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As Artists Target Earnings, Snipfeed Advances Social Media Monetization – Forbes

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“Link in bio” has become an everyday phrase for the URL featured at the top of many social media profiles like those on Instagram. With one tap, users can view external websites featuring articles, music playlists and other engaging content beyond what is hosted on the original platform.

According to MusicWatch, nine out of ten social media users participated in a music-related activity on their social media apps in 2018. The trend is growing stronger as the “link in bio” feature sparks new creativity among content creators. This is especially true for musicians, who are maximizing their earnings by using the feature to promote new music, engage directly with fans, advertise exclusive performances and sell retail. 

Los Angeles and Paris-based Snipfeed, a nine-person start-up founded in 2019 by three young French entrepreneurs, Rédouane Ramdani, Anas Bouassami and Pierre-Habté Nouvellon who met at UC Berkeley, is disrupting the “link in bio” marketplace. Using Snipfeed technology, the company’s new one-click solution gives established and emerging artists the opportunity to monetize their content and streamline their storefront using their personal social media channels. 

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“Content is eating the world and social media is the new marketplace. This is where supply meets demand, which is why we are building directly on top of these platforms to help creators convert as many people as possible” says Rédouane Ramdani, co-founder of Snipfeed.

Rather than linking to external websites, content creators can now use Snipfeed to connect directly with fans. This new level of engagement is making it possible for them to generate revenue more efficiently in one streamlined storefront. As they build a storefront directly on top of their social media presence, they can consolidate all monetization tools in one location. 

Artists can then monetize their audience in one click through on-demand content, direct interactions, tips and commerce. On the back end, Snipfeed’s dashboard integrates in-depth analytics, financial tools and other features to helps creators optimize and grow their business. 

As the social media landscape grows more crowded, Ramdani says that it is becoming increasingly important for creators to be able to connect with their fans and generate revenue more efficiently. Unlike other “link in bio” tools, Snipfeed is built around a one-click solution for content creators to monetize through their social media and streamline their storefront, rather than relying on third-party websites. 

Snipfeed allows artists to profit by selling their services and exclusive content. As they collect tips, showcase live streams and personalized videos, they have the option to advertise directly within their bio link via credit card, Apple Pay or Venmo.

With more than 10,000 content creators now using the Snipfeed, Ramdani says that many of them have reached revenue streams as high as thousands of dollars per day. Internationally, he explains that the global company is growing with 20% of creators based in Europe. Almost 60% of TikTok creators in France with an engaged audience of followers are already using Snipfeed, he adds. 

During the pandemic, artists began sharing career and skill-building content online. By positioning themselves as both artists and educators in music, Ramdani says that artist who thrive in the future will be those who embrace social media platforms to the fullest potential.  

American Idol season two contestant Cory Young uses Snipfeed and says, “I like Snipfeed because it gives me all the features that any other ‘multi smart’ link service gives me plus, it adds in revolutionary monetization features that allows my fans to ask for pretty much anything they want directly from me. It’s a win-win for everyone.”

Matt Skiba, vice president of rights and content at Vydia end-to-end content monetization platform, says that content monetization opportunities are growing at an incredible rate, so it is vital that content owners assert their rights quickly and with accurate metadata to avoid any third-party claims. 

“Getting approval from all contributors can be tricky, so it’s best to work out those details before making the content available,” says Skiba. “Giving labels streamlined workflows to provide accurate metadata, identify what rights they control, and assign royalties to any third parties allows them to monetize correctly at scale.”

Snipfeed operates across all social media platforms including Spotify, Instagram, TikTok, Twitter and more. As the company takes on the content monetization space with its streamlined platform for creators around the globe, it is introducing a subscription-free model that positions artists to realize their full potential.

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Forget Trump — the American media is on trial in New York – The Hill

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Forget Trump — the American media is on trial in New York | The Hill








The views expressed by contributors are their own and not the view of The Hill

It was July 2018, and Michael Avenatti was considering a presidential run. Anyone can consider running for president, I suppose. It’s just that when the lawyer for Stormy Daniels and cable news mainstay did it, important people — theoretically important, at least — in the press took it seriously.

