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Arts Everywhere for everyone – GuelphToday

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Spiritualist writer Thomas Merton wrote “Art enables us to find ourselves and lose ourselves at the same time.”

Art in all its forms helps to define us culturally and expand our relationships to each other. It should, therefore, be accessible to everyone and that is why accessibility and inclusion are the central themes of the Arts Everywhere Festival this year.   

“We are looking forward to a number of things and one of the main pieces is the importance of access for members of our community,” said festival director and program curator, Marva Wisdom. 

“We are very excited to be able to bring a festival that is intentional in how we approach access and inclusion whether individuals face barriers around economic, cultural and physical abilities, sensory or otherwise.” 

The festival runs from Jan. 22 to Jan. 26 and features performances, exhibits, workshops and activities that celebrate the diversity of creative expression through music, literature, ceremony, spoken word and visual arts.

“The presenters will be coming from different parts of the world, so, local and international,” said Wisdom. “We really want to inspire our community and recognise the importance of the arts and the changes it can make in our society.”  

Those changes are reflected in the artists featured this year and in the efforts made to ensure each event is as inclusive and each venue is as accessible as possible. They even prepared an accessibility guide that among other things lists all the accessibility features of every venue in the festival. 

“We have not done anything like this before,” said Wisdom.  “We spent a fair bit of time at the venues for what we call an embodied audit. We took photos. We had great conversations with staff members, managers and owners about access.”

Festival staff and team members received accessibility training.

“We participated in a workshop from Tangled Arts and learned a lot about access and how you make events more accessible,” said Wisdom. “This all came about through work over the years with Bodies in Translation and at the University of Guelph. They have been tremendously helpful in pointing the Arts Everywhere Festival along this journey.”    

There will be live captioning (surtitles) for many of the events as well as ASL (American Sign Language) interpretation and earphones to amplify or reduce sound.

“If you tell them you have sensitivity to certain sounds or light, if you are in a powered wheelchair and need more width or maybe you have a hearing impairment, you don’t even have to share that with us, you just need to show up,” said Wisdom. “If you feel more comfortable knowing ahead of time we have someone you can speak to and when you arrive we have access ambassadors that will help you navigate the entire festival.” 

They have even made efforts to accommodate people who experience anxiety in public or crowded spaces.    

“We have relax spaces and quiet rooms because some people get over stimulated and they don’t come to these events because they think it is going to be too much,” said Wisdom. “People can go on our website and see the information.” 

Accessibility and culture of care lead Coman Poon hopes their efforts will act as a seeding initiative for growing accessibility culture and he invites other festivals to use the Access Guide for planning future events.

“It is not  a proprietary document,” said Poon. “It is not just for this festival. We welcome others to use it as a free tool that challenges prejudice against people with disabilities or ‘able-ism’.”  

Poon is the point person for all accessibility inquiries and can be contacted at access@artseverywhere.ca or 647 575-4202.

The festival opens Wednesday, Jan. 22, with a free event at the Art Gallery of Guelph curated by poet, author and visual artist Taqralik Partridge. 

“It is her image we are using on our poster and on the front of our program,” said Wisdom. “She is going to be our featured literary artist at the event Friday night at the River Run as well.”

Partridge’s image of a damaged door with limited access on the side of a poorly maintained home is an apt metaphor for the challenges we face as we strive to improve access and include everyone in the conversation about something that should unite us all — art.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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