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Art Toronto art fair returns in person to the Metro Toronto Convention Centre – The Globe and Mail

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Maria Hupfield’s Truth Machine _ Lie Detector, 2017 (Galerie Hugues Charbonneau).Hugues Charbonneau

A year ago, on a dark October evening, Canadian art lovers got all dressed up, cracked open the Champagne, plated the nibbles and sat down at their computers to pretend they were attending the opening night of an art fair. Art Toronto, the annual fair that normally fills the Metro Toronto Convention Centre with 100 gallery booths and thousands of visitors, tried hard to offer a virtual version featuring viewing rooms and video interviews. There was a certain atmosphere – if you tried equally hard – but without the circulating crowds and the continuous chatter, it didn’t really feel like a fair.

This year, the chatter may be somewhat inhibited by masks but Art Toronto is back with an in-person event at the convention centre. More than 60 galleries are participating with physical booths as well as an online presence; another two dozen are offering simultaneous shows in their own premises for those who want to avoid any crowds.

You’ll need proof of vaccination to enter the convention centre and tickets are timed to the half-hour. Meanwhile, the swank opening-night preview, traditionally a fundraiser for the Art Gallery of Ontario, has been postponed until 2022.

Still, from Friday to Sunday, there will be real art in real physical spaces; for the digital skeptic or the neophyte collector, browsing is back.

Jason Baerg’s Oyasiwewina, The Law, 2021 (FAZAKAS Gallery).Fazakas

And from all this, there emerges a theme too: Indigenous art. About a third of participating galleries happen to be showing work by Indigenous artists, from veterans such as the Anishinaabe artist Rebecca Belmore to mid-career figures such as Maria Hupfield, an Anishinaabe artist now working in Brooklyn, N.Y., or the Toronto artist Jason Baerg, who is Cree and Métis and teaches at the Ontario College of Art & Design University. This is coincidental, reflecting the interests of Canadian gallerists and collectors, rather than any specific direction from Art Toronto. It is a trend that includes fair stalwarts such as Montreal dealer Pierre-François Ouellette who has shown work by Meryl McMaster and Kent Monkman for years and the arrival of more galleries that specialize in First Nations art including the Indigenous-owned K Art from Buffalo, N.Y., and Vancouver’s Ceremonial Art.

It also happens to dovetail with the fair’s panel on decolonizing public collections, moderated by National Gallery of Canada curator Greg Hill. That is an online event, one of a series of interviews and discussions that can be watched at home. You can also visit the exhibitors online: Their VR booths on the Art Toronto website will remain up for a week after the physical event closes.

Toronto’s Stephen Bulger Gallery offers a slice of normal – with a side of weirdness – at mini art fair

Another in-person option, however, is being offered by some of the participating galleries in Toronto who have banded together to produce a city-wide gallery week to coincide with the fair. Last year, photography dealer Stephen Bulger couldn’t stomach the idea of online-only and organized a small pop-up fair, inviting four galleries from across the country into his Dundas Street West headquarters and allowing masked visitors to step carefully inside. That idea has taken hold and, alongside Bulger, several more Toronto venues have visiting galleries in their spaces: the Olga Korper Gallery welcomes Calgary’s VIVIANEART; Robert Birch Contemporary hosts Montreal’s Art Mûr and Feheley Fine Arts has Vancouver’s Fazakas Gallery.

Meryl McMaster’s When The Storm Ends I Will Finish My Work, 2021 (Pierre-François Ouellette art contemporain/Stephen Bulger Gallery).Pierre-François Ouellette art contemporain/Stephen Bulger Gallery

Although not officially affiliated with Art Toronto, the friendly art-week idea meshes with the cross-Canada scope of a fair that has always positioned itself as a national rather than metropolitan event. For example, this year, almost a third of the participating galleries are from Montreal. One of those galleries is Hugues Charbonneau’s, and that dealer is arriving already sold out of work by two artists, both of whom address issues of Black history and identity, the Haitian-Canadian Manuel Mathieu and the Congolese-Canadian Moridja Kitenge Banza.

You can’t really put a dollar figure on Art Toronto’s activity because sales are handled by the individual galleries: The barometer of its success is simply the number of galleries that choose to come back year after year. The pandemic may have hurt museums badly but as Charbonneau’s example shows the art market itself has prospered in recent months. In 2021 Art Toronto is exhibiting resilience.

Art Toronto runs Oct. 29-31 in person at the Metro Toronto Convention Centre and online to Nov. 7. See arttoronto.ca for details.

Toronto Gallery Week runs Oct. 26-31. See torontogalleryweek.com for details.


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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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