CNN’s Jim Scuitto had Avenatti on to talk about it, and make a bit of a campaign pitch for himself, on July 4. The next day, CNN’s editor-at-large Chris Cillizza, one of the more prominent writers for the website back then, published a piece of analysis with the headline “President Michael Avenatti? Never say never!”

And sure, why not. Avenatti was riding high at the time. A couple months earlier, he was being pitched, according to the New York Times, for a “Crossfire”-like show with Anthony Scaramucci, the rapidly-defenestrated former Trump communications director, by mega-agent Jay Sures, who represents top CNN talent like Jake Tapper and Anderson Cooper. Maybe that’s why Avenatti became so ubiquitous on the network to begin with — embarrassingly so, in retrospect.

But if we look back to April, almost exactly six years ago, that’s when Avenatti truly burst onto the national scene. On April 9, 2018, the FBI raided the office of Michael Cohen, the long-time “fixer” and business associate of then-President Donald Trump. The next day, Avenatti was on Cooper’s CNN show to break it all down — from Stormy Daniels, his porn actress client, to Karen McDougal, the former Playboy playmate, to Cohen himself. It was Avenatti’s chance to craft the narrative for the media, and the media was happy to oblige.

The whole ordeal was portrayed a couple weeks later in a cringe-inducing “Saturday Night Live” cold open, with Ben Stiller playing Cohen, Jimmy Fallon playing Jared Kushner, and Stormy Daniels playing herself. (She struggled to nail the “Live from New York, it’s Saturday Night!” line at the end.)

It’s worth reflecting this week on this bizarre 2018 moment, as it serves as the prelude to the first (and possibly only) trial of Trump in 2024. The trial that officially began on Monday isn’t about “insurrection” or “espionage” or classified documents or RICO. Oh no. It’s this reality TV, trashy tabloid junk about porn stars and Playmates — stuff that belongs more in the National Enquirer than the National Broadcasting Company.

Which is ironic, of course, because the first witness in the case was David Pecker, the former executive in charge of the National Enquirer. (It’s also ironic that Avenatti is now firmly on Team Trump, saying he’d be happy to testify for the defense, although of course he’s also currently in federal prison for wire fraud and tax fraud, so…)

It’s been more than six years since that initial FBI raid, and the original Avenatti media sin. But buckle up, here we go. We’re getting to hear about the way Trump teamed up with the National Enquirer in an effort to boost his 2016 campaign. A bit like how most of the establishment press today is teaming up with the Biden campaign to stop Trump in this cycle.

You know that story about Ted Cruz’s father potentially being involved in the murder of JFK? Totally made up, to help Trump in the primary! None of this is surprising, to any discerning news consumer. But it does allow the media to get on their proverbial high horse over “checkbook journalism” — as if the crusty old legacy press hasn’t been doing a version of it for decades, when ABC or NBC wants to secure a big “get” on their morning show. But the journalistic ethics of the National Enquirer are a red herring — a distraction from the substance of the trial.

After Pecker, we’ll get Cohen, and Daniels, and McDougal as witnesses. Avenatti, at least it seems for now, will stay in prison, and not get to return to the limelight.

This trial is a circus. But the media made their choice way back in 2018. And now they too are on trial.

To get meta for a minute, when I decide to devote my weekly column to a topic, I’m not only deciding the topic to cover, but making a decision about what not to cover as well. On a far larger and more consequential scale, every single news organization makes choices every day about what to focus on, how to cover it and what gets left on the cutting room floor.

Back during the Trump years, the media spent an inordinate amount of time dissecting every last detail of this tabloid journalism fodder we’re now seeing play out in a New York City courtroom — which is meaningless to the lives of nearly every American. The trial is the culmination of the inconsequential work that ate up so many hours of cable news, and occupied so much space in the most powerful media outlets in America. So much time and energy and resources that could have been devoted to literally any other story, including many that directly relate to Donald Trump. And yet now, here we are.

