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As local news outlets shutter, journalists try to take ownership into their own hands – The Globe and Mail

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Jessica Wallace at her home in Kamloops, B.C. on Feb. 17.Marissa Tiel/The Globe and Mail

On a warm Ottawa day last June, reporter Jessica Wallace cozied up to Governor-General Mary Simon in Rideau Hall for a celebratory photo.

She smiled and held up a plaque recognizing her employer, Kamloops This Week, as a finalist for the Michener Award, Canada’s top journalism honour.

Today, when Ms. Wallace thinks of that photo, the smiles are gone. “What did it mean?” she says. “Did anyone care? They still closed us down.”

On Oct. 25, Kamloops This Week published its final issue. It’s one of at least 36 local news outlets in Canada to close in 2023, according to the Local News Research Project. Since 2008, 518 news outlets have shuttered. Community papers, defined as publishing fewer than five times a week, make up 77 per cent of that total.

With layoff notices piling up at Bell Media, CBC, Metroland community newspapers and countless other outlets of late, hundreds of journalists are now contemplating their next move.

Although their effort ultimately failed, the Kamloops This Week story is unique among recent media obituaries. Like so many other laid-off newsrooms, employees were angry and demoralized. Unlike many, they channelled that disaffection into an attempt to start their own paper.

As media chains continue closing small-market newsrooms, local ownership, as opposed to corporate chain control, stands as one the few counters to a disturbing trend creating vast news deserts across the country.

One of the models for local media ownership comes from an unlikely source. In 2008, the U.S. owners of Harmac pulp and paper mill, just outside of Nanaimo, B.C., went bankrupt, putting 530 locals out of work.

The staff banded together with three investors to buy the 60-year-old mill. Some 230 employees contributed $25,000 each toward the $13.2-million price tag. Industry observers gave it six months. Sixteen years later, it’s still humming, employing 340 full-time workers.

The next year, workers at CHEK, a television station just down the Island Highway in Victoria, borrowed the Harmac model. When their owner, Canwest, put the station up for sale and issued layoff notices, the employees organized to buy the company, each worker putting up $15,000.

Since then, the employee-owned station has more than doubled its original staff of 35. While Canwest treated the station’s news programming as a financial drain, the new CHEK regards it as core to the company’s mandate.

“We’re doing more local programming than probably any station of this size in Canada,” said Rob Germain, general manager of CHEK Media Group, who has encouraged countless corporate-owned outlets to follow the CHEK lead.

Staff at the Prince Albert Daily Herald in Saskatchewan made a similar move in 2018, buying the paper for an undisclosed amount.

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Jessica Wallace used to be a reporter at the now defunct newspaper Kamloops This Week.Marissa Tiel/The Globe and Mail

Smaller-scale models are emerging as well. When Vancouver-based media chain Glacier Media closed the Dawson Creek Mirror last October, editor and reporter Rob Brown had a new publication, This Week in Dawson Creek, up and running within a week. It’s a one-man shop: He writes, edits, sells ads, delivers copies.

“I see the value in community news,” he said. “For instance, it’s budget season. I’ve been looking at operational and capital budgets for 25 years as a journalist and I can break that down for readers.”

When Ms. Wallace and the Kamloops This Week team learned of the paper’s imminent closure, they turned to the CHEK model.

The paper’s editor, Christopher Foulds, spearheaded the effort. He wasn’t sure a new paper was viable until consulting Randy Blair, president of the Black Press media chain, who told him that Kamloops’s population of roughly 105,000, along with the $3.4-million in annual revenues that Kamloops This Week was pulling in, suggested a healthy newspaper market.

He drafted some numbers with Mr. Blair and a local businessman. They would need $600,000 to run the operation for two or three months before advertising revenue trickled in. A few locals agreed to invest $120,000 apiece. Mr. Foulds and his wife pledged the same amount, a significant sum for a career journalist. “It was a serious, serious risk,” he said.

Ms. Wallace promised a portion of her severance cheque.

It wouldn’t have been her first financial sacrifice for the job. Like many journalists, she came up through a series of sub-$30,000-a-year jobs. At times, she had to borrow money just to fill her gas tank.

For the paper’s Michener-winning work, she spent countless hours deciphering spreadsheets of questionable spending at the Thompson-Nicola Regional District (TNRD). The paper’s investigative series focused on the lavish spending under the former chief administrative officer Sukh Gill, who left the regional district abruptly in 2020 with a $500,000 severance package. The reporting prompted an RCMP investigation and forensic audit that cost another $500,000. The Mounties uncovered irregular financial practices, but no clear evidence of criminality.

Ms. Wallace, by contrast, was earning $23 an hour – $2 more than what’s considered the living wage in Kamloops.

Mr. Foulds secured the $600,000 and incorporated a new company. Kelly Hall, a city councillor and former publisher of Kamloops This Week, agreed to come aboard in his old role for a year. A skeleton crew of three reporters and three salespeople signed on. Everything was falling into place. They even had a name – the Phoenix – and a launch date of Feb. 8.

Then came a compensation dispute that would kill the dream – and serve as an example that local ownership isn’t a panacea. The model relied on experienced salespeople with extensive local contacts to drive ad revenue. But when Mr. Hall met with the sales staff, he says he was “dumbfounded” by their pay demands. “The business model just didn’t support what they wanted,” he said.

The local news site Castanet broke news of the Phoenix’s failure to launch on Feb. 6. Without any certainty that the Phoenix, or something like it, will rise again, Mr. Foulds – the dynamo behind the effort – has decided to move on, taking a health communications job.

“You can feel the loss all over town,” Mr. Hall said. “Businesses can’t get their marketing out. I was talking with some seniors who want to know where they can go for obituaries.”

Plus, there would be no paper to cover the city’s relentless news cycle, including summer wildfires, probable unmarked graves around the former Kamloops residential school, dysfunction at city hall, an 11-per-cent property-tax hike.

There are other outlets – a CBC outpost, several radio stations and online offerings from Castanet (owned by Glacier Media), Infotel.ca and a new community-funded outlet called The Wren.

Ms. Wallace admires their work but believes the city is missing the impact of a deeply reported front-page story. “There’s so much posted on the web, they are all just trying to cover so much and do so much,” she said.

She has a maternity leave and severance that will last until the fall. Beyond that, her path, like that of the industry she loves, is unknown.

“I believe in it,” she says of community journalism, “and I care about the city, so what do I do now?”

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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