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Arts and culture alive and well in Innisfil

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Enhancing the arts, culture and heritage as an integral part of Innisfil’s identity has long been on the minds of the Innisfil Arts, Culture and Heritage Council (IACHC).

Sydney Hardie, a current board member of the IACHC, said the council has been playing an impactful role in engaging the public in determining Innisfil’s priorities regarding local artists and arts groups.

“By reaching out and working with other community organizations and events, we are able to bring more awareness of the benefits and value of creativity and imagination as necessary components to a vibrant, developing community,” Hardie said.

Hardie explains that the goals of the IACHC is to help arts, culture and heritage individuals, groups and organizations realize their full creative, social and economic potential for the greater benefit of the community, and help Innisfil to become a recognized arts and culture destination.

Established in 2012, the council is known for two signature events. The first is its annual pop-up picnic Dinner in White, a classy event and fundraiser that gathers community groups and individuals. Each year the event takes place in a secret location somewhere in Innisfil, revealed to party goers only hours beforehand.

The second signature event is the Innisfil Studio Tour, a self-directed tour of artists’ studios and group shows in Innisfil. The event has been running for over 25 years, and was taken on by the IACHC in 2014.

For the second year following the pandemic, the studio tour featured the Innisfil Autumn Art Show and Sale, held simultaneously at the Innisfil ideaLAB & Library and the Masonic Hall in Cookstown.

For this year’s event, which occurred on the first weekend of November, the IACHC also partnered with local schools to hold a youth art show, where the student artwork is shown as part of the studio tour.

“The tour has been a great opportunity for artists to promote their work and for the community and visitors from surrounding areas to see the varied types of art and artisanal works created by residents of Innisfil,” Hardie said.

The IACHC’s partnership projects include the concert series, which features four shows throughout the year at the Innisfil ideaLAB & Library.

For Hardie, community experience is an essential aspect of the works by local artists in Innisfil.

“I think a lot of our local artists are able to draw on the beauty of Innisfil, the feelings that our community instils in them, and use that with their own experiences to create very unique and beautiful works,” Hardie said.

Despite the many achievements throughout the years, the IACHC still struggles to bring awareness of local culture among new generations.

“As a growing town, with many young families, it is a challenge to attract and hold the attention of young parents, who are busy with kids and commuting,” Hardie added.

In the hope of reaching new people who are not yet aware of the cultural opportunities that exist in Innisfil, the council has been involved with community events, such as the farmers’ market, Culture Days, Celebrate Lake Simcoe, and the Santa Claus parade.

“We are looking to build the organization back up after COVID and are seeking people and artists who want to take an active part in creating a vibrant and innovative creative community,” Hardie said.

There are several opportunities to get involved in the Innisfil arts community, such as holding art classes and cultural events in town, which includes music events, art shows, festivals, etc.

“We welcome anyone to contact us with ideas and activities that they would like to see happen in Innisfil,” Hardie added.

For 2023, the council is hoping to host another concert series at the Innisfil ideaLAB & Library, and is planning to bring back the full Innisfil Studio Tour.

“Of course, the art show and sale was such a success that we may also have to do one in the spring or summer,” Hardie said.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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