This trial has to matter for the American press. If it doesn’t, it invalidates their entire existence during 2018. But if the public tunes out — and, can you even imagine if a jury in New York City actually finds Trump not guilty at the end of this thing — well, it’s as much an indictment of the Trump-obsessed Acela media as it is of the system that brought these bizarre charges and salacious case in the first place.

Steve Krakauer, a NewsNation contributor, is the author of “Uncovered: How the Media Got Cozy with Power, Abandoned Its Principles, and Lost the People” and editor and host of the Fourth Watch newsletter and podcast.

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'Nessie' photo at Scotland's Loch Ness puts Canadians in media spotlight – National Post

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The Official Loch Ness Monster Sightings Register sent the photo to one of their experts ‘who said that it was “compelling evidence” ‘ of the creature

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LONDON — Parry Malm and Shannon Wiseman weren’t expecting a “pivotal moment” in their sons’ lives when they visited Scotland’s Loch Ness earlier this month, but that’s exactly what happened.

“Our youngest is turning three next week,” said Wiseman from the family’s home in London, England. “And he tells everyone there have been two pivotal moments in his life: Seeing the world’s largest dinosaur, which he did at the Natural History Museum in January, and seeing Nessie.

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“He tells everyone he encounters. He tells the postman, he tells the guys in the shops and the cafes.”

Malm and Wiseman have been thrust into the limelight after a photo they took during their family vacation showed a shadowy figure poking above the waterline, something that the couple’s children _ and others — firmly believe is the latest sighting of the famed Loch Ness monster.

Malm and Wiseman, who are from Coquitlam B.C., and Calgary respectively, moved to England in 2006.

The couple said the original plan for the spring vacation was to take a boat ride in Loch Ness because their children were “completely captivated by the concept of Nessie.”

“We’d even packed shortbread cookies, which we were told from these books was Nessie’s favourite treat,” Wiseman quipped. “Turned out shortbread cookies were not necessary.”

That’s because the family spotted something sticking out of the water while visiting a lookout at nearby Urquhart Castle.

“We just started watching it more and more, and we could see its head craning above water,” Malm said. “And then it was swimming against the current towards the castle, slowly but surely, like very fastidiously going over the waves (and) coming closer and closer. And then it submerged and disappeared.”

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Malm said the family took a photo of what they saw and decided “for a bit of a laugh” to send the picture to the Official Loch Ness Monster Sightings Register, which he stumbled upon while surfing the internet.

“They got in touch within 24 hours,” Malm recalled. “They were super excited. They sent it to one of their Loch Ness experts who said that it was ‘compelling evidence,’ I believe was the exact phrase.

“And just one thing led to another. I mean, it’s been incredible.”

Since the photo submission, Malm and Wiseman have been featured in British tabloids such as The Sun and the Daily Mirror and digital publication LADbible.

On the Official Loch Ness Monster Sightings Register, the encounter has been recorded as the first Nessie sighting of 2024.

“We’ve both got texts from people who we haven’t heard from in quite some time going, ‘Guess who I just saw on TV?”‘ Malm said.

“I’m just glad that we hit the national media in Canada for spotting the Loch Ness monster and not being on Crime Stoppers.”

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Both Malm and Wiseman said they are happy their experience is bringing some positivity to the daily news cycle, and at least one person they have spoken with thanked them for the picture.

“Our son’s school’s headmaster is Scottish,” Malm said. “And he pulls me aside at pick up one day and he goes, ‘You know what, Perry? You’ve done more for Scottish tourism than anybody else in my lifetime.’

“So, hopefully some people will be inspired to come visit Scotland.”

What isn’t certain, however, is what they actually encountered on that cold April morning on the shore of Loch Ness.

“We don’t know what we saw,” Wiseman said. “Our children believe we saw Nessie, and I believe it for them.

“I believe that we saw something that could be Nessie, and that is a very broad possibility.”

Malm said the wonder that the sighting has inspired in his children, and others resonating with the photo, is more important than the question of what they encountered.

