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[ART1] Card Game Art Works: Making Of – YGOrganization

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Now go! Make your own cards in THEIR image

1) Custom art & 2) Concept art
Full art:

TL note: The note at the bottom left is merely translating “creator’s comment” and “illustrator’s comment”, since they are written in English.

Introduction:

“Introduction the process used to created the illustration for the ‘Reinforcement of the Army’ OCG card that comes with this book”

1) Custom Art:

“Using the card’s abilities and effects as the baseline, this is [the step] where the characters that will be appearing in the illustration, their situation and such are established, and the details are conveyed”

Request for the illustration:

“-The ‘Sky Striker’ characters, appearing in an alternative artwork version of ‘Reinforcement of the Army’”
“-A Raye awakened by two flash blades, showing an even greater power of the X-series. Similarly, an awakened Roze rushes towards there, for a joint battle scene”
“-It should look like a sequel to ‘Sky Striker Mobilize – Linkage!’ and ‘Sky Striker Ace – Shizuku’ (alternative artwork version 2)”
“-Raye should have sustained damage, and have fragmented energy lines running all over her body, both in her uniform and skin. The same goes for Roze”
“-Assume that little time has passed from the fight in ‘Sky Striker Ace – Shizuku’ (alternative artwork version 2). Raye is not equipped with an X-series all over her body, but rather equipped with some parts. Please make [the parts] in the actual card either Shizuku, Hayate or Kaina”
“-Please make the scene so that an awakened Roze is equipped with parts of Kagari, and after heading towards Raye, she deflected an attack”

TL note: The X-series are the various full-armor Link monsters, like X-002 Ace – Shizuku. The “flash blades” can mean pretty much any of the equipment from the theme, but translating them as “Sky Striker” would make it even more confusing.

2) Concept art:

“Using the request as reference, the appearance and clothes of the characters are turned into illustrations. Parts that cannot be included in the card are also designed”

TL note: The title for the following art is “Reinforcement of the Army, version 3”

Setting:

“A few hours earlier…? At a safe location”

Roze’s notes:

Top: “Cut and untied [hair]”
Middle: “Carried [the blanket] with her and caught up [with Raye]”
Bottom: “It helps her relax when she has it around her neck”

Eyes:

Top: “Shizuku version 2”
Bottom: “Their powers are blending together”

Raye’s design:

Left: “Like a monitor”
Right: “Bits”

Volume:

“I want to define the volume & shape of the mecha in the [draft/rough]”

Energy lines:

Middle: “Shizuku’s energy lines”
Top: “Gate-like”
Bottom: “They turn into the color of the X-series”

Creator’s comment:

“Since the illustrations for Linkage, Shizuku, and the previous related cards were focused on Raye, for this one I wanted to make a scene where Roze is the main [focus]. After discussing it with the illustrator, I decided that equipping Raye with Hayate would highlight her in contrast with the red from Roze using Kagari”

3) Composition
Full art:

3) Composition:

“The composition is decided so that the illustration can be contained in the frame. There are cases where various patterns are created”

Draft notes:

From left to right: “Back to back”, “Both of them are in mid-air”, “Looks like she’s deflecting [an attack] after having just arrived”

Raye’s expression:

“Raye notices that ‘X-003’ is approaching, using Hayate’s radar.
I was thinking of making her expression in such a way as if her mouth almost looks like…a smile!
Or maybe she is surprised by Roze [showing up], covered in wounds and with a struggling face?”

Illustrator’s comment:

“The direction for the theme and story is checked along with the planner at the time of the conceptualization. I was going to make the details for the weapons more defined after the draft [step], so at this point they were [drawn] very loosely, just to confirm that there are no conflicts with the general feel of the ‘Sky Striker’ series. For the composition, I was told by the planner that since ‘Linkage’ and ‘Shizuku version 2’ had both of them in the ground, this should be a mid-air scene, although I was afraid of the cost of creating a yet unseen scenery for the illustration”

4) [Rough/draft] & 5) Line art
Full art:

4) [Rough/draft]:

“[The illustration continues to be] drawn up to finer details like expressions and effects, in a quality so that the completed illustration can be envisioned”

Expression proposal:

Left: “Roze”, right: “Raye”

TL note: The rest of the notes are exactly what is seen in the expressions, with Roze being either serious or angry, and Raye either smiling, struggling, or being surprised.

Creator’s comment:

“For Roze, considering the original appearance of the character, I chose her expression to be ‘A’. For Raye, since I liked the illustrator’s proposal that Raye would know about Roze approaching thanks to Hayate’s radar and their mutual resonance due to their awakened state, I chose her expression to be ‘A’, where she is smiling.”

5) Line art:

“The draft is cleaned up, and [the illustration] is completed up to the point right before coloring”

Illustrator’s comment:

“I start drawing the line art based on the chosen draft. I also add lines in order to make the vague parts more defined.”

6) Finish
Full art:

6) Finish:

“The characters, effects, etc. are vividly colored, including even the parts that are not featured in the card, and this 1 illustration is finally complete”

Illustrator’s comment:

“Since Roze is the main [focus], Raye is colored in a simpler way, and because there are lots of elements, I colored them by first ordering the priority of their overlapping, so that their individual silhouettes won’t crash with each other. Because the card size is small, I think it’s more important to focus on the lights/shades and silhouettes that can be easily perceived, rather than coloring in a more detailed way. Adding effects and fragments heavily increases how finished the picture feels. Coloring is my favorite stage of the process”

Thanks to our anonymous contributors for the scans

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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