A new exhibit opens at the Rollin Art Centre on April 27, and it features art by Alberni Valley children.
The exhibit is titled Moments in Time, looking through the world through our children’s eyes. the show is a collaboration of children’s art, ECEBC Port Alberni Branch/ Connections.
Help us celebrate Child Care Month in May at the Rollin Art Centre. Join us in the gallery for refreshments on Saturday, April 30, from 1-3 p.m. This exhibit runs until May 20.
WATERCOLOUR WONDER
Ionne McCauley of Qualicum Beach has drawn and made art most of her life. She spent 20 years in Australia and Canada custom-dyeing fabrics and garments, teaching colour theory and design principle classes to fibre artists. Also a quilter, she has written a number of books and is known for her skill at quiltmaking.
She has taught colour workshops for more than 25 years. She will teach a two-day workshop at the Rollin Art Centre June 1–2 on Watercolour: the Basics of Colour Theory and Pigments. The workshop runs from 10 a.m. to 4 p.m. each day.
The fee for this workshop is $150. A supply kit fee of $20 (paid to the instructor) includes all paints used in class, paper to start and a grayscale. Register at Rollin Art Centre by calling 250-724-3412 or visiting the gallery Tuesday to Saturday, 11 a.m. to 4 p.m.
WHAT IS SPRING TO YOU?
The Rollin Art Centre will be holding a unique Spring-inspired art exhibit, May 25–June 18.
We are inviting local artists to submit up to three pieces (size depending), that depicts your rendition of spring imagery. All mediums welcome: Acrylic, oil, watercolour, pottery, sculpture, jewelry, photography etc.
Titled “SPRING -Seasonal Imagery,” this exhibit is supposed to reflect the gentle changes of the season; create a unique mood and feeling associated with this season. Application forms are available at the Rollin Art Centre. Artists may submit up to three pieces; $10.00 per submission. Deadline to apply is April 30.
SOLSTICE FEST SEEKS ARTISTS
Solstice Arts Festival is back, after a two- year hiatus due to COVID-19. We are looking for artists to bring their talent and wares to the Rollin Art Centre on Saturday, June 18 from 11 a.m. to 4 p.m. Spaces are still available outdoors on our terrace or in our two gardens. There is ample room to spread out, and the gardens are ideal for setting up an easel or demonstrations of artwork.
Let’s make this a huge community event, enticing everyone to come out to our free annual arts festival.
If you are interested in displaying at this year’s event, call the Rollin Art Centre 250-724-3412, for more info. Spaces $25.
Melissa Martin is the arts administrator for the Community Arts Council.
An undated watercolour paint palette, painted in watercolour by instructor Ionne McCauley. (SUBMITTED PHOTO)
Steller’s Jays, a watercolour on paper instructor Ionne McCauley created in 2021. McCauley will be teaching a watercolour workshop in Port Alberni. (SUBMITTED PHOTO)
Ionne McCauley has made art for most of her life. Since 2016 she has concentrated on watercolours. McCauley will be teaching a watercolour workshop in Port Alberni. (SUBMITTED PHOTO)
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