“It’s really charming,” he said of the outpouring of reactions. “Because in a world where the news is about a war here and an atrocity there, it’s just nice that people are interested in something that’s just lighthearted, a little bit silly and a little bit unbelievable.”

Our website is the place for the latest breaking news, exclusive scoops, longreads and provocative commentary. Please bookmark nationalpost.com and sign up for our daily newsletter, Posted, here.

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B.C. online harms bill on hold after deal with social media firms

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The British Columbia government is putting its proposed online harms legislation on hold after reaching an agreement with some of the largest social media platforms to increase safety online.

Premier David Eby says in a joint statement with representatives of the firms Meta, TikTok, X and Snapchat that they will form an online safety action table, where they’ll discuss “tangible steps” toward protecting people from online harms.

Eby added the proposed legislation remains, and the province will reactivate it into law if necessary.

“The agreement that we’ve struck with these companies is that we’re going to move quickly and effectively, and that we need meaningful results before the end of the term of this government, so that if it’s necessary for us to bring the bill back then we will,” Eby said Tuesday.

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The province says the social media companies have agreed to work collaboratively with the province on preventing harm, while Meta will also commit to working with B.C.’s emergency management officials to help amplify official information during natural disasters and other events.

The announcement to put the Bill 12, also known as the Public Health Accountability and Cost Recovery Act, on hold is a sharp turn for the government, after Eby announced in March that social media companies were among the “wrongdoers” that would pay for health-related costs linked to their platforms.

At the time, Eby compared social media harms to those caused by tobacco and opioids, saying the legislation was similar to previous laws that allowed the province to sue companies selling those products.

A white man and woman weep at a podium, while a white man behind them holds a picture of a young boy.
Premier David Eby is pictured with Ryan Cleland and Nicola Smith, parents of Carson Cleland, during a news conference announcing Bill 12. (Ben Nelms/CBC)

Eby said one of the key drivers for legislation targeting online harm was the death of Carson Cleland, the 12-year-old Prince George, B.C., boy who died by suicide last October after falling victim to online sextortion.

“In the real world we would never allow a company to set up a space for kids where grown adults could be invited in to contact them, encourage them to share photographs and then threaten to distribute those photographs to their family and friends,” Eby said when announcing the legislation.

The premier said previously that companies would be shut down and their owners would face jail terms if their products were connected to harms to young people.

In announcing the pause, the province says that bringing social media companies to the table for discussion achieves the same purpose of protecting youth from online harm.

“Our commitment to every parent is that we will do everything we can to keep their families safe online and in our communities,” said Eby.

Ryan Cleland, Carson’s father, said in a statement on Tuesday that he “has faith” in Eby and the decision to suspend the legislation.

“I don’t think he is looking at it from a political standpoint as much as he is looking at it as a dad,” he said of Eby. “I think getting the social media giants together to come up with a solution is a step in the right direction.”

Business groups were opposed

On Monday, the opposition B.C. United called for a pause to Bill 12, citing potential “serious legal and economic consequences for local businesses.”

Opposition Leader Kevin Falcon said in a statement that his party pushed Eby’s government to change course, noting the legislation’s vague language on who the province can sue “would have had severe unintended consequences” for local businesses and the economy.

“The government’s latest retreat is not only a win for the business community but for every British Columbian who values fairness and clarity in the law,” Falcon said.

A white man wearing a blue tie speaks in a legislature building.
B.C. United Leader Kevin Falcon says that Bill 12 could have had unintended consequences. (Chad Hipolito/The Canadian Press)

The Greater Vancouver Board of Trade said they are pleased to see the legislation put on hold, given the “potential ramifications” of the proposal’s “expansive interpretation.”

“We hope that the government chooses not to pursue Bill 12 in the future,” said board president and CEO Bridgitte Anderson in a statement. “Instead, we would welcome the opportunity to work with the government to develop measures that are well-targeted and effective, ensuring they protect British Columbians without causing unintended consequences.”

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