of business for a while in the foreseeable future.”

Founder Bang Si-hyuk held the biggest stake of about 43.06% in Big Hit Entertainment as of the end of 2018, followed by gaming company Netmarble Corp’s 25.22%, according to a regulatory filing by the music label.

Its operating profit nearly doubled to 64.1 billion won in 2018 from a year ago, according to the filing. ($1 = 1,206.9100 won) (Reporting by Heekyong Yang; Additional reporting by Hyunjoo Jin; Editing by Himani Sarkar)

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Postmedia Calgary gets two nods for international media awards – Calgary Herald

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Gifts of Life: A special series starts shining a light on the need for increased organ donations. Here, Tony Timmons and Ryan McLennan show the special pins they received after Timmons donated a kidney to McLennan, who had used billboards to advertise his search for an organ. Together, the two pins form a whole. And the two men, once strangers, are now the best of friends.


Darren Makowichuk / DARREN MAKOWICHUK/Postmedia

The International News Media Association named Postmedia Calgary on Monday as a finalist in two categories of its annual awards competition.

The first award nomination came in the category of best community service campaign — joint recognition for Postmedia Calgary (Calgary Herald and Calgary Sun) and Postmedia Edmonton (Edmonton Journal and Edmonton Sun) for a project called Gifts of Life. Postmedia newsrooms in both cities joined forces to create this month-long series of content focused on organ donations and transplants.

With support from Postmedia Editorial Services, 22 journalists worked on the project to provide compelling packages of information — stories, graphics, photos and columns — which were published online and in our four newspapers on each of the five Saturdays in November 2019. On our digital sites and social media platforms, we worked to profile a person each day of that same month who had either received a transplant, was waiting for one, had donated an organ or tissue, or had agreed to donate an organ from a deceased relative.

The other nomination for Postmedia Calgary came in the best use of video category, for a video that documented the story of injured Humboldt Broncos player Ryan Straschnitzki. The 13-minute video was created by Leah Hennel and Kerianne Sproule and accompanied a three-part story from Sammy Hudes.

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This is the fourth year in a row in which Postmedia Calgary has been named a finalist in the best use of video category. Postmedia Calgary has been nominated for or won a total of 12 INMA awards since 2010.

This year, the INMA awards attracted 824 entries from 242 news organizations in 44 countries around the world. Winners will be announced on April 28.

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